Directed by
Mike Bernard | ||
Gavin Froome |
Writing Credits
Peter Roeck | ... | (story editor) |
Spencer Maybee | ... | (story editor: development) |
Produced by
Murray Battle | ... | executive producer |
Leah Mallen | ... | producer |
Music by
Gavin Froome | ... | composer |
Cinematography by
Mike Bernard | ... | director of photography |
Editing by
Peter Roeck |
Production Management
Rob Neilson | ... | post-production supervisor |
Sound Department
Stephen Cheung | ... | sound editor |
Miguel Nunes | ... | re-recording mixer / supervising sound editor |
Peter Roeck | ... | sound recordist |
Ryan Thompson | ... | background sound editor |
Visual Effects by
Jake Graydon | ... | motion graphics |
Camera and Electrical Department
Mike Bernard | ... | timelapse photography |
Geoff Browne | ... | camera operator |
Jesse Brunt | ... | camera operator |
Simon Christen | ... | timelapse photography |
Gavin Froome | ... | camera operator |
Z.S. Grant | ... | camera operator (as ZS Grant) |
David James | ... | camera operator |
Brian Johnson | ... | camera operator |
Paul Kell | ... | camera operator |
Hudson Lines | ... | timelapse photography |
Travis Valtierra | ... | camera operator |
Alexander Maxwell Wood | ... | camera operator |
Editorial Department
Jay Pretula | ... | post-production assistant |
Rob Neilson | ... | on-line editor (uncredited) |
Claudio Sepulveda | ... | colorist (uncredited) |
Music Department
Matthew Safran | ... | music supervisor (as Matt Safran) |
Additional Crew
Katherine Brodsky | ... | publicist |
Doran Chandler | ... | lawyer (as Doran S. Chandler) |
Tyler Funk | ... | researcher |
Sandra Mendenhall | ... | researcher |
Paula Sawadsky | ... | researcher |
Nancy Shaw | ... | production assistant / transcription services |
Alexander Maxwell Wood | ... | technical advisor |
Thanks
Jackie Bateman | ... | special thanks |