Organisers at the Buenos Aires-based genre sidebar have announced the Bloody Work In Progress entrants.
The filmmakers and their projects chosen by San Sebastian director-general José Luis Rebordinos are: Terror 5 (Argentina) from Sebastian Rotstein and Federico Roststien; Verónica (Mexico) from Carlos Algara and Alejandro Martinez Beltrán; A Percepçao De Medo (Uptake Fear, Brazil) from Kapel Furman and Armando Fonseca.
Rounding out the Bwip selections are Camaleón (Chamaleon, Chile) from Jorge Riquelme Serrano; La Valija De Benavidez (Argentina) from Laura Casabe; and Downhill (Chile) from Patricio Valladares.
The Ffip – Fantastic Films In Progress selections are: 3 Linea: Sanskara (Trinidad & Tobago) from Christopher Din Chong; Estrategia De Una Venganza (Colombia-Panama) from Carlo Carela; Dengue Alien – Noite De “Terror” (Mosquitoid, Brazil) from Marcos de Castro; Vida (Life, Colombia) from Carlos Santiago Amézquita Villamizar; and Ataúd Blanco (Argentina) from Daniel de la Vega.
Blood Window will run from November 30-December 4.
The filmmakers and their projects chosen by San Sebastian director-general José Luis Rebordinos are: Terror 5 (Argentina) from Sebastian Rotstein and Federico Roststien; Verónica (Mexico) from Carlos Algara and Alejandro Martinez Beltrán; A Percepçao De Medo (Uptake Fear, Brazil) from Kapel Furman and Armando Fonseca.
Rounding out the Bwip selections are Camaleón (Chamaleon, Chile) from Jorge Riquelme Serrano; La Valija De Benavidez (Argentina) from Laura Casabe; and Downhill (Chile) from Patricio Valladares.
The Ffip – Fantastic Films In Progress selections are: 3 Linea: Sanskara (Trinidad & Tobago) from Christopher Din Chong; Estrategia De Una Venganza (Colombia-Panama) from Carlo Carela; Dengue Alien – Noite De “Terror” (Mosquitoid, Brazil) from Marcos de Castro; Vida (Life, Colombia) from Carlos Santiago Amézquita Villamizar; and Ataúd Blanco (Argentina) from Daniel de la Vega.
Blood Window will run from November 30-December 4.
- 11/10/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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