Creature 2013 (2013) Poster

(2013)

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8/10
Powerful exploration of isolation and inner demons
adrian-58411 November 2014
Bloody tops. Really great stuff. I caught onto the slow-burn vibe of it and the ending really struck me emotionally. It spoke to my own inner battles and hauntings by the past.

I love how this film gives you such a strong feeling of the horror of one's own mind. It recalls all those times where it's just you alone, when the isolation takes hold, and the noise of one's mind ramps up, and the cracks emerge into all that darkness that festers deep down, into all that we struggle to sit with and so often repress. Can we overcome the traumatic events of our past? Or do those memories continue to define and control us?

I want to mention as well that the cinematography is really strong. Really striking. I love the strobing sequences, and the high contrast black and white with splashes of intense colour. The probing industrial soundtrack is brilliant too, and fits perfectly with the images.

This is haunting horror that creeps right into the depths of your mind. Highly recommended.
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8/10
Art-house meets the nasty - a fine blending of styles
DVD_Connoisseur30 May 2014
Warning: Spoilers
Having been aware of Ronny Carlsson's work since the release of Récompence back in 2010, I've always wondered how he would react to being called a horror filmmaker. There's certainly an undercurrent of horror throughout his productions but it's only with the release of Creature 2013 that he truly seizes the genre with both hands.

As soon as Creature 2013 begins, the viewer is assaulted with a surprisingly low-fi experience. Being familiar with the perfection of previous Ronny Carlsson visuals (despite being shot on a mobile, even Goodbye, Little Betty is stunning to look at), the visual noise, static and general VHS-like appearance of the opening scene is clearly deliberate. This style remains for the duration of the movie and you feel like you're perhaps watching a previously undiscovered Swedish "video nasty" from the '80s. Like some of the original nasties, this production is thought provoking and not all about flying entrails (though these may make an appearance during the proceedings). It's worth noting that as the end credits roll, thanks go to the ever creative Michael Todd "Maggot" Schneider for the digital downgrading. Having seen a number of Schneider's movies, his trademark "used video" appearance is as successful as always.

Carlsson is reunited with actress Daniela Melin for this short movie. I really like this young actress, she is absolutely stunning and moves with an unconscious grace. All credit goes to the director, who rarely dwells on Melin's physical beauty, concentrating instead on the surroundings and the chain of events that unravels on the screen. This results in every glimpse of this actress' face being pure gold. As with Goodbye, you have the feeling that both Melin and Carlsson suffer for their art. When they're not working in freezing conditions, they are shooting from a frightening height whilst being assaulted by the elements. I was left with the impression that there's no such thing as an easy shooting day on a Ronny Carlsson film.

There are familiar Carlsson motifs in this film; an incident in the past impacts on what you're seeing now; characters are obsessed / are involved with a ritual or rituals; there's at least one scene involving a mask; the great outdoors and forestry play a large part in the look of the production, and so on. Carlsson utilises all his strengths on this production, the sound in this short is amazing and the visuals are unique.

Creature 2013 is a challenging film in that it's the most enigmatic of the director's movies to- date (although, I confess, I've yet to see Dust Box). Just as you think you've worked out where this tale is taking you, it catches the viewer off-guard and proceeds in a totally different direction.

This is the most graphic of Carlsson's movies and there are some scenes of real unpleasantness ("Maggot" also assisted with the grisly stuff by supplying a bloody skeletal arm prop).

This short is experimental as always but it works beautifully. A second viewing will be required to pick up more of its nuances. This grey haired Brit would love to sit down and share a few bottles of Starköl whilst discussing the finer points of Creature 2013 with the director. He shows genuine imagination and a drive to deliver an uncompromised vision.

Recommended.
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9/10
My Review Of "Creature" 2013
ASouthernHorrorFan17 September 2014
Before I talk about "Creature 2013" specifically I want to go on the record as saying that I love Indie cinema. And I have made it known that my sweet spot in the indie community is the experimental/avant garde subgenre-the art-house films that step outside of what we normally consider as defining what a horror film is. Sometimes it works brilliantly and other times it is a complete fail. I myself have watched numerous directors whose vision was devouring by the high conceptual aspect, losing the story until it became lost. I have also seen films that married the horror story and the experimental styles beautifully, which often make me feel somehow elevated inside in an almost metaphysical way. The experimental love affair I have developed comes from many years of watching silent movies, crime/noir of the 40's/50's and the 60's avant-garde cinema. Films most people will walk away from within the first 10 minutes. Anyway, now to "Creature 2013". This film is total experimental art-house and will not appeal to the average film fan. Now on to my review.

"Creature 2013" is directed by Ronny Carlsson and stars Daniela Melin in the lead role of a young woman desperate to seek answers to her past. traveling back to a place she recalls as secure, the memories come out of the darkness with the sole purpose of yet again destroying her life. "Creature 2013" is a 45 minute short film that is 100% experimental filmmaking. The story plays out in obscure imagery shot in video art style (VHS filmmaking), black & white shadowy scenes which together create an almost cinema verite feel blended with a complete noir atmosphere. I immediately though of the term verite-noir. The experimental use of almost rough shot, shaky camera work, the play of shadow against light, and the shear lack of any real dialog offer up an almost macabre, haunting display of emotional unease that permeates the film and the lead character's presence. I was captivated. I do have to add that I stayed completely confused as to what was actually going on in the film based on the synopsis-almost right up until the final 3rd section of the film when the directors revealing conclusion came to light. I would have liked for the story to be pulled out of the strong conceptual design a bit more but it didn't keep me from staying locked into Natalya's plight.

The visual elements are so avante-garde and mesmerizing that I could see this playing against a gallery's starch white wall as pure artistic brilliance, or some smokey back alley expressionist gathering at a coffee house. Like I said, I love experimental filmmaking and extremist cinematic concepts. There is almost no dialog, I think I counted 6 moments, maybe 7, where speaking was involved. The haunting, foreboding atmosphere and the high visual exploration movements of the character tell the story in this film. There is a deep philosophical element at work in "Creature 2013" and the gritty, dressed down underlying horror aspects are powerful art-house moments. Plain and simple "Creature 2013" is an art film that works the new age "video art" style wonderfully. I personally enjoyed the film but I know that the vast majority of people will not like this film. It is an exploration in emotion, sensory stimulation and expectational provocation.
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