Chicago – The 32nd edition of the Chicago Latino Film Festival Kicks Off on Friday, April 8, 2016, with the Mexican film “Illusions S.A.” (“Illusiones S.A.”). All films are at the AMC River East 21 in Chicago.
This year’s festival promises another huge array of films originating from Latino countries all over the world, and runs from April 8th through the 21st. The kick-off film “Illusions S.A.” will be followed by a reception at the Embassy Suites Hotel in Chicago. For details and to purchase tickets click here.
’Illusions S.A.’ is the Opening Night Film at the 32ndst Chicago Latino Film Festival
Photo credit: Chicago Latino Film Festival
The Opening Night Capsule and the highlights of Week One are as follows…
Opening Night: “Illusions S.A.”
Starring Jaime Camil (“Jane the Virgin”) and set in Campeche, México in the 1950s, “Illusions S.A.” centers around an agency that turns your deepest fantasies,...
This year’s festival promises another huge array of films originating from Latino countries all over the world, and runs from April 8th through the 21st. The kick-off film “Illusions S.A.” will be followed by a reception at the Embassy Suites Hotel in Chicago. For details and to purchase tickets click here.
’Illusions S.A.’ is the Opening Night Film at the 32ndst Chicago Latino Film Festival
Photo credit: Chicago Latino Film Festival
The Opening Night Capsule and the highlights of Week One are as follows…
Opening Night: “Illusions S.A.”
Starring Jaime Camil (“Jane the Virgin”) and set in Campeche, México in the 1950s, “Illusions S.A.” centers around an agency that turns your deepest fantasies,...
- 4/7/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Organisers behind Ventana Sur’s genre works-in-progress sidebar have announced their selections.
The titles comprise one from each of Argentina, Brazil and Ecuador and three from Mexico.
Joe Houlberg’s Ecuadorian title Thirst (Sed) centres on a blind woman and her friends who must confront ghosts and hidden desires.
Argentina’s Intimate Witness (Testigo Intimo) by Santiago Fernández concerns a fight between brothers for the love of a woman that leads to a bloody and unexpected conclusion.
Petter Belestorf and Joel Caetano’s sequence of Brazilian vignettes The Black Fables (As Fábulas Negras) pays homage to genre cinema.
From Mexico comes Diego Cohen’s tale of romantic obsession Honeymoon (Luna De Miel); Isaac Ezban’s profile of an apocalyptic Mexico in The Similar (Los Parecidos); and Adrián García Bogliano’s Here Comes The Devil follow-up Scherzo Diabólico, about a kidnap plot that goes awry.
Several prizes are available to the entries, including the Roma...
The titles comprise one from each of Argentina, Brazil and Ecuador and three from Mexico.
Joe Houlberg’s Ecuadorian title Thirst (Sed) centres on a blind woman and her friends who must confront ghosts and hidden desires.
Argentina’s Intimate Witness (Testigo Intimo) by Santiago Fernández concerns a fight between brothers for the love of a woman that leads to a bloody and unexpected conclusion.
Petter Belestorf and Joel Caetano’s sequence of Brazilian vignettes The Black Fables (As Fábulas Negras) pays homage to genre cinema.
From Mexico comes Diego Cohen’s tale of romantic obsession Honeymoon (Luna De Miel); Isaac Ezban’s profile of an apocalyptic Mexico in The Similar (Los Parecidos); and Adrián García Bogliano’s Here Comes The Devil follow-up Scherzo Diabólico, about a kidnap plot that goes awry.
Several prizes are available to the entries, including the Roma...
- 11/16/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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