SPOILERS AHEAD
Producer Irwin Allen hit a home run in his first at-bat in the disaster genre with "The Poseidon Adventure," a terrific suspense classic that actually looks as good today as it did upon its release in 1972.
The plot is simple: a tidal wave hits a huge luxury liner in the middle of the Mediterranean Sea. When the ship capsizes, a small group of survivors must climb their way UP to the bottom of the ship in the hopes that rescuers can cut through the hull and rescue them. Since the entire crew of the ship has apparently been killed, an outcast minister named Rev. Scott (Gene Hackman), who is borderline psychotic and holds some incredibly unconventional views about God and his influence on mankind, assumes leadership of the group. Scott's chief rival is a gruff and bitter cop named Rogo (Ernest Borgnine), who is travelling with his nasty, foul-mouthed ex-hooker wife Linda (Stella Stevens). Other survivors include an elderly Jewish couple (Jack Albertson and Shelley Winters), a teenage girl and her young brother (Pamela Sue Martin and Eric Shea), a middle-age bachelor (Red Buttons), a pop singer (Carol Lynley), and a crewman (Roddy MacDowell). Of course, the suspense all revolves around who will live and who will die.
While the characters for the most part are stereotypes, what makes "The Poseidon Adventure" stand apart from other films of its type is the strong plot and the utter unconventionality of its lead character. Gene Hackman, coming off his Oscar win for "The French Connection," is absolutely sensational as Rev. Scott, a minister who doesn't believe in prayer and actually sees it as a sign of weakness. He believes that God has put man on Earth to fend for himself and has given him a brain to figure things out for himself. I honestly have never seen quite a character on film before or since, and the religious subtext actually gives the film additional meaning beyond the standard thrills and chills. He may be psychotic, but the man makes sense, at least in this predicament.
Most of the rest of the cast is also quite good, with Borgnine making an excellent sparring partner for Hackman, and Stevens having her finest on-screen hour as the hilariously unpleasant Linda. I also liked the burgeoning relationship between Buttons and Lynley, who are quite touching in their loneliness. And then there's audience favorite Shelley Winters as Belle, a nosy (and obese) Jewish grandmother. Winters managed to get an Oscar nomination for this role, but let's face it: she's just a teeny-bit terrible in this one-note role. And the kids are ridiculously out-of-place here: why would parents put their kids on a luxury liner instead of flying them to Greece? Its obvious they are around solely for audience sympathy. It doesn't help that young Eric Shea is so obnoxious as the young brother you may very well find yourself wishing he had drowned with the rest of the passengers.
Then there's Leslie Neilsen as the ship's captain. At the time a serious actor, it's impossible now to keep a straight face watching this master clown in this serious role. You keep expecting him to break into slapstick mode, even though you know he's playing it straight. Regardless, he's believably authoritative in the role. But you'll still laugh.
If I have one negative thing to say about "The Poseidon Adventure," it's that the establishing scenes, in which the characters are introduced, are pretty bad, laughable even. But once the ship capsizes, the film turns into topnotch entertainment, with fabulous Oscar-winning special effects that still are convincing today.
Irwin Allen followed this one up with the even better disaster epic "The Towering Inferno." Together, they make a terrific, if day-long, double feature. Forget "Titanic." "The Poseidon Adventure" remains the top of the maritime class. ***1/2 (out of *****)
Producer Irwin Allen hit a home run in his first at-bat in the disaster genre with "The Poseidon Adventure," a terrific suspense classic that actually looks as good today as it did upon its release in 1972.
The plot is simple: a tidal wave hits a huge luxury liner in the middle of the Mediterranean Sea. When the ship capsizes, a small group of survivors must climb their way UP to the bottom of the ship in the hopes that rescuers can cut through the hull and rescue them. Since the entire crew of the ship has apparently been killed, an outcast minister named Rev. Scott (Gene Hackman), who is borderline psychotic and holds some incredibly unconventional views about God and his influence on mankind, assumes leadership of the group. Scott's chief rival is a gruff and bitter cop named Rogo (Ernest Borgnine), who is travelling with his nasty, foul-mouthed ex-hooker wife Linda (Stella Stevens). Other survivors include an elderly Jewish couple (Jack Albertson and Shelley Winters), a teenage girl and her young brother (Pamela Sue Martin and Eric Shea), a middle-age bachelor (Red Buttons), a pop singer (Carol Lynley), and a crewman (Roddy MacDowell). Of course, the suspense all revolves around who will live and who will die.
While the characters for the most part are stereotypes, what makes "The Poseidon Adventure" stand apart from other films of its type is the strong plot and the utter unconventionality of its lead character. Gene Hackman, coming off his Oscar win for "The French Connection," is absolutely sensational as Rev. Scott, a minister who doesn't believe in prayer and actually sees it as a sign of weakness. He believes that God has put man on Earth to fend for himself and has given him a brain to figure things out for himself. I honestly have never seen quite a character on film before or since, and the religious subtext actually gives the film additional meaning beyond the standard thrills and chills. He may be psychotic, but the man makes sense, at least in this predicament.
Most of the rest of the cast is also quite good, with Borgnine making an excellent sparring partner for Hackman, and Stevens having her finest on-screen hour as the hilariously unpleasant Linda. I also liked the burgeoning relationship between Buttons and Lynley, who are quite touching in their loneliness. And then there's audience favorite Shelley Winters as Belle, a nosy (and obese) Jewish grandmother. Winters managed to get an Oscar nomination for this role, but let's face it: she's just a teeny-bit terrible in this one-note role. And the kids are ridiculously out-of-place here: why would parents put their kids on a luxury liner instead of flying them to Greece? Its obvious they are around solely for audience sympathy. It doesn't help that young Eric Shea is so obnoxious as the young brother you may very well find yourself wishing he had drowned with the rest of the passengers.
Then there's Leslie Neilsen as the ship's captain. At the time a serious actor, it's impossible now to keep a straight face watching this master clown in this serious role. You keep expecting him to break into slapstick mode, even though you know he's playing it straight. Regardless, he's believably authoritative in the role. But you'll still laugh.
If I have one negative thing to say about "The Poseidon Adventure," it's that the establishing scenes, in which the characters are introduced, are pretty bad, laughable even. But once the ship capsizes, the film turns into topnotch entertainment, with fabulous Oscar-winning special effects that still are convincing today.
Irwin Allen followed this one up with the even better disaster epic "The Towering Inferno." Together, they make a terrific, if day-long, double feature. Forget "Titanic." "The Poseidon Adventure" remains the top of the maritime class. ***1/2 (out of *****)
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