Catch .44 (2011)
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- R
- 1h 34min
- Action, Thriller
- 05 Jan 2012 (Croatia)
- Movie
Photos and Videos
Cast
Malin Akerman | ... |
Tes
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Nikki Reed | ... |
Kara
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Deborah Ann Woll | ... |
Dawn
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Forest Whitaker | ... |
Ronny
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Bruce Willis | ... |
Mel
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Shea Whigham | ... |
Billy
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Jimmy Lee Jr. | ... |
Jesse / Trucker
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Brad Dourif | ... |
Sheriff Connors
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Jill Stokesberry | ... |
Francine
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P.J. Marshall | ... |
Deputy Elmore
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Dan Silver | ... |
Businessman David
(as Dan Sliver)
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Michael Rosenbaum | ... |
Brandon
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Edrick Browne | ... |
Davon
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Christopher Alan Weaver | ... |
Male Diner Patron
(as Christopher Allen Weaver)
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Amanda Bosley | ... |
Female Diner Patron
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Ivory Dortch | ... |
Strip Club Waitress
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Rest of cast listed alphabetically: | |||
Jon Dainty | ... |
Bar Patron
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Kevin Beard | ... |
Mel's Driver (uncredited)
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Dennis W. Cook Jr. | ... |
Truck Driver (uncredited)
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Nikita Kahn | ... |
Mel's Girlfriend (uncredited)
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Directed by
Aaron Harvey |
Written by
Aaron Harvey | ... | (written by) |
Diego Garzon | ... | (staff writer) |
Produced by
Robert Ogden Barnum | ... | executive producer |
Michael Benaroya | ... | producer |
Matthew Budman | ... | co-producer |
Michael Corso | ... | executive producer |
Megan Ellison | ... | producer |
Cassian Elwes | ... | executive producer |
Randall Emmett | ... | producer |
Sefton Fincham | ... | co-producer |
George Furla | ... | executive producer |
Brandon Grimes | ... | co-producer |
Anthony Gudas | ... | executive producer |
Andrew Harvey | ... | co-producer |
Avram 'Butch' Kaplan | ... | executive producer |
Henry Karp | ... | executive producer |
Holden Ostrin | ... | executive producer |
Ted Schipper | ... | executive producer |
Scott G. Stone | ... | Production Consultant |
Neil Wechsler | ... | executive producer |
Music by
Ben Zarai |
Cinematography by
Jeff Cutter |
Editing by
Richard Byard |
Editorial Department
Tegan Arnold | ... | colorist / conform artist |
Jeff Brue | ... | digital intermediate film consultant |
Emily Koonse | ... | assistant editor |
Alan Pao | ... | digital intermediate producer |
Sebastian Perez-Burchard | ... | additional colorist |
Heather Toll | ... | post-production coordinator |
Casting By
Shannon Makhanian |
Production Design by
Gary Frutkoff |
Art Direction by
Gary Myers |
Costume Design by
Johanna Argan |
Makeup Department
Nikki I Brown | ... | key makeup artist |
Robin Mathews | ... | personal makeup artist: Forest Whitaker |
Aimee Stuit | ... | makeup department head |
Amy Wood | ... | hair department head |
Production Management
Beau J. Genot | ... | post-production supervisor |
Will Greenfield | ... | unit production manager |
Tracey Landon | ... | unit production manager |
Michael J. Urann | ... | post-production supervisor |
Second Unit Director or Assistant Director
Kim Barnard | ... | additional second assistant director |
Erik J. Carpenter | ... | second assistant director |
Cristi Rickey | ... | second second assistant director |
Chad Rosen | ... | first assistant director |
Art Department
Paul Blanchard | ... | leadman |
Daniel Coe | ... | construction coordinator |
Jeff Hinds | ... | assistant property master |
Jason Glenn Jimes | ... | scenic foreman |
Andree Lago | ... | lead scenic |
David Myers | ... | scenic |
Citlali Quintana | ... | art department production assistant |
Corie Savary | ... | property assistant |
Steven M. Saylor | ... | set designer |
Cydney Tucker | ... | art department production assistant |
Jason Wilson | ... | construction foreman |
Sound Department
Steve C. Aaron | ... | production sound mixer |
David Barber | ... | re-recording mixer |
Gonzalo Espinoza | ... | foley artist |
