Directed by
| Roberto Studart | ||
Writing Credits (in alphabetical order)
| Hernán Rivera Letelier | ... | (based in novel by) |
| Roberto Studart | ... | (writer) |
| Roberto Studart | ||
Cast (in credits order)
 |
Pedro Lamin | ... | California |
|
|
Bruno Bellarmino | ... | Expedito |
|
|
Norberto Presta | ... | Arlindo |
| Juliana Schalch | ... | Lola | |
|
|
Betty Barco | ... | Ruiva |
| Matías Desiderio | ... | Pata Del Diablo | |
Produced by
| Sylvia Abreu | ... | executive producer / producer |
| Maia Desiderato | ... | producer |
| Gustavo Pazmin | ... | producer |
| Roberto Studart | ... | producer |
Music by
| Julián Carando | ||
Cinematography by
| Michel Gomes | ||
Editing by
| Ximena Alejandra Franco | ||
Production Design by
| Sheila Marafon | ||
| Valéria Verba | ||
Costume Design by
| Diana Moreira | ||
Production Management
| Taissa Grisi | ... | production manager |
| Marcos Rohrig | ... | set manager |
Art Department
| Eder Ramos | ... | props |
Sound Department
| Alexander Aguilar | ... | foley mixer |
| Sebastian Alzate Lopez | ... | sound editor |
| Facundo Nahuel Gómez | ... | sound mixer |
| Juan Ignacio Iribarne | ... | boom operator |
| Daniel Londoño | ... | sound effects editor |
| Gonzalo Palmieri | ... | sound utility |
| Felipe Felo Valencia | ... | dialogue editor |
| Daniel Vasquez V. | ... | re-recording mixer (as Daniel Vasquez Velez) / supervising sound editor (as Daniel Vasquez Velez) |
| Sebastián Vásquez | ... | foley artist |
Visual Effects by
| Luciano Maggio | ... | digital compositor |
| Alejandro Valente | ... | visual effects supervisor |
Camera and Electrical Department
| Maoma Faria | ... | Steadicam operator |
| Edson Paiva | ... | dit |
Editorial Department
| Luís Henri | ... | post-production assistant |
Location Management
| Marcos Rohrig | ... | location scout |
Additional Crew
| Luís Henri | ... | closed captions |
