This coming of middle-age buddy film, with its odd couple of old chums, is one of the most, language rich, character- driven films to come tooling down the 101 in a very long time.
From the beginning, we are set up to dislike Miles {Paul Giamatti} and Jack {Thomas Haden Church}. Who among us can dredge up warm feelings for a man like Miles, who drops by his mom's house to surprise her for birthday, steals from her and, to add insult to larceny, leaves without even saying goodbye.
Jack, looking to get layed one more time before his marriage, is a splendid companion to the morose wine connoisseur/alcoholic Miles as they romp down this road which has a few slapstick potholes but lots of lush dialog to keep our interest along the way. In the language of wine and the language of relationship - this film is filled with fresh images and an appreciation for ambiguity, juxtaposing the profligacy of Miles and Jack, each in his own way obsessive, with occasional quick scenes of workers in the fields and the subtle introduction of a child as witness.
We can easily question what someone as articulate and beautiful as Maya {Virginia Madsen} could be expected find in the man Miles who, like the pinot noir grape he describes, is thin-skinned, temperamental, early ripening, and in need of constant care. Still, we know that he is a writer - albeit a bad one, given the title of his book - and Maya has been cast, as we discover in one metaphor rich sequence, as a poet of the vineyards. Thus, she might well be susceptible to succumbing to the longings of artistic expression and forgiving of the vagaries of the human heart.
This is a clever film, ably written, cast, and performed.
From the beginning, we are set up to dislike Miles {Paul Giamatti} and Jack {Thomas Haden Church}. Who among us can dredge up warm feelings for a man like Miles, who drops by his mom's house to surprise her for birthday, steals from her and, to add insult to larceny, leaves without even saying goodbye.
Jack, looking to get layed one more time before his marriage, is a splendid companion to the morose wine connoisseur/alcoholic Miles as they romp down this road which has a few slapstick potholes but lots of lush dialog to keep our interest along the way. In the language of wine and the language of relationship - this film is filled with fresh images and an appreciation for ambiguity, juxtaposing the profligacy of Miles and Jack, each in his own way obsessive, with occasional quick scenes of workers in the fields and the subtle introduction of a child as witness.
We can easily question what someone as articulate and beautiful as Maya {Virginia Madsen} could be expected find in the man Miles who, like the pinot noir grape he describes, is thin-skinned, temperamental, early ripening, and in need of constant care. Still, we know that he is a writer - albeit a bad one, given the title of his book - and Maya has been cast, as we discover in one metaphor rich sequence, as a poet of the vineyards. Thus, she might well be susceptible to succumbing to the longings of artistic expression and forgiving of the vagaries of the human heart.
This is a clever film, ably written, cast, and performed.
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