Directed by
| John Magyar | ||
Writing Credits (in alphabetical order)
| Warren Chaney | ||
Cast (in credits order)
Produced by
| Warren Chaney | ... | producer |
| David Sanders | ... | associate producer |
| Beverly Wilson | ... | executive producer |
Music by
| Ted Mason | ||
Cinematography by
| Craig Bailey | ||
Editing by
| Connie Schell | ||
| Herbert Williams | ||
Casting By
| Deborah Winters | ||
Production Design by
| Franco Pignataro | ||
| Susan Reed | ||
Set Decoration by
| Dani Barden | ||
Costume Design by
| Melissa L. Nichols | ||
Makeup Department
| Melissa L. Nichols | ... | assistant special effects makeup / assistant special makeup effects |
| Phil Nichols | ... | special makeup effects artist |
Production Management
| Charlene Wasaff | ... | production manager |
Second Unit Director or Assistant Director
| D.R. Barry | ... | second assistant director |
| Warren Chaney | ... | second unit director |
| Darlene Staffa | ... | first assistant director |
Art Department
| Dani Barden | ... | property master |
| Kathi Gilmore | ... | construction coordinator |
| Sheila Gilmore | ... | carpenter |
Sound Department
| Rick Christie | ... | re-recording mixer |
| Dwight Cook | ... | supervising sound editor |
| Larry G. Elender | ... | sound mixer |
| Bill Elliott | ... | sound mixer |
| Jack Meller | ... | audio systems engineer |
| Mark Meyer | ... | sound editor |
| Savanah Mills | ... | second unit boom operator |
| Tyson Mills | ... | second unit sound mixer |
| Triplett | ... | foley |
| Mark Triplett | ... | assistant audio engineer |
Special Effects by
| Phil Nichols | ... | creature effects |
Visual Effects by
| Phil Nichols | ... | visual effects producer |
Stunts
| Dani Barden | ... | stunts |
| Oscar Carles | ... | stunts |
| David Sanders | ... | stunt coordinator |
| Rob Swofford | ... | stunts |
Camera and Electrical Department
| Roy Alan Wilson | ... | still photographer |
| Sherri Barker | ... | second assistant camera |
| Alayna Bennett | ... | cableman |
| Rene Bennett | ... | electrician |
| Mark Clark | ... | chief lighting technician |
| Paul S. Ellis | ... | grip / key grip |
| Allen Foster | ... | grip |
| Chris Hartwig | ... | grip |
| Kirby Mills | ... | second assistant camera |
| Richard Schliff | ... | grip best boy |
| William Skinner | ... | dolly grip / second assistant camera |
Animation Department
| Vic Tamborella | ... | animator |
| Brian White | ... | animation director |
Casting Department
| Leonora Scelfo | ... | casting assistant |
Costume and Wardrobe Department
| Melissa L. Nichols | ... | costume supervisor |
| Phil Nichols | ... | key costumer |
| Darlene Staffa | ... | wardrobe |
Editorial Department
| Rick Christie | ... | negative cutter |
| Herbert Craig | ... | assistant editor |
Music Department
| Dwight Cook | ... | music supervisor |
| Ted Mason | ... | composer: theme music |
Transportation Department
| Oscar Carles | ... | transportation |
| Margaret M. Wilson | ... | transportation |
| Roy Wilson | ... | transportation coordinator |
Additional Crew
| Sherri Atkins | ... | stand-in |
| Kathy Bailey | ... | delivery supervisor |
| Alayna Bennett | ... | first aid |
| Audra Bennett | ... | production assistant |
| Matt Bennett | ... | stand-in |
| Rene Bennett | ... | stand-in |
| Kathi Gilmore | ... | production assistant |
| Sheila Gilmore | ... | production assistant |
| Phil Hardage | ... | stand-in |
| Melinda Magyar | ... | assistant to the director |
| Charlene Wasaff | ... | unit publicist |
| Cara Wedell | ... | stand-in |
| Deborah Winters | ... | assistant to the producer |
