One-dimensional and two-dimensional characters can work for a film when the plot drives action quickly. But this film's heavy reliance on stereotypes leaves viewers caring very little for main protagonist Cassie after the first 30 minutes. The performances by Mulligan and all of her costars are solid, but the dialog and backstories of all characters are thin to the point of insulting. Examples: Apparently all 3+ of the onscreen guys who encounter drunk protagonist Cassie are single-minded jerks who cannot seem to keep their hands off her (or who gloss over her her own deceitful behavior when confronted with their own). Or a pediatric physician used to chatting up sick kids cannot seem to ask meaningful questions and pinpoint suspicious stories in the coffee shop barista he is courting. And 30-year-old Cassie's parents have never caught on that their formerly brilliant student doctor might be leading a double life despite living at home for the last 5+ years. And who knows how poor barista Cassie got the money to pull off the variety of her stunts?
An interesting plot in need of a better writer / director.
An interesting plot in need of a better writer / director.
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