Participant and French sales agent MK2 Films have teamed up to jointly represent worldwide rights to Rahul Jain’s documentary feature “Invisible Demons.” The feature film will have its world premiere at Cannes in the cinema for the climate special section.
In “Invisible Demons,” Jain explores the dramatic consequences of India’s growing economy and what it means on the broader world stage.
Using Jain’s experimental style and strong visuals, the documentary zooms in on the situation in New Delhi, where climate change is impacting the daily lives and health of 30 million locals.
Set for July 12, the premiere will mark the Cannes debut of Jain, a rising filmmaking who made his critically acclaimed debut feature with “Machines,” which won Sundance’s best cinematography award in 2017. “Machines” went on to nab 17 international awards at more than 160 festivals.
Rob Williams, Participant’s VP of content sales, and Fionnuala Jamison, MK2 Films’ MD,...
In “Invisible Demons,” Jain explores the dramatic consequences of India’s growing economy and what it means on the broader world stage.
Using Jain’s experimental style and strong visuals, the documentary zooms in on the situation in New Delhi, where climate change is impacting the daily lives and health of 30 million locals.
Set for July 12, the premiere will mark the Cannes debut of Jain, a rising filmmaking who made his critically acclaimed debut feature with “Machines,” which won Sundance’s best cinematography award in 2017. “Machines” went on to nab 17 international awards at more than 160 festivals.
Rob Williams, Participant’s VP of content sales, and Fionnuala Jamison, MK2 Films’ MD,...
- 6/25/2021
- by Elsa Keslassy
- Variety Film + TV
The Cannes Film Festival has added seven films addressing environmental concerns to its 2021 line-up.
“La Croisade” by actor-director Louis Garrel, stars himself, Laetitia Casta and Joseph Engel. It was co-written by legendary screenwriter Jean-Claude Carrière who died last year. The festival describes the film as: “A fiction in which the children take the reins to protect the planet. A tale of anticipation equally urgent, funny and charming. A story about the alienation of adults from the concerns of children who want to save themselves.”
In “Marcher sur l’eau”, filmed in a village in Niger, director Aïssa Maïga follows a little girl who, while waiting for a well to be built, must travel several kilometres for water every day. The film also explores the question of whether access to water co-relates with access to education for girls in Sub-Saharan African countries.
From India, Rahul Jain, director of Sundance-winning documentary “Machines” (2016), returns with “Invisible Demons,...
“La Croisade” by actor-director Louis Garrel, stars himself, Laetitia Casta and Joseph Engel. It was co-written by legendary screenwriter Jean-Claude Carrière who died last year. The festival describes the film as: “A fiction in which the children take the reins to protect the planet. A tale of anticipation equally urgent, funny and charming. A story about the alienation of adults from the concerns of children who want to save themselves.”
In “Marcher sur l’eau”, filmed in a village in Niger, director Aïssa Maïga follows a little girl who, while waiting for a well to be built, must travel several kilometres for water every day. The film also explores the question of whether access to water co-relates with access to education for girls in Sub-Saharan African countries.
From India, Rahul Jain, director of Sundance-winning documentary “Machines” (2016), returns with “Invisible Demons,...
- 6/18/2021
- by Naman Ramachandran
- Variety Film + TV
Six documentaries also selected for the festival’s inaugural environmental strand.
The Cannes Film Festival has revealed the seven titles selected for its first ‘cinema for the climate’ section – part of a new focus by the festival to address environmental issues.
Comprised of one scripted film and six documentaries, the selection is led by comedy The Crusade, by French actor and filmmaker Louis Garrel.
The film revisits the family unit of his 2018 feature A Faithful Man and sees Garrel star opposite Laetitia Casta as a couple who discover their teenage son has been secretly selling the family possessions to fund an ecological project in Africa.
The Cannes Film Festival has revealed the seven titles selected for its first ‘cinema for the climate’ section – part of a new focus by the festival to address environmental issues.
Comprised of one scripted film and six documentaries, the selection is led by comedy The Crusade, by French actor and filmmaker Louis Garrel.
The film revisits the family unit of his 2018 feature A Faithful Man and sees Garrel star opposite Laetitia Casta as a couple who discover their teenage son has been secretly selling the family possessions to fund an ecological project in Africa.