David Kitchens | ... | sound supervisor |
Brad Lokey | ... | second boom operator |
Jared Watt | ... | boom operator |
Special Effects by
Jason Babin | ... | special effects supervisor |
Visual Effects by
Tegan Arnold | ... | visual effects artist |
Aaron Milus | ... | visual effects artist |
Andrew Swihart | ... | visual effects artist |
Stunts
Kevin Beard | ... | stunt coordinator |
Lex D. Geddings | ... | stunt double: Bruce Willis |
Jill Stokesberry | ... | stunts |
Camera and Electrical Department
Steve Dietl | ... | still photographer |
David Easley | ... | grip |
Carter Lee Garrett | ... | lighting technician |
Hilton Garrett | ... | Best Boy Grip |
Gonzalo Gonzalez | ... | best boy electric |
Daniel Hanych | ... | first assistant camera: "a" camera |
Christopher D. Jones | ... | dolly grip: "b" camera |
Ryosuke Kawanaka | ... | additional second assistant camera |
Seth Kotok | ... | assistant camera |
Kevin Lippincott | ... | rigging electrician: Louisiana |
Chris Lyon | ... | digital imaging technician assistant |
Saul McSween | ... | camera intern |
Brent Swampy Mullins | ... | key rigging grip |
Robert Owen | ... | lighting technician |
Joseph Paolucci Jr. | ... | best boy rigging electrician |
Allen Parks | ... | gaffer |
Max Patrucco | ... | rigging grip: day player |
Ahmad Powell | ... | grip (as Ahmad Big Thirsty Powell) |
Brice Reid | ... | first assistant camera: "b" camera |
Mike Satterfield | ... | rigging key grip |
Kyle Spicer | ... | digital imaging technician |
Michael Stumpf | ... | camera operator: "a" camera / steadicam operator |
Casting Department
Andrei Constantinescu | ... | extras casting director |
Costume and Wardrobe Department
Rochelle Best | ... | costume supervisor |
Andrée Fortier | ... | ager/dyer (as Andree Fortier) |
Frances Jacques-LeCompte | ... | tailor/seamstress (as Frances LeCompte) |
Bunny Walker | ... | set costumer (as Rachel A. Walker) |
Jessica Wenger | ... | assistant costume designer |
Margaret Wren | ... | costume assistant |
Kasey B. Young | ... | costumer: Forest Whitaker (as Kasey C. Bazil) |
Jessica Posada | ... | costume production assistant (uncredited) |
Location Management
Christina DeCharles | ... | location manager |
Andre Le | ... | key assistant location manager |
Daryl Wilsford | ... | location assistant |
Music Department
David V. Catalano | ... | additional music |
Joe Paganelli | ... | music supervisor |
Fernando Perdomo | ... | musician |
Jack Rudy | ... | musician |
Script and Continuity Department
Julia Tasker | ... | script supervisor |
Transportation Department
Dennis W. Cook Jr. | ... | picture vehicle coordinator |
Gary L. Horton | ... | driver |
David Jennings | ... | driver |
Cindi Randall | ... | transportation captain |
Beverly Reeves | ... | driver |
Ken Smith | ... | provided equipment |
Additional Crew
Samantha Bonilla | ... | accounting clerk |
Aaron T. Brown | ... | set production assistant |
Diego Garzon | ... | production assistant |
Shellie Gillespie | ... | production accountant |
Harrison Huffman | ... | office production assistant |
R. Todd Jones | ... | photo double/stand in for Bruce Willis |
Chris Kibler | ... | first assistant accountant |
Tanya Leal Soto | ... | assistant to mr. whitaker |
Brian A. Litman | ... | assistant post-production accountant |
Marco Martinez | ... | dialect coach: Forest Whitaker |
Travis Alan McAfee | ... | key set production assistant |
Patrick McBride | ... | office production assistant (as Patrick Tollett) |
Tim McDuffee | ... | production assistant |
Aaron Milus | ... | title designer |
Phillip Noorani | ... | assistant to producer |
Rick Rosenthal | ... | production counsel |
Dee Schuka | ... | post production accountant |
Druscilla Smith | ... | production secretary |
Sarah Soape | ... | production staff |
Timothy C. Sullivan | ... | assistant to producer |
Michelle Tonjes | ... | stand-in (as Michelle Lott) |
David Lee Valle | ... | armorer/gun handler |
Chevy White | ... | photo double/stand-in (as Cheavis White) |
Courtney Shay Young | ... | stand-in/photo double: Nikki Reed |
Thanks
Joshua Carl Allen | ... | special thanks |
Eric Binns | ... | special thanks |
Jeremy Fox | ... | special thanks |
Diego Garzon | ... | special thanks (creditOnly) |
Nicholas McCarthy | ... | special thanks |
Nils Timm | ... | special thanks |
Daniel Zirilli | ... | special thanks (as The General) |
Production Companies
- Annapurna Productions
- Emmett/Furla Oasis Films
- Benaroya Pictures (in association with)
- Waterfall Media (in association with)
- FortyFour Studios (co-production)
Distributors
- Anchor Bay Films (2011) (United States) (theatrical) (limited)
- Dutch FilmWorks (DFW) (2013) (Netherlands) (theatrical)
- Kinepolis Film Distribution (KFD) (2013) (Belgium) (theatrical)
