1974: La posesión de Altair (2016) Poster

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8/10
Rewarding effort
nebilcs-168-16529810 December 2019
The trouble with the constraints of Found Footage is the difficulty of coming up with anything original in what is undeniably a flooded - and largely uninteresting - market. I wasn't expecting much but this film surprised me by going a long way towards delivering something different. Firstly the lo-fi video made a pleasant change and the lack of clarity was used to great effect for background menace in one or two scenes. Secondly, while the fate of the protagonists was made clear at outset per FF convention, the plot took some unexpected turns to arrive there.

It has a few flaws and evidently the budget was limited for special effects but this didn't detract from the experience. I would recommend this as a superior example to anyone with an interest in the Found Footage genre.
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8/10
A courageous proposal from a new generation of Mexican filmmakers
12_Monkeys15 April 2017
Director Victor Dryere's horror proposal is gritty, tenacious and bold. Just when the audience was starting to get bored of the narc-crime and poverty Mexican themed films that populate international film festivals, comes a new perspective from a filmmaker that is a part of a new generation of Mexican auteurs. Even though some will say that it is too early to refer to Dryere as an auteur, the fact remains that through the (almost) 5 years it took him to finish this piece, he remained true to his voice and maintained creative control over his work; and it shows. The fact that he pushed the boundaries of a somewhat overused narrative tool (the found footage) by enhancing it with detailed sound design and unsettling music, makes the audience overlook the slow pace of the first act and the simplicity of the script, by taking us onto a full cinematic and sensory experience; well acted and thoroughly rendered. The result is more than fulfilling. Once the film is over and the enigmatic mystery that surrounds the characters is finally unveiled (won't spoil the ending for you), one is left with the satisfaction that comes with good storytelling, plain and simple. The moments of horror are few, but well constructed, both visually and aurally, with a quality that is uncommon in Mexican thrillers and horror films in general. And the fact that the film was actually shot in crude 8mm film gives it an authenticity that is rare and extraordinary. All in all a well constructed, powerful first work, which produces the sensation that this filmmaker is for real, and that we better be on the lookout for what he comes up with next.
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8/10
Very good "Found Footage" Film
ernestocorona-5476318 August 2017
I just saw it yesterday and it is one of those movies that are original and to the point, as it was filmed on a 8 mm camera it looks kind of dark and mysterious and it works perfectly with the movie, it is the first film by this director and I would say that he has a lot of potential, it is actually the first Mexican-Horror movie that I watched and I definitely give it two thumbs up!
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9/10
Loved the Birds!
apioneer14 December 2019
This film was a really good horror film. The director has great storytelling talent. Film had a nostalgic feeling because it was shot with 8mm camera. It felt real and I was totally blown away by the birds when they were hitting themselves to the windows and killing themselves and then eating the dead birds. That froze my mind. It was scary. The found footage genre do not give you enough room to explore the different point of views of other characters except the one holding the camera but this film was very well done and it reminded me of another film which I saw, House of Temptation.
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9/10
A rather chilling and enjoyable found-footage effort
kannibalcorpsegrinder15 October 2017
Celebrating their newfound marriage, a man and his wife move into a house where his obsession with documenting everything on video camera allows him to witness her slowly deteriorating state being in the house and eventually uncovers the deadly secret that puts their lives in jeopardy.