- 6/18/2021
- by Michael Rosser
- ScreenDaily
The documentary film and television community came together to honor their own at the festive 33rd Annual Ida Documentary Awards celebration Saturday night at the Paramount Studio Theatre. The evening’s top prizes went to Dan Sickles and Antonio Santini’s Sundance-jury-winning love story “Dina” for Best Feature, and Laura Checkoway’s Oscar-shortlisted “Edith+Eddie” for Best Short.
Other winners included Dan Lindsay and Tj Martin’s Oscar-shortlisted “La 92” for the ABC News VideoSource Award, PBS’ Independent Lens for Best Curated Series, HBO’s “The Defiant Ones” for Best Limited Series, BBC’s “Planet Earth II” for Best Episodic Series, The New York Times Op-Docs for Best Short Form Series (which boasts three Oscar-shortlisted shorts), and Joel Fendelman’s “Man on Fire” for the David L. Wolper Student Documentary Award.
Charles Burnett presented the Emerging Filmmaker Award to Yance Ford, winner of the Sundance Special Jury Award for Storytelling,...
Other winners included Dan Lindsay and Tj Martin’s Oscar-shortlisted “La 92” for the ABC News VideoSource Award, PBS’ Independent Lens for Best Curated Series, HBO’s “The Defiant Ones” for Best Limited Series, BBC’s “Planet Earth II” for Best Episodic Series, The New York Times Op-Docs for Best Short Form Series (which boasts three Oscar-shortlisted shorts), and Joel Fendelman’s “Man on Fire” for the David L. Wolper Student Documentary Award.
Charles Burnett presented the Emerging Filmmaker Award to Yance Ford, winner of the Sundance Special Jury Award for Storytelling,...
- 12/10/2017
- by Anne Thompson
- Indiewire
When “Machines” director Rahul Jain was growing up in India, he spent plenty of time as a child in his grandfather’s small textile factory. When Jain started making what would become his first film during his breaks from Cal Arts many years later, he knew he wanted to capture some of those mesmerizing sounds and visuals.
“There was a big sensory soup in my consciousness I was chasing,” he told IndieWire Special Projects Editor Steve Greene following a showing of his film about the goings on of a massive textile factory in Gujarat, India, at the International Documentary Association’s annual screening series.
Of course, it took some time to figure out how to do that.
Read More:How ‘La 92’ Directors Sorted Through 1,700 Hours of Footage for Their Sobering Film
“When you’re in such a sensorially rich and stimulating environment, as a director you kind of feel like you should get everything,...
“There was a big sensory soup in my consciousness I was chasing,” he told IndieWire Special Projects Editor Steve Greene following a showing of his film about the goings on of a massive textile factory in Gujarat, India, at the International Documentary Association’s annual screening series.
Of course, it took some time to figure out how to do that.
Read More:How ‘La 92’ Directors Sorted Through 1,700 Hours of Footage for Their Sobering Film
“When you’re in such a sensorially rich and stimulating environment, as a director you kind of feel like you should get everything,...
- 12/8/2017
- by Jean Bentley
- Indiewire
Last year’s dozen selections included Rahul Jain’s Machines (World Cinema Documentary Special Jury Award), Adam Sobel’s The Workers Cup and Feras Fayyad’s searing World Cinema Grand Jury Prize: Documentary winning Last Men in Aleppo.
Continue reading...
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- 11/30/2017
- by Eric Lavallée
- IONCINEMA.com
The International Documentary Association has announced their Best Feature and Best Short nominees, as well as the recipients of Creative Recognition awards, for the 2017 Ida Documentary Awards. In the competition categories, the nominees for Best Feature include “City of Ghosts,” “Dina,” “Faces Places,””La 92,” and “Strong Island,” while the Best Short section includes nods for “Edith+Eddie,” “The Fight,” “Heaven Is a Traffic Jam on the 405,” “Long Shot,” “Mr. Connolly Has Als,” and “The Rabbit Hunt.”
“The diverse array of films nominated this year underscore the vibrancy and elasticity of documentary form,” said Simon Kilmurry, Ida’s Executive Director in an official statement. “These films address the most urgent contemporary global matters — and the most intimate emotional territory. All of them demonstrate the courage and ingenuity of nonfiction media makers.”
Read More:2017 Ida Documentary Awards Nominees Announced, Including ‘Icarus,’ ‘The Keepers,’ and ‘The Vietnam War’
The winners for...
