Hymn to Merde is a generative result of involving in video transformation. This result gave problems of the ability to reproduce it, by simplifying and complicating it at the same time. Because of this inter-changeable factor, the scene is constantly exhausting and refreshing itself while playing. Work theoretically relates to the post-production principles of the digital art world. Accordingly, the piece is questioning potentiality of exploiting a kind of deep-editing experiments and the ways of applying them as a new form of visual effect. It is also related to appropriation, namely the source video that has been used was Carax's low-res dadaist version. The gesture of intervention came from the idea of a video that becomes itself a space of emptied and emptying content, leaving it as anonymous echo, an everlasting vibration of the changeable formations.