- Presidio (2012) (Japan) (theatrical)
- Anchor Bay Entertainment (UK) (2012) (United Kingdom) (DVD)
- Anchor Bay Entertainment (2011) (Australia) (DVD)
- Anchor Bay Entertainment (2011) (United States) (DVD)
- Anchor Bay Entertainment (2011) (United States) (Blu-ray) (DVD)
- Cinemax (2011) (Russia) (CIS + Baltics)
- Dutch FilmWorks (DFW) (2013) (Netherlands) (DVD)
- Dutch FilmWorks (DFW) (2013) (Netherlands) (Blu-ray) (DVD)
- Eagle Films (2011) (Non-US) (Middle East)
- Film1 (2015) (Netherlands) (tv) (limited)
- IPA Asia Pacific (2011) (Thailand)
- Rai Movie (2016) (Italy) (tv)
- Universum Film (UFA) (2012) (Germany) (DVD)
- VVS Films (2011) (Canada)
- Vicol Entertainment (2013) (Hong Kong) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (Blu-ray) (DVD)
- Zon Audiovisuais (2013) (Portugal)
Special Effects
Other Companies
- Freeway CAM B.V. (collection account management)
- Juniper Post (post-production sound services)
- Keslow Camera (camera equipment provided by)
- Lightnin' Production Rentals (transportation equipment)
- Millennium Studios (set decoration rental house)
- Millennium Studios (wardrobe rental)
- Post Haste Digital (commentary recording engineering)
- Road Rebel (production travel)
- Sakonnet Capital Partners (tax credit financing)
- Studio Solutions Group (Film Rights Acquisition)
- Trevanna Post (post-production accounting)
- Tunnel Post (digital intermediate)
- Tunnel Post (post-production facilities)
- Vantage Film (HAWK anamorphic lenses provided by)
- Visual Data Media Services (digital asset servicing)
Storyline
Plot Summary |
For Tes (Akerman) and her two cohorts Kara (Nikki Reed) and Dawn (Deborah Ann Woll), the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel (Willis) at an isolated diner. But when an unstoppable chain of events unfolds, everyone soon realizes no one is who they seem and the job may be something other than eliminating the competition. What started as simple instructions has now turned into a deadly cat-and-mouse game - with large guns pointed at everyone. Written by Stopysayingthrillride |
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Parents Guide | View content advisory » |
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Box Office
Budget | $7,000,000 (estimated) |
Opening Weekend United States | $1,887, 09 Dec 2011 |
Did You Know?
Trivia | When the girls are heading out in the car for the first time, Malin Ackerman's character is adamant that they play a tape from the 80s. The tape she chooses is "The Return of Bruno" by Bruce Willis and a small sample of his cover of "Respect Yourself" is heard. Bruce Willis of course plays Mel, their boss, in the movie. See more » |
Goofs | After Ronny shoots the cop in the head, he then steals and wears his uniform. The uniform should be a bloody mess, instead of completely clean and pristine and the uniform should be too small and tight on the heavyset Ronny, because the cop originally wearing the uniform is of normal build. See more » |
Movie Connections | Referenced in Rewind This! (2013). See more » |
Soundtracks | I Don't Care See more » |
Quotes |
Tes:
Most women apply secret number two to one thing, sex. The rest of the time we're too real. Too real because it's in our nature to be real, which ultimately is a woman's downfall. But faking it keeps you living in man's land. Kara: Whoa! Who the fuck wants to live in man's land? Tes: We're already living in it, guys. Kara: All right, wait wait, let me ask you a question then. Would you be faking it if you compromise? 'Cause you can't fake compromise. Tes: You half can. Kara: What the fuck does that mean? Tes: Compromise is half faking. 'Cause if you weren't compromising half you would have it all. In which case you wouldn't be faking, you would be taking. For example, guys compromise when they leave the toilet seat down. They do it because they know they can't win. And I'm not faking it 'cause I don't pretend not to mind when they do leave the toilet seat up - because I do. Kara: Slow it down. How is that a compromise on your end? Dawn: Yeah, and I thought you said wde *should* fake it. Tes: It's a compromise because I'd fake other things to get my way. Or I'd take away the pussy. Kara: What are you even talking about? I think you're confusing yourself. Tes: No no, I think it's just too complicated for you to understand. Kara: No, it's not at all. I get what you're saying. I just don't agree with you. To me compromising is not faking. Tes: [sighs] Fine. Then we'll just agree to disagree. Kara: Or we can agree that I'm right because that's a compromise. Tes: Tell you what: I'll fake it and we can agree on that. Kara: But you're compromising to agree on faking it. I can explain it to you if it's too complicated. See more » |