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College Coach (1933)
3/10
Afraid to think what this picture was trying to say
25 September 2006
Warning: Spoilers
The film starts with the trustees of Calvert College trying to decide how to avoid bankruptcy for their institution. During the discussion they listen to a college football game, where Coach Gore's team is drawing huge crowds. The trustees decide to hire Gore, played by Ed O'Brien, to solve the financial crisis.

In order to get ahead, Gore does the following:

(1) neglects his wife to the point where she decides to date one of the players. (2) hires ringers for his team, one of whom can barely speak English. (3) arranges for players to pass tests despite writing nothing (literally) in an exam book. (4) bribes a professor to help a player pass a test, and congratulates the professor when told he found a copy of the test and filled it out himself. (5) all but orders his players to attack an opponent in order to knock that opponent out of the game -- "Do I have to diagram it for you?" When that player dies from the injuries inflicted by Coach Gore's orders, the coach responds "Forty people die every year in football!" (6) buys land near the college with the intention of selling it to the college to build a football stadium, at a profit of $150,000 (remember, this is 1933). (7) lectures young people on the necessity of playing fairly (ie, unlike what he does the entire film).

During the entire time of the movie, Coach Gore is never shown as -- (1) doing anything immoral, (2) having the slightest sense of remorse, or (3) being exposed, let alone brought to justice, for these actions. Indeed, none of his acts results in anything bad happening to him.

At the movie's end; Coach Gore wins the big game, saves the college, gets a huge contract, completes his $150,000 deal and, despite constantly promising his wife he'll quit the game in order to spend more time with her, gets a big kiss from her as he (again) breaks his promise to her.

www.artsreformation.com/a001/hays-code.html

The 1930 Hays Code is pretty clear:

General Principles

1. ... the sympathy of the audience should never be thrown to the side of crime, wrongdoing, evil or sin.

Pat O'Brien clearly present a sympathetic character, one who suffers in no way (not even guilt) over the above actions. So what is the film trying to say? It's either: (1) none of the above actions are criminal, or even wrong. (2) they are wrong, but perfectly acceptable as long as you win the game.

Warner Brothers, of all the studios, was perfectly willing to present shady people doing slimy things as the lead characters in their films. However, the person doing these things would always ending up "paying" for the immorality. It doesn't happen in this film. I'd LIKE to think this was a dark satire on the immorality of college sports, but I can't help but conclude it just blithely shows a coach who succeeds in all he does despite violating just about every norm of decent behavior.

As an aside, John Wayne makes an appearance for a few seconds, and speaks a few words.
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The first Kay Kyser film I've seen was quite funny
22 July 2003
Warning: Spoilers
If you like the goofball comedies of the 1940s, mixing wordplay, parodies of genres, and musical numbers; this film is as good as any made by Bob Hope. Band leader and radio personality Kay Kyser discovers, on his wedding day, that he has been drafted. When his new bride finds out, just after they are pronounced "man and wife," that her new husband will have to leave for the army that evening, she replies to a question how she feels now that she's married, "This is the worst thing that has ever happened to me!"

Kay tries to instruct recruits but does not do too good of a job. Thus, the army wants him to return to his nightclub as a counterspy -- they suspect there's an enemy agent working there. Naturally, (1) he can't tell his bride about his assignment, (2) his contact is a beautiful women, and (3) Kay and the women are arrested late at night, causing a front page sensation the next day.

Kay has to keep telling lies to his bride in order to cover his seeming philandering. Eventually, she thinks everything is just a gag, including her husband's announcement that he's found the spy ring. Even as the bad guys shoot at Kay in his night club, she thinks this is all just fun. Of course, Kay ends up the hero and the two of them FINALLY get to be alone together.

This film isn't for people who want fart jokes or expect to burst out laughing every ten seconds. Like most 1940s comedies, there are musical interludes and (horrors!) it's in BW. But if you like Bob Hope films, you'll find that Kay Kyser was every bit as funny.
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8/10
Remains an incredibly unique cop film
30 March 1999
Warning: Spoilers
How many cop films feature: (1) a crime that never expands beyond its initial level, i.e. an investigation of a brutal and senseless murder ends up with a brutal and senseless murder, (2) the cops solve the case not by brilliant Sherlockian logic, but simply by walking and asking questions (the way real police investigators spend 99.99% of their time), (3) a person who claims to be able to crack the case but turns out to be a crack pot, or (4) a person who confesses to the crime only because he thinks he belongs in jail (happens repeatedly in real cases with a lot of publicity, but NEVER in films). This film has all of these realistic events, PLUS a compelling plot and characters. A cop movie that is both true-to-life AND fascinating -- a combo not seen since.
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Not the movie I feared it would be
26 March 1999
My initial thought would be that it would show the Sean Penn character as some poor, misunderstood waif who just mixed up with a bad crowd. Was I wrong! The movie makes clear that Helen's ministry consists NOT of getting killers to feel good about themselves, but to get them to recognize the evil they have wrought, as a first step in healing and reconciliation. This is NOT a syrupy, wimpy, feel-good movie about kids no worse than those from Boys Town; it's a movie where the killer's crime is exposed in all its horror. It is NOT a movie screaming "The death penalty is bad"; it's one accurately showing the fervid emotions surrounding it. Recommended to even the most vocal supporters of the death penalty; this movie will NOT offend your views.
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8/10
One of the best World War Two movies ever made
23 March 1999
My father was a combat veteran of WW2, and he never hesitated to tell his sons about it -- both its horrors and its excitement. Watching this movie brought back the sense of amazement, horror, and interest in hearing a group of guys recounting what happened to them in The War. It draws our interest into the film by making the characters believable and sympathetic, then repels us by reminding us that war is NOT an adventure or an opportunity for personal growth. It neither sugar-coats the hell of war nor makes the soldiers so repulsive that we don't care if they live or die. The scene where Marvin "comforts" the wounded soldier by reminding him "that's why you got two of them" sums up this film so well: war is hell but that doesn't you can't be human when you're in the middle of it.

Interestingly, my top three WW2 movies are this one, _Saving Private Ryan_, and _The Longest Day_: all of which have major action on Omaha Beach.
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Robot Monster (1953)
1/10
Is this worse than "Plan Nine"
15 March 1999
Is a question my spouse and I debate periodically, but it's hard to determine what criteria to use when movies are this bad.

Some things not to miss: (1) the Monster fails to tie up the heroine, but five minutes later she's tied up (maybe she's got a WAY WEIRD domination fetish!!), (2) the hand motions of the Leader don't match his words (they filmed with no dialogue, so both the words and actions are meaningless), (3) the movie was re-released with a different title (could you imagine going on a date with the promise "Surely this movie 'Monster from Mars' HAS to be better than 'Robot Monster' was!")
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Drive, He Said (I) (1971)
1/10
One of the worst movies I've ever seen
8 March 1999
Some movies are repellent but still fascinating (Pulp Fiction); others are simply boring. This movie has an almost unique feature of being both utterly repellent and totally boring. By the end I didn't care about any of the characters, I just wanted all of them dead so I could get out of the theatre.
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