The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.Since the early 1970s, Isabelle Huppert has amassed a staggering body of work. Relentlessly prolific and uncompromisingly daring, she has embodied an eclectic range of characters, often delving into the enigmatic recesses of individuals who are by turns destructive, tormented, and obsessed, and yet can be audaciously empowered, sexually complex, and passionately reflective. Huppert “surprises and unsettles us,” notes David Parkinson, writing for the British Film Institute, doing so by “relaxing her tightly coiled control and channeling her strength and energy into doing something shockingly impulsive.” But that control and impulsiveness was not instantaneous, nor was it effortless. Huppert’s abilities have been steadily honed over the course of more than 140 appearances in film and television. And if there is a darkness lingering over some of her more disturbing characterizations, there...
- 9/10/2020
- MUBI
Halle Berry is gearing up for a milestone moment at the 2020 Toronto International Film Festival thanks to the world premiere of her feature directorial debut, “Bruised.” Ahead of the movie’s screening, the Oscar-winning actress sat down with Variety for a cover story that touches upon some of the most defining moments of her career, from her blockbuster turn as Storm in the “X-Men” franchise to her never-launched James Bond spinoff movie and the notorious “Catwoman.” Berry is at her most frank when discussing her historic Oscar win for “Monster’s Ball,” in which she became the first and only Black woman to win Best Actress.
“I thought, ‘Oh, all these great scripts are going to come my way; these great directors are going to be banging on my door,’” Berry said about her post-Oscar career. “It didn’t happen. It actually got a little harder. They call it the Oscar curse.
“I thought, ‘Oh, all these great scripts are going to come my way; these great directors are going to be banging on my door,’” Berry said about her post-Oscar career. “It didn’t happen. It actually got a little harder. They call it the Oscar curse.
- 9/9/2020
- by Zack Sharf
- Indiewire
Updated with Audience Award winners: The 31st annual Palm Springs Film Festival has named the Bhutan drama Lunana: A Yak in the Classroom the winner of its Audience Award for Best Narrative Feature, and Gay Chorus Deep South its Audience Award for Best Documentary.
The news Sunday comes after the fest yesterday revealed its juried award winners at a luncheon at the Hilton Palm Springs. There, Russian pic Beanpole took the Fipresci prize, while Bong Joon-Ho’s Oscar favorite Parasite copped the Fipresci Screenplay prize.
Lunana: A Yak in the Classroom, from director Pawo Choyning Dorji, was filmed on location at more than 16,000 feet in one of the most remote villages in Bhutan. The pic centers on a young displaced teacher who is taught his own life lessons from the happy and kind locals.
David Charles Rodrigues’ U.S. docu Gay Chorus Deep South follows the San Francisco Gay Men’s Chorus...
The news Sunday comes after the fest yesterday revealed its juried award winners at a luncheon at the Hilton Palm Springs. There, Russian pic Beanpole took the Fipresci prize, while Bong Joon-Ho’s Oscar favorite Parasite copped the Fipresci Screenplay prize.
Lunana: A Yak in the Classroom, from director Pawo Choyning Dorji, was filmed on location at more than 16,000 feet in one of the most remote villages in Bhutan. The pic centers on a young displaced teacher who is taught his own life lessons from the happy and kind locals.
David Charles Rodrigues’ U.S. docu Gay Chorus Deep South follows the San Francisco Gay Men’s Chorus...
- 1/13/2020
- by Bruce Haring
- Deadline Film + TV
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