“The diverse array of films nominated this year underscore the vibrancy and elasticity of documentary form,” said Simon Kilmurry, Ida’s Executive Director in an official statement. “These films address the most urgent contemporary global matters — and the most intimate emotional territory. All of them demonstrate the courage and ingenuity of nonfiction media makers.”
Read More:2017 Ida Documentary Awards Nominees Announced, Including ‘Icarus,’ ‘The Keepers,’ and ‘The Vietnam War’
The winners for...
- 11/1/2017
- by Kate Erbland
- Indiewire
Pop Aye, a comedic drama from Singapore filmmaker Kirsten Tan, has won the top prize of best international feature film at the 13th Zurich International Film Festival.
The feature is an unconventional road trip that follows a disheartened architect who leaves the city and travels across the country, accompanied by an elephant (called Popeye) he adopts along the way.
Pop Aye premiered in the World Drama section at Sundance and was selected by Singapore to represent the country in the foreign language category of the 2018 Oscars.
Rahul Jain's Machines,...
The feature is an unconventional road trip that follows a disheartened architect who leaves the city and travels across the country, accompanied by an elephant (called Popeye) he adopts along the way.
Pop Aye premiered in the World Drama section at Sundance and was selected by Singapore to represent the country in the foreign language category of the 2018 Oscars.
Rahul Jain's Machines,...
- 10/9/2017
- by Scott Roxborough
- The Hollywood Reporter - Movie News
A spare and unflinching documentary about the true cost of cheap textiles, “Machines” doesn’t tell us anything we don’t already know about the inhumane work conditions in countries like India, but it forces us to become palpably familiar with the awful facts of the matter. Applying a hyper-visceral vérité approach to a subject that might sound better suited to an infomercial, Rahul Jain’s debut feature is engineered to demolish the barrier between empathy and action, to narrow the distance between slaves and consumers.
This is a film that targets your heart, but works its way there through your senses rather than your sentiments. It doesn’t simply tell you how brutal it is to work 80-hour weeks while earning $100 a month, it forces you to to squint in the darkness of a windowless factory, to smell the aroma of dried sweat and motor oil, to feel the...
This is a film that targets your heart, but works its way there through your senses rather than your sentiments. It doesn’t simply tell you how brutal it is to work 80-hour weeks while earning $100 a month, it forces you to to squint in the darkness of a windowless factory, to smell the aroma of dried sweat and motor oil, to feel the...
- 8/11/2017
- by David Ehrlich
- Indiewire
Rahul Jain’s Machines is definitely a case of quality over quantity. At only 70 minutes long, you would hope it is. This often medatative experience is a glimpse inside the little-seen world of the Indian textile industry, albeit one that never hides the grim realities. It makes stunning use of Rodrigo Trejo Villanueva’s camera, which captures images of striking colour explosions juxtaposed against the soot and the decay of a factory in India’s Gujarat region where workers stave off sleep across 12-hour shifts for $3 a day.
Machines’ title referring to both the steel and metal machines that hum and rattle throughout the confined factory as well as the human machines who operate them, working like wind-up toys performing the same robotic, repetitive movements over and over and over again. We see the detail that goes into producing the fabrics that clothe one billion people including the almost rhythmic...
Machines’ title referring to both the steel and metal machines that hum and rattle throughout the confined factory as well as the human machines who operate them, working like wind-up toys performing the same robotic, repetitive movements over and over and over again. We see the detail that goes into producing the fabrics that clothe one billion people including the almost rhythmic...
- 8/8/2017
- by Glenn Dunks
- FilmExperience
Winner of the Special Jury Award for Cinematography at the 2017 Sundance Film Festival, Rahul Jain’s debut film Machines is a documentary that beautifully depicts process and the juxtaposition of the workers that make it happen. Ahead of a release next week, Kino Lorber have released the first trailer which previews this look at a textile factory in India, a $40 billion industry.
“The most pointed question asked by Rahul Jain’s documentary Machines comes from the camera,” we said in our review. “By showing us the gigantic textile spools, looms, and washers with only their rhythmic clanks, booms, and bangs opposite the Indian workers applying dyes, mixing chemicals, and ensuring there are no jams to the same sounds, we must wonder which are the “machines” of the title. This is an assembly line of ancient metal units kept moving by a revolving door of migrant workers that start at the...