Overall, this was an incredibly enjoyable and thrilling effort. One of the strongest elements present here is the rather strong aesthetic style present throughout here which gives this a highly engaging look to the film. This one manages to readily capture the look and feel of the time-period, which is not only done in-camera with the way the film-stock manages to effectively mimic the type of home movies shot at that time but also manages to really evoke the setting with the decorations all throughout the area which helps give it a fine power here. Once the film moves into the hauntings, this one really picks up considerably. The types of attacks here are generally limited to only a few different types because of the format being filmed, but this does manage a few effective moments including a stellar sequence where a previously-experienced flock of birds that were flying over their house all suddenly drop dead out of the sky at once and the sight of the raining birds over their house and belongings outside the house is quite an effective visual and concept. Other great concepts, from the silence and general apathy she exhibits almost immediately to the eerie growling sounds of some unknown force moving throughout the house that they capture which adds to the thrilling atmosphere here. Even beyond the hauntings, the plot about their missing dog out in the woods, the series of scattered and burned video-tapes he finds or the way she would continually stand in one spot ignoring everything to laugh in the face of others around her also give this one a rather enjoyable presence that gets featured here and give this one the type of thrilling atmosphere that's really required of this one. This is all due to the film's rather strong and relentless pace here, giving up very little downtime and constantly building things along. This is a rather enjoyable tactic to see in this type of film where it gives this one a really fine feature here to lead into the truly dark finale where the spiritualism and the religious connections are played up even further into an action-packed finish with some chilling ideas involved. This one does have a few minor flaws to found here, most of which come in the form of the truly inactive characters here who don't really have much of a reason to be here. The film relies on a central four-piece of characters and none of them really do much throughout the film, letting things happen for the sake of moving the story along when in reality they're too passive. Had they done something to stop what's going on, it might've done even better but overall, that's really the main issue with this one.

Rated Unrated/R: Graphic Language, Violence and mild drug use.
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9/10
Awesome found footage movie
alesaenz-4800313 March 2021
This is a truly great found footage film made in Mexico, becoming an exceptional production with a superb ambiance, not only its setting in 1974, but also the visual editing to make it look like realistic home movies filmed in those times.
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9/10
CREEPY!
stephenherman15 June 2019
I'll be thinking about this one for a while. Very creepy. Well done. Definitely top 5 in the found footage horror genre.
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8/10
Found Footage Horror - finally found again.
psychofox-885115 September 2022
Warning: Spoilers
I am a fan of Found Footage movies but, I would be the first to admit that the majority are garbage.

When done well, these films feel like genuine artefacts from their own mythology. The rest of the time, they feel like unimaginative attempts to jump on a low-budget bandwagon.

The opening scenes of 1974: Le Posesion De Altair didn't fill me with confidence. The Super-8 film stock seemed a bit contrived and one particular early scene featured what seemed to me to be some very obvious and low-effort CGI.

But, I stuck with it, and I'm glad I did!

As the film progressed, the atmosphere and the intrigue only deepened, and the plot drew me in to the point of forgetting my earlier criticisms very quickly.

Now, for minor spoilers (but I won't give anything of weight away): I've always believed that FF movies should not have atmospheric music; sound should just be what the camera catches and any additional music just weakens the sense of realism. While I stand by that in general, this film actually made me rethink how solidly to stick to that. While it is subtle, there is plenty of ambient and atmospheric music present on this film, but it never weakens the scenes; rather, it adds to the feeling that we are watching some sort of documentary. I've rarely seen it work in FF movies before, but it works here.

Secondly - and the biggest POTENTIAL SPOILER I'm going to post: The film culminates with the revelation of a huge bait-and-switch. This could have totally killed the movie, but the way it is revealed, and the way it fits with all that the viewer has been shown so far makes it a moment of draw-dropping realisation.

I know I sound like I'm gushing, and I won't claim this film is without flaws (the black doorways and the delivery of their components are never really touched on. Nor is the "aging" if Carlo. Several threads are left dangling, in fact). Despite that, for me, this was one if the best examples of a Found Footage movie I've seen since Blair Witch Project, Lake Mungo or Savageland.

If you're a fan if the genre, I highly recommend it.
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8/10
Great FF
mf28122 October 2022
It took me an age to find this. It's a Mexican FF horror. Highly recommended for FF fans. It's set in 1974 and a grainy camera is used to give more authenticity. It starts off pretty basic but by halfway through you can tell it's going to get better. It's definitely worth a watch if you can find it. I don't want to give anything away as it's better going in blind. As I said, it took a lot of digging to find this and you'll need to seek out the subtitles on your own. All in all, I highly recommend this to Found Footage, it's definitely one of the better in this sub-genre. If you can find it. 8/10.
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