Directed by
Ellen Goosenberg Kent |
Produced by
Jacqueline Glover | ... | supervising producer |
Sheila Nevins | ... | executive producer |
Dana Heinz Perry | ... | producer (as Dana Perry) |
Music by
Wendy Blackstone |
Cinematography by
Tony Hardmon |
Editing by
Geof Bartz | ||
Gladys Murphy | ... | co-editor |
Production Management
Rob Forlenza | ... | post-production manager |
Sound Department
Ken Hahn | ... | re-recording mixer / supervising sound editor |
Peter Miller | ... | sound recordist |
James David Redding III | ... | sound effects editor |
Camera and Electrical Department
Timothy Brown | ... | assistant camera |
Daniel Carter | ... | camera operator |
Chapin Hall | ... | assistant camera |
Timothy Limner | ... | gaffer |
Matt Porwoll | ... | camera operator |
Editorial Department
Phillip Chalmers | ... | on-line editor |
Jon Fordham | ... | colorist |
Additional Crew
Julie Begey Seureau | ... | production assistant |
Jerry Heer | ... | media management |
Adam J. Segal | ... | publicist |
Sascha Weiss | ... | production coordinator |
Thanks
Debi Bevins | ... | special thanks |
Victoria Bridges | ... | special thanks |
Jason Hansman | ... | special thanks |
Maggie LaRocca | ... | special thanks |
Christine McGuire | ... | special thanks (as Christine A. Pons) / special thanks: Christine Pons |
Lori Shinseki | ... | special thanks |
Gary Tallman | ... | special thanks |