Directed by
| Brodie Poole | ||
Writing Credits (in alphabetical order)
| Matthew Bate | ||
| Joe McLaren | ... | (story) |
| Brodie Poole | ... | (story) |
Produced by
| Matthew Bate | ... | executive producer |
| Lav Bodnaruk | ... | Post Production producer / executive producer |
| Michael Mier | ... | Post Production producer / executive producer |
| Ruby Schmidt | ... | producer |
| Gerard Wilkie | ... | associate producer |
Music by
| Joshua Wilkinson | ||
Cinematography by
| Brodie Poole | ||
Editing by
| Annika Damon | ||
| Nina Pavlovic | ||
| Brodie Poole | ||
Sound Department
| Sam Gain-Emery | ... | supervising sound editor |
| David Gaylard | ... | dialogue editor |
| Sam Lowe | ... | re-recording mixer |
| Ben Stewart | ... | sound designer |
Visual Effects by
| Glenn Cone | ... | flame artist |
| Caleb De Leon | ... | flame artist |
Camera and Electrical Department
| Jaydon Martin | ... | additional cinematography |
| Joe Mclaren | ... | additional cinematography |
Editorial Department
| Kali Bateman | ... | colorist |
| Joel Rodin | ... | assistant colourist |
| Grant Sundin | ... | on-line editor |
Additional Crew
| Jenny Lalor | ... | legal advisor |
| Connor Price | ... | transcriber |
| Cornelia Van Rijswijk | ... | graphics |
Thanks
| Andrew Arbuthnot | ... | special thanks |
| Cieron Cody | ... | special thanks |
| Alan Erson | ... | special thanks |
| Veronica Fury | ... | special thanks |