“The most pointed question asked by Rahul Jain’s documentary Machines comes from the camera,” we said in our review. “By showing us the gigantic textile spools, looms, and washers with only their rhythmic clanks, booms, and bangs opposite the Indian workers applying dyes, mixing chemicals, and ensuring there are no jams to the same sounds, we must wonder which are the “machines” of the title. This is an assembly line of ancient metal units kept moving by a revolving door of migrant workers that start at the...
- 8/1/2017
- by Jordan Raup
- The Film Stage
With the mystery and potency of a dream, Rahul Jain’s documentary focuses on conditions in the factories of Gujurat, many of which supply clothes to the west
Rahul Jain’s brief, fierce documentary feature Machines is about the people who work in the textile factories of Gujurat, India. Its images often have the mystery and potency of a dream. Jain’s work reminded me of the Austrian documentarian Nikolaus Geyrhalter; at other times, I found myself thinking of Chaplin twitching on the production line in Modern Times.
The title is well chosen. The bodies of the workers look naked and vulnerable, and yet they have become part of the machines, part of the process. The relentless rhythms of the work are captured. It looks soul-destroying – particularly in one grim shot of a boy almost falling asleep while doing some mind-crushingly repetitive task. Later, another is shown asleep on top of piles of cloth,...
Rahul Jain’s brief, fierce documentary feature Machines is about the people who work in the textile factories of Gujurat, India. Its images often have the mystery and potency of a dream. Jain’s work reminded me of the Austrian documentarian Nikolaus Geyrhalter; at other times, I found myself thinking of Chaplin twitching on the production line in Modern Times.
The title is well chosen. The bodies of the workers look naked and vulnerable, and yet they have become part of the machines, part of the process. The relentless rhythms of the work are captured. It looks soul-destroying – particularly in one grim shot of a boy almost falling asleep while doing some mind-crushingly repetitive task. Later, another is shown asleep on top of piles of cloth,...
- 5/19/2017
- by Peter Bradshaw
- The Guardian - Film News
It’s over but it opened L.A.’s newest spring season of unlimited international film screenings all over the city throughout the month of April and into Cannes.
The 15th annual Indian Film Festival of Los Angeles (Iffla) opened with “Lipstick Under My Burkha” and its impressive ensemble cast of Konkona Sen Sharma, Ratna Pathak, Aahana Kumra and Plabita Borthakur in a dramatic, but irreverent and vibrant film about women and faith. The film premiered at the Tokyo Film Festival 2016 and has been lighting up the festival circuit, including just winning the Audience Award at the Glasgow Film Festival. Director Alankrita Shrivastava is confirmed to attend and additional talent to be confirmed.
“Lipstick Under My Burkha”
Iffla concluded on April 9 with a red carpet and gala that featured the Los Angeles premiere of Shubhashish Bhutiani’s “Hotel Salvation” starring Adil Hussain who was in attendance, as well as the...
The 15th annual Indian Film Festival of Los Angeles (Iffla) opened with “Lipstick Under My Burkha” and its impressive ensemble cast of Konkona Sen Sharma, Ratna Pathak, Aahana Kumra and Plabita Borthakur in a dramatic, but irreverent and vibrant film about women and faith. The film premiered at the Tokyo Film Festival 2016 and has been lighting up the festival circuit, including just winning the Audience Award at the Glasgow Film Festival. Director Alankrita Shrivastava is confirmed to attend and additional talent to be confirmed.
“Lipstick Under My Burkha”
Iffla concluded on April 9 with a red carpet and gala that featured the Los Angeles premiere of Shubhashish Bhutiani’s “Hotel Salvation” starring Adil Hussain who was in attendance, as well as the...
- 4/21/2017
- by Sydney Levine
- Sydney's Buzz
Danish doc examines Chinese-inflated property boom.
Danish project Dream Empire won the top prize at the Thessaloniki International Documentary Film Festival, which wrapped yesterday (12 March).
Director David Borenstein’s film about the inflated economic and real estate boom in China won the Golden Alexander award and a 5,000 Euros prize.
Produced by House of Real, the film is sold by Gunpowder and Sky Distribution (Us).
The Special Jury award and 2000 Euros went to the Indian, German, Finnish co-production Machines by Rahul Jain.
The film examines a huge giant textile factory in India and the human cost of mass production in a globalised world.
Produced by the director’s Jan Pictures, Pallas Film and IV Films and sold by Autlook Film Sales (Germany), the film was also the recipient of the Fipresci award.
