The Suppressor (2011) Poster

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4/10
An improvement...
Leofwine_draca5 December 2020
Warning: Spoilers
THE SUPPRESSOR is another indie thriller from writer/director/star Ara Paiaya and a step up from the ones he was making in the mid 2000s. The budget seems a little bigger and I like the way that this one's played straight rather than including the lame humour and 'comedy' dubbing of his earlier movies. This one begins with a brutal home invasion scene before moving on to the usual revenge thrills as Paiaya hunts down the drug scum that butchered his wife. Plenty of action all the way through here, alongside some amusing tributes to John Woo, complete with banister-sliding and dual-gun shoot-outs in a warehouse. Remembering that this is a very low budget film that's been shot-on-video, it's not so bad.
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4/10
Low budget predictability
robertasmith12 July 2023
Totally unoriginal and for the most part very poorly acted. You will never see any of this cast in Holyrood let alone Hollywood. The timing of the dialogue is atrocious which suggests the director and editor need a lot of help. The script doesn't help but decent actors might have done more with it. It is the penalty of low budget movies. Nobody gets paid that well and you get what you pay for. However, the script is atrocious. Adding a bit of classical music was a decision made to give the film a bit more class but it, again, is badly edited in and not at all original. Quite frankly, if Puccini, Schubert and Beethoven were still alive, they would Sue!
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3/10
Idea better than its execution
lotekguy-14 November 2022
Ara Paiaya directs himself as the star of this action flick, as apparently he's done before. It's the reliable premise of an average Joe, widowed by drug-crazed burglars, taking it upon himself to get the guys what done it, and wipe out the rest of the gang, up to the top dog, including the dirty cops and politicos on their payroll. Great, if overly familiar, baseline.

But Ara the director is stuck with himself as a charisma-impaired star. He's going full Bronson with none of the panache... or believability. Other than a mild show of grief after his wife is brutally murdered, we're watching a stiff go through the motions of a hero. Even the moments of martial fighting are lackluster compared to almost any contemporary action flick from any of the countries cranking them out in high-octane style. Ara the director made one smart move, casting his wife, Raquel in a small part (NOT his character's ill-fated wife) that allows her to serve up one of the film's best, albeit brief, performances.

Overall, this one stays too low-key throughout to raise anyone's adrenaline, and is further dampened by the least-surprising plot twist in recent memory. Eminently missable.
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