Take a look at what FX Networks has already offered up in 2016:
“The People v. O.J. Simpson”
“Fargo”
“Archer”
“The Americans”
“You’re the Worst”
That’s far from the full list, but those five series already represent five of the best programs of 2016. That’s quite an accomplishment by the end of August, especially in an era that FX President John Landgraf himself accused of sporting “too much TV.”
Last Week’S Episode: The Perfect TV Diet: What Shows You Should Watch to Stay Healthy
But few viewers at home would be quick to list FX in the same breath as the likes of HBO, despite comparable quality, year in and year out. In fact, how often do you hear FX series discussed under their network brand? “Hey, have you seen that new HBO show?” seems like a much more common question than, “Did you watch that new FX drama last night?...
“The People v. O.J. Simpson”
“Fargo”
“Archer”
“The Americans”
“You’re the Worst”
That’s far from the full list, but those five series already represent five of the best programs of 2016. That’s quite an accomplishment by the end of August, especially in an era that FX President John Landgraf himself accused of sporting “too much TV.”
Last Week’S Episode: The Perfect TV Diet: What Shows You Should Watch to Stay Healthy
But few viewers at home would be quick to list FX in the same breath as the likes of HBO, despite comparable quality, year in and year out. In fact, how often do you hear FX series discussed under their network brand? “Hey, have you seen that new HBO show?” seems like a much more common question than, “Did you watch that new FX drama last night?...
- 8/29/2016
- by Ben Travers
- Indiewire
In today’s day-and-age of “peak TV,” so much of the conversation about television focuses on which shows you should be watching. Well, what kind of shows you watch is just as important as which specific shows you choose to engage with in your spare time.
For instance, if you merely chose your shows by which ones are “the best,” your lineup may look something like this:
“O.J. Made in America”
“The Americans”
“The Night Of”
“Game of Thrones”
“The People v. O.J. Simpson”
“Fargo”
The above list is a combination of the three highest-rated programs of the 2016 season (according to Metacritic) and the three most nominated series at this year’s Emmys. Do you notice anything similar between the six shows? Other than two programs focusing on O.J. Simpson, the commonality across all six is their general genre: drama. They’re all dark, heady, hour-long dramas.
If these...
For instance, if you merely chose your shows by which ones are “the best,” your lineup may look something like this:
“O.J. Made in America”
“The Americans”
“The Night Of”
“Game of Thrones”
“The People v. O.J. Simpson”
“Fargo”
The above list is a combination of the three highest-rated programs of the 2016 season (according to Metacritic) and the three most nominated series at this year’s Emmys. Do you notice anything similar between the six shows? Other than two programs focusing on O.J. Simpson, the commonality across all six is their general genre: drama. They’re all dark, heady, hour-long dramas.
If these...
- 8/22/2016
- by Ben Travers
- Indiewire
What do you look for in foodie TV?
You know what I’m talking about. One of two things happens:
You find yourself zoning out on a Saturday morning, staring blankly at your TV, and suddenly you become fascinated by the amateur chefs cooking for a chance at running their own restaurant. You make the conscious choice to sit down and invest in foodie TV, perhaps of the more artful variety — like “Chef’s Table.”
Basically, viewers are looking for something to either compliment shutting off their brain, something a little bolder, or something in between. “The Wine Show,” a British import brought to the States courtesy of Hulu, falls into the in between, offering up engaging and educational segments as it simultaneously tries to goof around and have a good time. While it finds its feet in this tricky duality as it progresses, the series’ biggest draw is also...
You know what I’m talking about. One of two things happens:
You find yourself zoning out on a Saturday morning, staring blankly at your TV, and suddenly you become fascinated by the amateur chefs cooking for a chance at running their own restaurant. You make the conscious choice to sit down and invest in foodie TV, perhaps of the more artful variety — like “Chef’s Table.”
Basically, viewers are looking for something to either compliment shutting off their brain, something a little bolder, or something in between. “The Wine Show,” a British import brought to the States courtesy of Hulu, falls into the in between, offering up engaging and educational segments as it simultaneously tries to goof around and have a good time. While it finds its feet in this tricky duality as it progresses, the series’ biggest draw is also...
