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The Undead (1957)
overt sexuality and rebellion: a good witchcraft film
28 September 1999
I like MST3K, but this movie really does deserve more credit than they gave it. The premise is pretty daring for 1957, and like the earlier film I Married a Witch, this movie forces males in the audience (and probably a few of the women) to feel physical attraction to, and thereby sympathy for, a witch. The actress is really very extraordinary to see. Sympathy in the 1950s audience is also created for a prostitute, another "bad" person, not only by emphasizing her looks but by making her (or, rather, her French incarnation) the most noble character on the screen. The people who sell their souls to Satan, and celebrate a forbidden mass, also come across as basically sympathetic figures, because of their miserable fortunes in a difficult, repressive society. And The Undead is almost aggressively feminist, even, with the bad witch appearing as a much stronger figure than Satan, and the male doctor who manipulates the poor prostitute ultimately looking quite awful. Apart from all this anti-social artistry, the atmosphere is evoked well, and the evocation of lawlessness and life-beyond-respectability is very effective.

I admire The Undead and encourage people to see the film without robots in the way.
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Midnight Offerings (1981 TV Movie)
10/10
a fun movie
26 September 1999
For the record, I am 25 and quite intelligent. And I really love Midnight Offerings.

I first saw this movie when I was 7 years old, when it first aired on TV. I developed a major crush on the bad witch, Vivian, and a serious fondness for witches in general; many years later, this film was in my mind, somewhere, while I wrote poetry about witches in my first college writing workshop. The impression made by this film was not only deep and permanent, but one which just makes me very happy about my past, my life.

When I saw the film again, finally, a few years ago---well, it isn't a great film. The dialogue really is bad, for the most part, the plot doesn't make much sense, et cetera. But still, it's entertaining, in the way that sub-B-movies are, or in fact much more entertaining even than that. It's delightful. And, I think that those people who gave the film a 10 (as I did) did so not because it is well-constructed, but because they just enjoyed it. It makes a good impression.

And three cheers for Vivian! She still is pretty cool, I say.
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