Despite never playing on more than 14 screens around the country on any given weekend, music documentary Mutiny in Heaven: The Birthday Party has grossed $155,203 in four weeks - a solid result given the scale of the release, and one that puts Label Distribution into the black.
The post The strategic distribution approach behind the release of ‘Mutiny in Heaven: The Birthday Party’ appeared first on If Magazine.
The post The strategic distribution approach behind the release of ‘Mutiny in Heaven: The Birthday Party’ appeared first on If Magazine.
- 11/23/2023
- by jkeast
- IF.com.au
Iranian drama film “Empty Nets” was Monday named winner of the Aff Feature Fiction Award at the Adelaide Film Festival. Directed by Behrooz Karamizade, it collected an A$10,000 cash prize.
The festival’s competition section is one of the oldest in Australia and seeks to reward bold filmmaking. This year’s competition mostly comprised films by directors making their feature debuts. They included “Blaga’s Lessons,” from Bulgarian director Stephan Komandarev; “Embryo Larva Butterfly,” by Greek-Cypriot writer-director Kyros Papavassiliou; “On The Go,” from directors Julia de Castro and Maria Gisele Royo; “Sahela,” directed by Australia’s Raghuvir Joshi; and “You’ll Never Find Me,” from Adelaide-based duo Josiah Allen and Indianna Bell.
“’Empty Nets’ is a searing portrait of the bleak socioeconomic reality for young people without family money in contemporary Iran, distinguished by atmospheric visuals, an evocative sense of place, stirring lead performances and a powerful grasp of the sea as...
The festival’s competition section is one of the oldest in Australia and seeks to reward bold filmmaking. This year’s competition mostly comprised films by directors making their feature debuts. They included “Blaga’s Lessons,” from Bulgarian director Stephan Komandarev; “Embryo Larva Butterfly,” by Greek-Cypriot writer-director Kyros Papavassiliou; “On The Go,” from directors Julia de Castro and Maria Gisele Royo; “Sahela,” directed by Australia’s Raghuvir Joshi; and “You’ll Never Find Me,” from Adelaide-based duo Josiah Allen and Indianna Bell.
“’Empty Nets’ is a searing portrait of the bleak socioeconomic reality for young people without family money in contemporary Iran, distinguished by atmospheric visuals, an evocative sense of place, stirring lead performances and a powerful grasp of the sea as...
- 10/23/2023
- by Patrick Frater
- Variety Film + TV
The South Australian festival iis now an annual event.
Films from Europe, the Middle East and Australia dominate the fiction and documentary competitions at the Adelaide Film Festival (Aff), the first since an injection of government funding enabled the event to step up from being biennial to annual.
The festival will take place in Adelaide, the capital of South Australia, from October 18-29.
The opening film will be the Australian premiere of Kitty Green’s Toronto premiere and awards hopeful The Royal Hotel, produced by UK-Australian outfit See-Saw Films. The world premiere of Scott Hicks’ music documentary My Name’s Ben Folds – I Play Piano,...
Films from Europe, the Middle East and Australia dominate the fiction and documentary competitions at the Adelaide Film Festival (Aff), the first since an injection of government funding enabled the event to step up from being biennial to annual.
The festival will take place in Adelaide, the capital of South Australia, from October 18-29.
The opening film will be the Australian premiere of Kitty Green’s Toronto premiere and awards hopeful The Royal Hotel, produced by UK-Australian outfit See-Saw Films. The world premiere of Scott Hicks’ music documentary My Name’s Ben Folds – I Play Piano,...
- 9/14/2023
- by Sandy George
- ScreenDaily
Nick Cave’s iconic post-punk band The Birthday Party are the subject of the new documentary Mutiny in Heaven from filmmaker Ian White, and in a newly released first look at the project, the band look back on the “monstrous beast” that was their live show. Check out the clip below.
The Birthday Party were sort of like The Velvet Underground; they may not have sold a ton of records, but everyone who did pick up a release from the group was probably inspired to make music of their own. Of course, the Melbourne/London/Berlin band skewed much darker than the New York art rockers, and their live gigs often erupted into violence.
Nick Cave, Mick Harvey, Rowland S. Howard, and Phil Calvert look back on those turbulent days in a new clip, appropriately titled “A Monstrous Beast Live.” Thanks to a lot of drugs and alcohol, as well...
The Birthday Party were sort of like The Velvet Underground; they may not have sold a ton of records, but everyone who did pick up a release from the group was probably inspired to make music of their own. Of course, the Melbourne/London/Berlin band skewed much darker than the New York art rockers, and their live gigs often erupted into violence.
Nick Cave, Mick Harvey, Rowland S. Howard, and Phil Calvert look back on those turbulent days in a new clip, appropriately titled “A Monstrous Beast Live.” Thanks to a lot of drugs and alcohol, as well...
- 8/29/2023
- by Carys Anderson
- Consequence - Film News
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