- 8/15/2016
- by Indiewire Staff
- Indiewire
Ever wanted to ask the TV experts a question? Well, IndieWire fielded your top queries last week before recording the latest episode of Very Good TV Podcast. With thoughts ranging from, “What show was the most painful to give up?” to “How hard did The Rock ball on ‘Ballers’ this week?”, IndieWire TV Editor Liz Shannon Miller and TV Critic Ben Travers tried to run through as many pressing questions as they could.
Don’t forget to subscribe via Soundcloud or iTunes, and follow IndieWire on Twitter and Facebook for all your pertinent TV news. Check out Liz and Ben’s Twitter feeds for more, more, more. Plus, don’t forget to listen to IndieWire’s other podcasts: Screen Talk with Eric Kohn and Anne Thompson, as well as IndieWire Influencers, hosted by Editor-in-Chief Dana Harris and featuring various guests relevant to anyone tracking independent film or the entertainment industry in general.
Don’t forget to subscribe via Soundcloud or iTunes, and follow IndieWire on Twitter and Facebook for all your pertinent TV news. Check out Liz and Ben’s Twitter feeds for more, more, more. Plus, don’t forget to listen to IndieWire’s other podcasts: Screen Talk with Eric Kohn and Anne Thompson, as well as IndieWire Influencers, hosted by Editor-in-Chief Dana Harris and featuring various guests relevant to anyone tracking independent film or the entertainment industry in general.
- 8/2/2016
- by Ben Travers
- Indiewire
Last Week’S Episode: Pop Culture in Pop Culture: How Hollywood Humor Can Help and Hurt TV
Comic-Con is a crazy convention. The four-day event is packed with more panels, screenings and activities than any one person can cover, so odds are there are more stories than any one person can read. So to help you sort the essential from the entertaining, the IndieWire TV Team has narrowed down their dozens of stories to the takeaways you need to know right now.
IndieWire TV Editor Liz Shannon Miller, TV Critic Ben Travers and Senior Editor Hanh Nguyen sat down for Very Good TV Podcast to pair down an extended weekend of insanity to the bare essentials. Not only do they cover the information you only knew if you were in the room, but they highlight the biggest news items that TV fans should be aware of, especially if they tried...
Comic-Con is a crazy convention. The four-day event is packed with more panels, screenings and activities than any one person can cover, so odds are there are more stories than any one person can read. So to help you sort the essential from the entertaining, the IndieWire TV Team has narrowed down their dozens of stories to the takeaways you need to know right now.
IndieWire TV Editor Liz Shannon Miller, TV Critic Ben Travers and Senior Editor Hanh Nguyen sat down for Very Good TV Podcast to pair down an extended weekend of insanity to the bare essentials. Not only do they cover the information you only knew if you were in the room, but they highlight the biggest news items that TV fans should be aware of, especially if they tried...
- 7/25/2016
- by Ben Travers
- Indiewire
We’ve all smiled that cheeky little smirk when our favorite TV show references other pop culture. From constant “Star Wars” references in a show like “The Big Bang Theory” to not so casually dropping in a Neil DeGrasse Tyson cameo (in an attempt to pass off the science as legit), these tools are often intended to make the series feel authentic, hip and relevant — to the audience and the character. But is that what it really does? Do we really feel as though these characters exist alongside us or does it cause a crazy and infinite alternative universe effect?
To answer that strange and weirdly existential question, Very Good TV Podcast rifles through examples of TV shows that reference pop culture and to what result. Discussing whether the “organic story choice” has had organic effects or has negatively affected the show instead, IndieWire’s TV Editor Liz Shannon Miller...
To answer that strange and weirdly existential question, Very Good TV Podcast rifles through examples of TV shows that reference pop culture and to what result. Discussing whether the “organic story choice” has had organic effects or has negatively affected the show instead, IndieWire’s TV Editor Liz Shannon Miller...
- 7/18/2016
- by Kyle Kizu
- Indiewire
It’s Emmy nominations week, which means it’s time for we TV obsessed people of the world to hunker down and make some predictions. While IndieWire already has a lengthy list of predictions and a few idealistic lists of dream nominees, this week’s Very Good TV podcast focuses on the deserving but rather unlikely long shots.
Read More: 2016 Emmy Predictions: Outstanding Drama Series
From Aya Cash (“You’re The Worst”) to Anna Camp (“Unbreakable Kimmy Schmidt”), Ben and Liz have some very convincing arguments for the crowning of a few new comedy queens. Is this the year that the Television Academy will finally tire of Julia Louis-Dreyfus? (Not that she’s undeserving of another win.)
