Directed by
Arthur Everad | ||
John King | ||
Paul Maunder | ||
Sam Pillsbury |
Produced by
Lance J. Connoly | ... | producer |
David H. Fowler | ... | producer |
Derek Wright | ... | associate producer |
Music by
Malcolm Smith |
Editing by
Beth Butler | ||
Stanley Harper | ||
Paul Maunder |
Sound Department
Val Federoff | ... | sound unit |
John Lowe | ... | sound unit |
Don Reynolds | ... | sound editor / sound mixer / sound unit |
Kit Rollings | ... | sound unit |
Brian Shennan | ... | sound unit |
Geoff Shepherd | ... | sound unit |
Camera and Electrical Department
Brian E. Cross | ... | camera unit |
Lynton Diggle | ... | camera unit |
David Dry | ... | camera unit |
Bruce Dunn | ... | camera unit |
Kell Fowler | ... | camera unit |
Stephen Gibb | ... | camera unit |
Sam Gray | ... | camera unit |
Murray M. Greed | ... | camera unit |
John Hoyle | ... | camera unit |
Don L. Oakley | ... | camera unit |
Dale Pomeroy | ... | camera unit |
Don Scott | ... | camera unit |
Barry Thomas | ... | camera unit |
Paul Thompson | ... | camera unit |
Bayly Watson | ... | camera unit (as Bayley Watson) |
Location Management
Stanley Harper | ... | location assistant |
Denis Harvey | ... | location assistant |
Music Department
Garth Young | ... | musical director |
Additional Crew
Mac Ashley | ... | technical unit |
Kerry Coe | ... | technical unit |
Bob Curtice | ... | technical unit |
Ron Hiddleston | ... | technical unit |
Ash Lewis | ... | liaison: New Zealand National Film Unit |