On Saturday November 4, Trieste’s Rossetti theatre once more welcomed short filmmakers from around the world for the second chapter of the European Fantastic Shorts competition.Ten more slices of fiction vied for the top spot but compared to Friday’s lineup, this second round proved rather uneven. After Joseba Alfaro’s Destroy Madrid kicked things off with a been-there-done-that VFX showcase of a society gone to pot – a proof of concept for a post-apocalyptic feature that feels woefully redundant – Ares Ceylan provided an early highlight with Frail (Puppenspiel), a tragic account of love, loss and the inability to come to terms with an incomplete family. With almost no dialogue to speak of Ceylan builds intrigue through his shot selection and sound design. From a stark...
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- 11/10/2017
- Screen Anarchy
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