As for the below-the-line categories, Liz makes a convincing argument for the costume and set design on “Outlander.” Period shows do tend to dominate the craft categories, however, and Ben argues that modern-set...
Read More: 2016 Emmy Predictions: Outstanding Drama Series
From Aya Cash (“You’re The Worst”) to Anna Camp (“Unbreakable Kimmy Schmidt”), Ben and Liz have some very convincing arguments for the crowning of a few new comedy queens. Is this the year that the Television Academy will finally tire of Julia Louis-Dreyfus? (Not that she’s undeserving of another win.)
As for the below-the-line categories, Liz makes a convincing argument for the costume and set design on “Outlander.” Period shows do tend to dominate the craft categories, however, and Ben argues that modern-set...
- 7/11/2016
- by Kate Halliwell
- Indiewire
With Monday fast approaching, we’re all still looking to get into that patriotic spirit — especially since “Independence Day: Resurgence” definitely did not resurge anything and actually brought many of us down. The first film, however, does have one of the greatest and most patriotic speeches of all time, one that really heats the American juices in our hearts. The same can be said of many, many speeches in TV, but they prove to be a little harder to place. So, just in case you need something particularly nifty to quote at the family BBQ this Monday, we decided to play a trivia game.
And who doesn’t love trivia? In Very Good TV Podcast’s latest episode, IndieWire TV Editor Liz Shannon Miller, TV Critic Ben Travers, Special Projects Editor Steve Greene and Senior Editor Hanh Nguyen whipped up 16 of the most patriotic TV quotes out there, quizzing one...
And who doesn’t love trivia? In Very Good TV Podcast’s latest episode, IndieWire TV Editor Liz Shannon Miller, TV Critic Ben Travers, Special Projects Editor Steve Greene and Senior Editor Hanh Nguyen whipped up 16 of the most patriotic TV quotes out there, quizzing one...
- 7/4/2016
- by Kyle Kizu
- Indiewire
In a time when TV is thriving and ideas are popping up left and right, the possibility for a show to be cut short gets higher and higher. Many shows that seem like they could be hits — and aren’t — oftentimes get cancelled after that first trial season, leaving a sour taste in our mouths knowing that there was more story to tell.
Luckily, also due to the fact that we’re in this Golden Age of television, we get incredible shows that see their stories out until the intended end. But no matter the type, what does it mean to end a show? Whether it be a cancellation, an intended end or even a sneaky end like “Penny Dreadful,” how do those endings work and how are they received? What if, out of nowhere, we found out that last night’s “Game of Thrones” was the last episode ever?...
Luckily, also due to the fact that we’re in this Golden Age of television, we get incredible shows that see their stories out until the intended end. But no matter the type, what does it mean to end a show? Whether it be a cancellation, an intended end or even a sneaky end like “Penny Dreadful,” how do those endings work and how are they received? What if, out of nowhere, we found out that last night’s “Game of Thrones” was the last episode ever?...
- 6/27/2016
- by Kyle Kizu
- Indiewire
Whether on a first date, at a job interview, or just having a casual conversation, everyone has encountered the question, “What’s your favorite TV show?” Some people have an automatic answer, while others have to contemplate for a minute. Especially now, in the age of peak TV, it can be tough to dig through tons of great TV shows and choose an all-time favorite.
To help narrow down the choices and answer this question, Very Good TV Podcast has compiled a list of tips to take into account.
Consider whether you’re answering subjectively or objectively. Be declarative. Don’t say, “Oh, there are just so many shows!” Don’t pretend you’ve never been asked before. Don’t be embarrassed by your choice — or qualify it.
For more advice, and to hear Ben and Liz break almost all of the aforementioned rules in defense of their favorites, listen...
To help narrow down the choices and answer this question, Very Good TV Podcast has compiled a list of tips to take into account.
Consider whether you’re answering subjectively or objectively. Be declarative. Don’t say, “Oh, there are just so many shows!” Don’t pretend you’ve never been asked before. Don’t be embarrassed by your choice — or qualify it.
For more advice, and to hear Ben and Liz break almost all of the aforementioned rules in defense of their favorites, listen...