A Special Mention went to the Greek, Belgian. Austrian co-production Shingal, Where Are You where director Angelos Rallis told the story of Yezidi refugees fleeing the Isis...
Danish project Dream Empire won the top prize at the Thessaloniki International Documentary Film Festival, which wrapped yesterday (12 March).
Director David Borenstein’s film about the inflated economic and real estate boom in China won the Golden Alexander award and a 5,000 Euros prize.
Produced by House of Real, the film is sold by Gunpowder and Sky Distribution (Us).
The Special Jury award and 2000 Euros went to the Indian, German, Finnish co-production Machines by Rahul Jain.
The film examines a huge giant textile factory in India and the human cost of mass production in a globalised world.
Produced by the director’s Jan Pictures, Pallas Film and IV Films and sold by Autlook Film Sales (Germany), the film was also the recipient of the Fipresci award.
A Special Mention went to the Greek, Belgian. Austrian co-production Shingal, Where Are You where director Angelos Rallis told the story of Yezidi refugees fleeing the Isis...
- 3/13/2017
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
Throughout the year, film festivals pop up across the country highlighting everything from future Oscar nominees like Sundance or Toronto, to avant garde works that will likely make waves on the art scene, like Ann Arbor or Locarno. And that’s no different for non-fiction cinema.
One of the most intriguing festivals looking at documentary cinema is now nearing its conclusion, and has brought to light some truly superlative pieces of work. At NYC’s Museum of Modern Art, the museum’s latest installment of their Doc Fortnight series is about to conclude, and has included some great documentaries both new and old.
Opening the festival is one of its greatest discoveries. Entitled Machines, the film marks its New York premiere as part of this series, and is the debut film from documentarian Rahul Jain. An Indian/German/Finnish co-production, Machines centers around a large textile factory in Gujarat, India...
One of the most intriguing festivals looking at documentary cinema is now nearing its conclusion, and has brought to light some truly superlative pieces of work. At NYC’s Museum of Modern Art, the museum’s latest installment of their Doc Fortnight series is about to conclude, and has included some great documentaries both new and old.
Opening the festival is one of its greatest discoveries. Entitled Machines, the film marks its New York premiere as part of this series, and is the debut film from documentarian Rahul Jain. An Indian/German/Finnish co-production, Machines centers around a large textile factory in Gujarat, India...
- 2/22/2017
- by Joshua Brunsting
- CriterionCast
The Museum of Modern Art (MoMA) kicks off its 16th annual Doc Fortnight on Thursday, a 10-day festival that includes 20 feature-length non-fiction films and 10 documentary shorts. This year’s lineup includes four world premieres and a number of North American and U.S. premieres.
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
- 2/15/2017
- by Chris O'Falt and Graham Winfrey
- Indiewire
Exclusive: Documentary picked up by Kino Lorber and Dogwoof.
Independent documentary Machines, the Sundance-winning debut of director Rahul Jain, has secured deals in North America and Europe.
Doc specialists Autlook Filmsales have sold the film to Kino Lorber (North America), Filmcoopi (Switzerland), Pek Distribution (Finland), Dogwoof (UK) and Docs (Austria). They are considering offers from Benelux, India and Germany.
Machines explores a vast textile factory in India and the human cost of globalisation, it won the world cinema documentary special jury award for excellence in cinematography at Sundance this year.
It will open the MoMa DocFortnight (Feb 16 - 26) in New York, followed by a theatrical rollout in August.
Machines is co-produced by Pallas Film (Thanassis Karathanos), Jann Pictures (Rahul Jain) and IV Films (Iikka Vehkalahti).
Independent documentary Machines, the Sundance-winning debut of director Rahul Jain, has secured deals in North America and Europe.
Doc specialists Autlook Filmsales have sold the film to Kino Lorber (North America), Filmcoopi (Switzerland), Pek Distribution (Finland), Dogwoof (UK) and Docs (Austria). They are considering offers from Benelux, India and Germany.
Machines explores a vast textile factory in India and the human cost of globalisation, it won the world cinema documentary special jury award for excellence in cinematography at Sundance this year.
It will open the MoMa DocFortnight (Feb 16 - 26) in New York, followed by a theatrical rollout in August.
Machines is co-produced by Pallas Film (Thanassis Karathanos), Jann Pictures (Rahul Jain) and IV Films (Iikka Vehkalahti).
