Directed by
| Cristián Jiménez | ||
Writing Credits (in alphabetical order)
| Cristián Jiménez | ... | (written by) |
| Alejandro Zambra | ... | (novel) |
Cast (in credits order)
Produced by
| Bruno Bettati | ... | producer |
| Natacha Cervi | ... | co-producer |
| Pandora da Cunha Telles | ... | co-producer |
| Julien Deris | ... | associate producer |
| David Gauquié | ... | associate producer (as David Gauquie) |
| Julie Gayet | ... | producer |
| Pablo Iraola | ... | co-producer |
| Nicolas Lesage | ... | associate producer |
| Etienne Mallet | ... | associate producer |
| Hernán Musaluppi | ... | co-producer |
| Nadia Turincev | ... | producer |
Music by
| Caroline Chaspoul | ||
| Eduardo Henríquez | ||
Cinematography by
| Inti Briones | ||
Editing by
| Soledad Salfate | ||
Casting By
| Soledad Gaspar | ||
Art Direction by
| Jorge Zambrano | ||
Costume Design by
| Mary Ann Smith | ||
Production Management
| Geoffroy de Boissezon | ... | post-production supervisor |
| José Luis Rivas | ... | production manager |
Second Unit Director or Assistant Director
| Catalina Büchner | ... | third assistant director |
| Jorge Quagliaroli | ... | third assistant director |
| Paz Ramírez | ... | second assistant director |
| Waldo Salgado | ... | first assistant director |
Art Department
| Rodrigo Guerra | ... | art producer |
| Francisca Kelter | ... | set dresser |
| Fernanda Urrutia | ... | graphic designer |
Sound Department
| María Elisa Canobra | ... | boom operator |
| Cristián Freund | ... | sound editor |
| Cristian Heyne | ... | consultant: music |
| Ivo Moraga | ... | foley artist |
| José Palma | ... | boom operator (as José Ignacio Palma) |
| Manu Robles | ... | sound mixer |
| Jean-Guy Veran | ... | re-recording mixer / sound mixer |
Visual Effects by
| Daniel Dávila | ... | visual effects |
Camera and Electrical Department
| Michelle Bossy | ... | still photographer |
| Sergio Béjares | ... | digital imaging technician |
| Carlos Johnson Veillon | ... | still photographer |
| Pablo Monsalve | ... | second assistant camera |
| Marco Morales | ... | electrician |
| Cristián Petit-Laurent | ... | first assistant camera |
| Claudia Serrano Navarro | ... | first assistant camera |
| Carlos Vargas | ... | gaffer |
Casting Department
| Mauricio Grez | ... | casting assistant |
| Jorge Quagliaroli | ... | extras casting |
Costume and Wardrobe Department
| Alex E. Salazar | ... | costume assistant (as Alex Salazar) |
Editorial Department
| Karen Baher | ... | post-production assistant |
| Daniel Dávila | ... | colorist / post-production coordinator |
| Joaquín Sebastián Fernández Lieste | ... | on-line editor (as Joaquin Fernández) |
Location Management
| Daniela Espinoza | ... | location manager |
Music Department
| Cristian Heyne | ... | music supervisor |
Script and Continuity Department
| Miguel Machalski | ... | script editor |
| Antonia Olivares | ... | script supervisor |
Transportation Department
| Jorge Peters | ... | driver |
Additional Crew
| Astrid Aburto | ... | production assistant |
| Carlos Bertrán | ... | production assistant |
| Pablo González | ... | credits sequence design: SMOG / title design: SMOG |
| Geoffrey Grandseigne | ... | festival manager (as Geoffrey Bonjean) |
| Franz Ruz | ... | legal counsel |
| Joséphine Schroeder | ... | assistant to producers |
| Nicole Senerman | ... | making-of |
| Claudia Tomassini | ... | international publicist |
| Gerson Valenzuela | ... | production assistant |
| Carla Wong | ... | press |
Thanks
| Antonio Arbea | ... | special thanks |
| Susana Briceño | ... | thanks |
| Hugues De Chastellux | ... | special thanks |
| Marie Dubas | ... | special thanks |
| Georges Goldenstern | ... | special thanks |
| Ingrid Isensee | ... | special thanks |
| Valeria Jara | ... | thanks |
| Xabi Molia | ... | special thanks |
| Alicia Scherson | ... | special thanks |
| Astrid Scheuch | ... | special thanks |
| Emmanuelle Taylor | ... | special thanks |
| Andrés Waissbluth | ... | special thanks |
| Ximena Zavala | ... | special thanks |
| María Paz Zegers | ... | thanks |