- 6/20/2016
- by Kate Halliwell
- Indiewire
Summer TV is undoubtedly the least packed of seasons, making it almost a de facto offseason. Schedules may have been too busy in the fall and spring to keep up with everything — who can be expected to? — so now proves to be the perfect time to catch up on what was missed in preparation for the next season… even though schedules will probably be too tight again for anyone to keep up when those come back around. Does that make summer the actual season of TV? You can only do your best!
To fill that schedule back up and fend off summertime sadness, Very Good TV Podcast offers six shows to binge during those hot summer nights. Discussing many recent highlight hits, IndieWire TV Editor Liz Shannon Miller and TV Critic Ben Travers scrap together a list of comedies and dramas that span from “You’re the Worst” and “Fresh Off the Boat” to “The Americans” and a dash of “Aquarius.” So while one may not get a lot of sun while bingeing, one certainly will have a lot of fun.
Don’t forget to subscribe via Soundcloud or iTunes, and follow IndieWire on Twitter and Facebook for all your pertinent TV news. Check out Liz and Ben’s Twitter feeds for more, more, more. Plus, don’t forget to listen to IndieWire’s other podcasts: Screen Talk with Eric Kohn and Anne Thompson, as well as IndieWire Influencers, hosted by Editor-in-Chief Dana Harris and featuring various guests relevant to anyone tracking independent film or the entertainment industry in general.
Read More: Review: ‘The Americans’ Season 4 Brings Grave Consequences, Long Coming
Related News and Articles:
Emmy voting is happening as we speak and IndieWire has been pushing its favorites with the Consider This series. Check out interviews with the stars of “The Leftovers,” “Angie Tribeca,” “UnREAL,” and more! Speaking of the Emmys, networks are pushing their shows with full force. Check out some campaigns here. The new film-based drama series “Animal Kingdom” has dropped and the verdict is clear. Our review. The new show “Preacher” continues to roll along in its first season. Our latest episode review.
Stay on top of the latest TV news! Sign up for our TV email newsletter here.
Related stories10 Must-Listen Podcast Episodes from 2016 So Far'You're the Worst' Star Aya Cash Explains Why You Shouldn't Vote For Her at the Emmys (But You Really, Really Should)Watch: 'Aquarius' Season 2 Trailer Brings the Blood...
To fill that schedule back up and fend off summertime sadness, Very Good TV Podcast offers six shows to binge during those hot summer nights. Discussing many recent highlight hits, IndieWire TV Editor Liz Shannon Miller and TV Critic Ben Travers scrap together a list of comedies and dramas that span from “You’re the Worst” and “Fresh Off the Boat” to “The Americans” and a dash of “Aquarius.” So while one may not get a lot of sun while bingeing, one certainly will have a lot of fun.
Don’t forget to subscribe via Soundcloud or iTunes, and follow IndieWire on Twitter and Facebook for all your pertinent TV news. Check out Liz and Ben’s Twitter feeds for more, more, more. Plus, don’t forget to listen to IndieWire’s other podcasts: Screen Talk with Eric Kohn and Anne Thompson, as well as IndieWire Influencers, hosted by Editor-in-Chief Dana Harris and featuring various guests relevant to anyone tracking independent film or the entertainment industry in general.
Read More: Review: ‘The Americans’ Season 4 Brings Grave Consequences, Long Coming
Related News and Articles:
Emmy voting is happening as we speak and IndieWire has been pushing its favorites with the Consider This series. Check out interviews with the stars of “The Leftovers,” “Angie Tribeca,” “UnREAL,” and more! Speaking of the Emmys, networks are pushing their shows with full force. Check out some campaigns here. The new film-based drama series “Animal Kingdom” has dropped and the verdict is clear. Our review. The new show “Preacher” continues to roll along in its first season. Our latest episode review.
Stay on top of the latest TV news! Sign up for our TV email newsletter here.
Related stories10 Must-Listen Podcast Episodes from 2016 So Far'You're the Worst' Star Aya Cash Explains Why You Shouldn't Vote For Her at the Emmys (But You Really, Really Should)Watch: 'Aquarius' Season 2 Trailer Brings the Blood...