- 2/13/2017
- ScreenDaily
The most pointed question asked by Rahul Jain‘s documentary Machines comes from the camera. By showing us the gigantic textile spools, looms, and washers with only their rhythmic clanks, booms, and bangs opposite the Indian workers applying dyes, mixing chemicals, and ensuring there are no jams to the same sounds, we must wonder which are the “machines” of the title. This is an assembly line of ancient metal units kept moving by a revolving door of migrant workers that start at the age of ten to learn everything in youth and become irreplaceable by their thirtieth anniversary. The entire whole proves to be the machinery of an unseen man sitting in his office with a bank of surveillance screens flickering while he presses buttons on his phone.
It’s an astonishing experience to push through the dark alleys between rows of massive apparatuses working tirelessly, navigating around the men...
It’s an astonishing experience to push through the dark alleys between rows of massive apparatuses working tirelessly, navigating around the men...
- 2/2/2017
- by Jared Mobarak
- The Film Stage
The Sundance 2017 juries and audiences unveiled their picks on Saturday night.
In the grand jury prizes, Macon Blair’s I Don’t Feel At Home In This World Anymore claimed the Us dramatic award and Dina by Dan Sickles and Antonio Santini won U.S. documentary.
Tarik Saleh’s The Nile Hilton Incident won world dramatic and Last Men In Aleppo by Feras Fayyad and Steen Johannessen prevailed in the world documentary category.
In the audience awards, Matt Ruski’s Crown Heights and Jeff Orlowski’s Chasing Coral were the favourites in the Us dramatic and documentary strands.
World cinema selections I Dream In Another Language by Ernesto Contreras and Joe Piscatella’s Joshua: Teenager vs. Superpower emerged victorious in the dramatic and documentary sections.
“This has been one of the wildest, wackiest and most rewarding festivals in recent memory,” said festival director John Cooper. “From a new government to the independently organised Women’s March On Main...
In the grand jury prizes, Macon Blair’s I Don’t Feel At Home In This World Anymore claimed the Us dramatic award and Dina by Dan Sickles and Antonio Santini won U.S. documentary.
Tarik Saleh’s The Nile Hilton Incident won world dramatic and Last Men In Aleppo by Feras Fayyad and Steen Johannessen prevailed in the world documentary category.
In the audience awards, Matt Ruski’s Crown Heights and Jeff Orlowski’s Chasing Coral were the favourites in the Us dramatic and documentary strands.
World cinema selections I Dream In Another Language by Ernesto Contreras and Joe Piscatella’s Joshua: Teenager vs. Superpower emerged victorious in the dramatic and documentary sections.
“This has been one of the wildest, wackiest and most rewarding festivals in recent memory,” said festival director John Cooper. “From a new government to the independently organised Women’s March On Main...
- 1/29/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The 2017 Sundance Film Festival is coming to a close with tonight’s awards ceremony. While we’ll have our personal favorites coming early this week, the jury and audience have responded with theirs, topped by Macon Blair‘s I don’t feel at home in this world anymore., which will arrive on Netflix in late February, and the documentary Dina. Check out the full list of winners below see our complete coverage here.
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to:
Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to:
I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she...
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to:
Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to:
I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she...
- 1/29/2017
- by Jordan Raup
- The Film Stage
First-time director Rahul Jain made a strong impression in 2016 with Machines, his documentary portrait of a massive sweatshop in Sachin, India. The film premiered at the International Documentary Film Festival Amsterdam (Idfa) and made its U.S. debut this week at Sundance. Praised for its visceral, experiential depiction of manual labor, the film provides a rare glimpse into the textile mills where many of our products originate. Jain hired the Paris-based Yael Bitton as one of multiple editors to give shape to his harrowing footage. Bitton spoke with Filmmaker before the film’s five Sundance screenings about Machines‘ unconventional narrative structure and […]...
- 1/23/2017
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Debutant director Rahul Jain displays an all-too-rare combination of artistic vision and social conscience in Machines, surveying the nightmarish working conditions at a fabrics factory in the Indian state of Gujarat.
Made as a midterm project at CalArts — Jain divides his time between California and Delhi — this brisk but bracing dispatch bowed to enthusiastic receptions in the main competition of the world's biggest documentary festival, Idfa of Amsterdam. The eye-opening and austerely uncompromising India-Finland-Germany co-production now appeals as a live prize contender at Sundance, where it will receive its North American premiere...
