Reviews

Superficially, "Force of Evil" can be considered a film noir and gangster movie. But it is so much deeper than that. The very bleak message I got from the film is that even decent people must submit to corruption to survive.

The character of Leo, superbly played by Thomas Gomez, is inherently honest and noble but he must live and work in the naturally shady numbers racket. He knows that he will be eventually crushed. This knowledge makes Leo one of the most bitter and tragic characters in film...a decent man whose life is dominated by futility.

The protagonist of the film, portrayed by John Garfield, is Leo's brother. He has ridden his job as a sleazy mob lawyer to a life of fame and ease. He has everything Leo doesn't. Yet despite his blustery banter, he,too,is uneasy with his position. He knows Leo is headed for disaster and pulls all the strings he can to protect him, even though Leo reacts to him with contempt. Their relationship is doomed by the corrupt methods both use to survive. Garfield's character finds redemption of a sort by the film's end but not before inevitable tragedy has struck.

There are many more levels to this complex film and discussion of them all could fill many pages. Above all, it is a beautiful movie,expertly directed with tremendous black and white imagery. The dialogue combines snappy patter with almost poetic sensibility. And the performances of all concerned are top notch. This is truly a treasure of cinematic art. Be prepared to think deeply when you watch it

In examining other reader's comments on this film, I am heartened to see that the majority of them "get it". That is, they see past the obvious ineptitude and realize that Ed Wood is a courageous film-maker with something to say.It's just that he does not have the talent to realize his vision. But at least he had a vision and that's more than we can say about Joe Esterhazy, John Hughes or many others. It would be tedious to go over the staggering amount of goofs and weirdness here, but some scenes stand as cinematic classics. The voice-over scene of two steelworkers discussings tranvestism while footage of iron being forged pads out the screen time is bizarre...especially when one of the workers apparently becomes a female! And who can forget the dream sequence? It's like a stoned Salvador Dali directing a Bettie Page bondage shoot! Most amazing is the bizarre figure of the Devil, played by Captain Dezita, whom Wood found booking strip joints. Never have I seen a character so comical-looking on the surface but ultimately so creepy. And of course, there is Bela Lugosi as the Watcher, with his well-known babble on puppy dog tails and pulling strings. After all the silly stuff is disposed of, "Glen or Glenda" is a movie with a lot of heart, if not brains. It sticks up for the misfit and that, in my book, makes it more profound than many of the movies on this site.

This is one of the best films of the 80's yet it is criminally overlooked. Released in an era when Rambo was king, it seems many people just didn't get the film's messages of loyalty, redemption and personal integrity. In other words, it is a true adventure and not just a bang-bang action flick. The kind of movie we need to see more of. Nick Nolte has never been one of my favorite actors but he shines as the gruff King Learoyd. Learoyd is a man of action on the surface but he has been running from conflict his whole life. When he sees that the justice of our "real world" is perverted beyond hope, he retreats to the more honorable world of primitive, uncorrupted Borneo.Eventually, the real world intrudes in the form of World War 2. As The Botanist tells him, "you can no longer avoid history". Learoyd replies, "The world's so full of crap that you're bound to step in it someday. Is that what you call history?" Finally, Learoyd can no longer hide and the war hits him with its full fury. He is shattered by loss yet not unbeaten.He retains his integrity and transcends to non-violence. In one of the film's most emotional scenes, he accepts the surrender of the Japanese Colonel who has tormented him with grace and understanding, leading to the Colonel's own redemption. This is a gorgeous film. full of breathtaking scenery and well-conceived action. The performances are all top-notch, especially Nigel Havers as The Botanist. Why is Havers seen so little?He seems to be an actor of depth and talent. I also enjoyed the character of Tenga, who brought some welcome humor to the movie. Farewell to the King can be accused of being too sentimental and I can't disagree. There are worse things to have in a movie than sentiment, though. I hope this film achieves some of the recognition it is due. It is certainly John Milius' best.

Each artist has his defining moment. With Picasso, it was "Guernica". Orson Welles had "Citizen Kane".And Al Adamson's is surely "Dracula vs Frankenstein". It is the quintessential example of his style,the ultimate Adamson flick. Sure,"Satan's Sadists" was great and "Horror of the Blood Monsters" had its moments, but nothing combined so many aspects of the master's approach. Cheesy monsters, sleazy bikers, awful music, Regina Carrol, Lon Chaney, Jr.,a cameo by Forrest J. Ackerman, the original lab equipment from 1931's "Frankenstein",a wigged-out LSD trip and even a breezy Las Vegas musical number...in what other film do such iconic elements combine? Truly, "Dracula vs. Frankenstein" is a towering achievement of drive-in cinema.

Al's works are starting to be appreciated much as Ed Wood's are. And why not? Entertainment is the name of the game and Al throws everything into this ghouish goulash with maximum gusto. Put your brain beneath the chair, enter the surreal world of "Dracula vs. Frankenstein" and prepare to be blown away!