- 6/13/2016
- by Kyle Kizu
- Indiewire
There are bucket lists... and then there's Henry Rollins' bucket list. After rising to notoriety as the lead singer of Black Flag in the '80s, Rollins has built on his punk legacy to become one of America's most unique cultural filters. And to his ever-growing list of accomplishments, he can now add movie star. As the immortal antihero Jack in Jason Krawczyk's "He Never Died," Rollins' role allowed him to bring his rigorous work ethic to yet another creative endeavor. On this week's episode of Indiewire Influencers, Rollins speaks with Indiewire Editor in Chief Dana Harris about the mental training and the wide swath of life experiences necessary to maintain his kind of output. As a veteran of auditions, Rollins says he's intimately familiar with the process of being rejected from any number of potential gigs. "You better know some failure. Otherwise, you become brittle. You gotta...
- 12/29/2015
- by Indiewire
- Indiewire
Andrew Haigh loves relationships. Whether it's the bond between young lovers ("Weekend," HBO's "Looking") or longtime partners ("45 Years"), exploring Never those connections shape his work as a filmmaker. This week on Indiewire Influencers, Haigh talks with Indiewire Editor in Chief Dana Harris about his fascination with these interpersonal stories and the process that gets them on screen. "45 Years" stars Charlotte Rampling and Tom Courtenay as a long-married couple who must confront the past. "Our past absolutely defines everything we do in the present," he said. "We can't help it. We're made by the events of our past, so there's no escaping it. "In the end, with all of my films," Haigh said, "I want to understand the continuity between these films and understand what they're trying to do... I do make films for personal reasons." For more, including Courtenay and Rampling's first responses to...
- 12/22/2015
- by Indiewire
- Indiewire
Drew Goddard was a science kid. Growing up in the tucked-away town of Los Alamos, Nm, he was surrounded by the type of minds and personalities on display in "The Martian." Goddard adapted the script from Andy Weir's novel, a project that originally crossed his desk in its nascent e-book form. "I started describing the book to [my wife] and she said, 'Oh, that sounds like your hometown,'" Goddard said, adding, "Andy captured scientists the way that I've been used to hearing scientists my entire life." This week on Indiewire Influencers, Goddard talked with Indiewire Editor in Chief Dana Harris about the process of making a brainy crowd-pleaser. It was the novel's grasp of interpersonal scientist banter that showed Goddard the inherent connection between humor and science. "I think that science, by its nature, is based on failure," Goddard said, adding of scientists, "In order to do that, you can be despondent or you can.
- 12/15/2015
- by Indiewire
- Indiewire
Jason Segel, if nothing else, is a man of many influences. In this week's episode of Indiewire Influencers, he talks with Indiewire Editor in Chief Dana Harris about "Primal Fear," Roald Dahl books, Jimmy Stewart and Peter Sellers' performance in "Being There" - and that's just the beginning. In many ways, the culmination of those combined cultural experiences shapes his work as David Foster Wallace in James Ponsoldt's "The End of the Tour." In playing the late, beloved writer, Segel found a challenge that had been lingering on his periphery for a while. For Segel, making the transition from high school athlete to aspiring comedian to respected actor came with its own challenges. "You spend a lot of time privately," Segel explained, "saying 'If I only had this kind of material' or 'If people really knew what I was capable of' and then when you're given the opportunity,...
- 12/8/2015
- by Indiewire
- Indiewire
For Kyle Patrick Alvarez, the route to a career as a director has been slightly less than orthodox. Now perhaps best known as the director of this year's "The Stanford Prison Experiment," Alvarez's life in film has taken turns from being the assistant to Warren Beatty to the adapter of work by author David Sedaris. In this week's episode of Indiewire Influencers, Alvarez talks with Indiewire Editor in Chief Dana Harris about all three of those experiences and some of his 2016 plans. "Every movie, I think you look back on and think 'Oh God, what was I thinking? That could have been such a disaster,'" Alvarez said. Those blinders to help get to that point were especially helpful on "The Stanford Prison Experiment," a film that involved a number of physical and psychological challenges throughout the course of the shoot. And the challenges were plenty before filming even started.
- 11/24/2015
- by Indiewire
- Indiewire
There are personal films, and there are personal films. "James White," a Sundance 2015 alum that opens in theaters this Friday, the film was shaped by writer/director Josh Mond's experiences after losing his mother. Christopher Abbott stars as the title character, and Cynthia Nixon, portrays James' mother Gail. All three join Indiewire Editor in Chief Dana Harris on this week's episode of Indiewire Influencers. Having previously worked on "Martha Marcy May Marlene," which Mond co-produced, Abbott and Mond worked together to craft the James White character. "Me and Josh, we had, and have, a rapport," Abbott said. "I trusted him and he trusted me to do what I do. That, in itself is a blessing." For Nixon, coming from outside that inner circle and playing someone personally known by many of the cast and crew, was a welcoming experience. "I feel like my role on the set was sort of like the.