Made as a midterm project at CalArts — Jain divides his time between California and Delhi — this brisk but bracing dispatch bowed to enthusiastic receptions in the main competition of the world's biggest documentary festival, Idfa of Amsterdam. The eye-opening and austerely uncompromising India-Finland-Germany co-production now appeals as a live prize contender at Sundance, where it will receive its North American premiere...
- 12/21/2016
- by Neil Young
- The Hollywood Reporter - Movie News
Exclusive: Sales outfit has a trio of documentaries playing in the festival’s world documentary competition.
Austrian film sales outfit Autlook Filmsales has picked up three documentaries that are all set to play at the 2017 Sundance Film Festival (Jan 19-29).
It’s Not Dark Yet, narrated by Colin Farrell, marks the Sundance return of Simon Fitzmaurice, an Irish director who previously submitted his short, The Sound of People at the Park City event in 2008.
Despite being affected by the first symptoms of Als (motor neurone disease) at the time, he has since directed a full length feature and written a book. In this documentary he is confronting the realities of his condition with an emphasis on the role of his wife and family which he made with the use of his eye-gaze technology.
Kathryn Kennedy produced the film with Lesley McKimm, a project manager with the Irish Film Board.
The Workers’ Cup [pictured], directed by Adam Sobel, will be...
Austrian film sales outfit Autlook Filmsales has picked up three documentaries that are all set to play at the 2017 Sundance Film Festival (Jan 19-29).
It’s Not Dark Yet, narrated by Colin Farrell, marks the Sundance return of Simon Fitzmaurice, an Irish director who previously submitted his short, The Sound of People at the Park City event in 2008.
Despite being affected by the first symptoms of Als (motor neurone disease) at the time, he has since directed a full length feature and written a book. In this documentary he is confronting the realities of his condition with an emphasis on the role of his wife and family which he made with the use of his eye-gaze technology.
Kathryn Kennedy produced the film with Lesley McKimm, a project manager with the Irish Film Board.
The Workers’ Cup [pictured], directed by Adam Sobel, will be...
- 12/8/2016
- ScreenDaily
The International Documentary Film Festival (Idfa) runs from November 16 through November 27 and is the world’s largest documentary film festival. Its mission is promote and present creative documentaries to the widest audience possible, and one of the films that’s set to be screened is Rahul Jain’s “Machines,” which presents an intimate portrayal of life and work in a gigantic textile factory in Gujarat, India.
Read More: Idfa Founder Ally Derks To Step Down from Post in 2017
The film examines the dehumanizing physical labor and hardship in the factory, exposes the pre-industrial working conditions and the huge divide between first world and developing countries. Though “Machines” only portrays one of these factories, it also represents the thousands of laborers as well. Watch an exclusive trailer for the film below.
This is Jain’s debut production. He is from New Delhi and a recent graduate from the California Institute of...
Read More: Idfa Founder Ally Derks To Step Down from Post in 2017
The film examines the dehumanizing physical labor and hardship in the factory, exposes the pre-industrial working conditions and the huge divide between first world and developing countries. Though “Machines” only portrays one of these factories, it also represents the thousands of laborers as well. Watch an exclusive trailer for the film below.
This is Jain’s debut production. He is from New Delhi and a recent graduate from the California Institute of...
- 11/17/2016
- by Vikram Murthi
- Indiewire
Doc festival opens in Amsterdam; Dogwoof, Autlook ready new titles.
Europe’s biggest and longest established doc festival, Idfa (International Documentary Festival Amsterdam) launched its 29th edition last night (November 16) with a screening of Guido Hendrikx’s refugee-themed Stranger in Paradise, in the Carré Theatre, one of Amsterdam’s biggest venues, in the presence of the Dutch culture minister, Jet Bussemaker.
This will be the final festival under the creative control of co-founder Ally Derks, who will be stepping down officially at the 30th anniversary edition of Idfa next year. Derks will shortly be starting a fellowship at ‘Robert Bosch Stiftung’ in Berlin. Barbara Visser will take over her duties as interim artistic director.
“I’m very proud to be standing here in this beautiful Carré Theater. It’s the 29th Idfa, my last, and how amazing to have the opening in such a huge place. Who could have even imagined this 29 years ago? I remember...