- 11/11/2015
- by Indiewire
- Indiewire
Laurie Anderson's work defies easy characterization, and her new film "Heart of a Dog" isn't easy to describe. It's many things: a personal essay, a meditation on mortality, a tribute to lives past. But on this week's episode of Indiewire Influencers, Anderson talked with Indiewire Editor in Chief Dana Harris about how all those elements came together to make something both emblematic of her career and an entirely new endeavor. Much of what gives "Heart of a Dog" its poignancy is its remembrance of things lost; Anderson advocates embracing those emotions and not denying the existence of sadness. "It takes a bite out of you to push suffering away," Anderson explained, adding, "If you do try to pretend it's not there or ignore it, it'll bite you in the back." Anderson warns the film wasn't intended as an autobiographical account or a self-help film. Instead, she describes the film as a "visual grab-bag.
- 10/27/2015
- by Indiewire
- Indiewire
As a producer, band member, and a writer of original scores for narrative and documentary features, composer Dan Romer is no stranger to writing music beloved by audiences and critics alike. "My general concept of theme writing is that I want it to be a catchy enough melody to be a pop song," Romer explained. At the Toronto International Film Festival last month, Romer spoke with Indiewire Editor in Chief Dana Harris for this week's episode of Indiewire Influencers. In addition to working with Benh Zeitlin on "Beasts of the Southern Wild," Romer has also provided scores for Joe Swanberg's "Digging for Fire" and Bryan Carberry & Clay Tweel's documentary "Finder Keepers." But the African landscape of "Beasts of No Nation" called for a score with a different set of demands. "I originally did a score that was mostly strings and horns and piano," Romer says, describing his first...
- 10/20/2015
- by Indiewire
- Indiewire
You may not know Mark Woollen's name, but thanks to his work on some of the most attention-grabbing trailers of the past twenty years, you're probably familiar with his work. Whether it's the subtle heartbreak of "12 Years a Slave," the technical wizardry of "Birdman," or one of his most recent efforts, the immersive two-minute hurricane that is the trailer for "The Revenant," Woollen has been turning the teaser into an art form all its own. This week on Indiewire Influencers, Woollen sits down with Indiewire Editor in Chief Dana Harris for a conversation about his career in the field and what it's like to work with such a varied list of collaborators. Woollen's career has now spanned multiple decades, long enough to see a shift from a time when trailers played almost exclusively in theaters to now, when they're readily available at a moment's notice. But the changing venues...
- 10/7/2015
- by Indiewire
- Indiewire
"I thought after ‘Starlet,' I was going to get at least some money to make a much bigger film.” That didn’t happen; in fact, just the opposite. But Sean Baker's fifth feature, “Tangerine,” is his most successful film yet. On this week’s episode of Indiewire Influencers, Baker shows us how he made "Tangerine” his biggest success, a journey that includes running from angry bus drivers, shooting on smartphones and a producer who doubled as wardrobe and continuity. He also tells us why he’s turned down offers for an encore — and how he plans to keep making movies his own way (even though he admits TV might be a smarter move.) Read More: Sundance Review: 'Tangerine' is a charming buddy comedy about transgendered prostitutes in La Listen to the full episode above. Share your feedback with Dana Harris on Twitter or sound off in the comments.
- 8/4/2015
- by Indiewire
- Indiewire
In 2013, we launched Indiewire Influencers, a look at some of the people who were having the biggest impact in film, TV and the internet. Today, we’re launching the Indiewire Influencers podcast, where we’ll bring you interviews with a new Influencer every week. We couldn't be prouder to start with Rose McGowan. She's an actor, a filmmaker, and a rabble rouser. In this unfiltered interview with Indiewire editor in chief Dana Harris, she discusses the tweet that got her fired from her agency and shares tales from the front, including the difference between how women are treated in indie film versus Hollywood (the answer may surprise you). "It goes back to this patriarchal 'Daddy's mad at you,'" she said, "to be in fear of the men in power and what they can do." "I am threatening," she added. "I should be threatening. Why not?" Read More: Rose McGowan...
- 7/21/2015
- by Indiewire
- Indiewire
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