Europe’s biggest and longest established doc festival, Idfa (International Documentary Festival Amsterdam) launched its 29th edition last night (November 16) with a screening of Guido Hendrikx’s refugee-themed Stranger in Paradise, in the Carré Theatre, one of Amsterdam’s biggest venues, in the presence of the Dutch culture minister, Jet Bussemaker.
This will be the final festival under the creative control of co-founder Ally Derks, who will be stepping down officially at the 30th anniversary edition of Idfa next year. Derks will shortly be starting a fellowship at ‘Robert Bosch Stiftung’ in Berlin. Barbara Visser will take over her duties as interim artistic director.
“I’m very proud to be standing here in this beautiful Carré Theater. It’s the 29th Idfa, my last, and how amazing to have the opening in such a huge place. Who could have even imagined this 29 years ago? I remember...
- 11/17/2016
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
Doc festival opens in Amsterdam; Dogwoof, Autlook ready new titles.
Europe’s biggest and longest established doc festival, Idfa (International Documentary Festival Amsterdam) launched its 29th edition last night (November 16) with a screening of Guido Hendrikx’s refugee-themed Stranger in Paradise, in the Carré Theatre, one of Amsterdam’s biggest venues, in the presence of the Dutch culture minister, Jet Bussemaker.
This will be the final festival under the creative control of co-founder Ally Derks, who will be stepping down officially at the 30th anniversary edition of Idfa next year. Derks will shortly be starting a fellowship at ‘Robert Bosch Stiftung’ in Berlin. Barbara Visser will take over her duties as interim artistic director.
“I’m very proud to be standing here in this beautiful Carré Theater. It’s the 29th Idfa, my last, and how amazing to have the opening in such a huge place. Who could have even imagined this 29 years ago? I remember...
Europe’s biggest and longest established doc festival, Idfa (International Documentary Festival Amsterdam) launched its 29th edition last night (November 16) with a screening of Guido Hendrikx’s refugee-themed Stranger in Paradise, in the Carré Theatre, one of Amsterdam’s biggest venues, in the presence of the Dutch culture minister, Jet Bussemaker.
This will be the final festival under the creative control of co-founder Ally Derks, who will be stepping down officially at the 30th anniversary edition of Idfa next year. Derks will shortly be starting a fellowship at ‘Robert Bosch Stiftung’ in Berlin. Barbara Visser will take over her duties as interim artistic director.
“I’m very proud to be standing here in this beautiful Carré Theater. It’s the 29th Idfa, my last, and how amazing to have the opening in such a huge place. Who could have even imagined this 29 years ago? I remember...
- 11/17/2016
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
Alberdi, Grude, Lozinski and Koguashvili set to compete in main competition.
The International Documentary Festival Amsterdam (Idfa) has unveiled the line-up for its 29th edition, which is set to take place Nov 16-27.
The 15-title competition line-up includes Chilean director Maite Alberdi’s The Grown Ups, about four adults living with Down’s syndrome.
It follows her award-winning Tea Time about five septuagenarians who have been meeting for tea and cake once a month for 60 years.
Other contenders include Mogadishu Soldier by prolific Norwegian documentary producer and director Torstein Grude; respected Polish documentarian Pawel Lozinski’s exploration of a mother and daughter’s relationship You Have No Idea How Much I Love You, and Gogita’s New Life by Georgian director Levan Koguashvili, which follows a recently-released prisoner’s search for a wife.
Koguashvili is best known internationally for his fiction feature Blind Dates.
A total of 297 films will screen at the festival, 102 of which will...
The International Documentary Festival Amsterdam (Idfa) has unveiled the line-up for its 29th edition, which is set to take place Nov 16-27.
The 15-title competition line-up includes Chilean director Maite Alberdi’s The Grown Ups, about four adults living with Down’s syndrome.
It follows her award-winning Tea Time about five septuagenarians who have been meeting for tea and cake once a month for 60 years.
Other contenders include Mogadishu Soldier by prolific Norwegian documentary producer and director Torstein Grude; respected Polish documentarian Pawel Lozinski’s exploration of a mother and daughter’s relationship You Have No Idea How Much I Love You, and Gogita’s New Life by Georgian director Levan Koguashvili, which follows a recently-released prisoner’s search for a wife.
Koguashvili is best known internationally for his fiction feature Blind Dates.
A total of 297 films will screen at the festival, 102 of which will...
- 10/10/2016
- ScreenDaily
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