Silent House (2011)
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- R
- 1h 26min
- Horror, Thriller
- 09 Mar 2012 (USA)
- Movie
A girl is trapped inside her family's lakeside retreat and becomes unable to contact the outside world as supernatural forces haunt the house with mysterious energy and consequences.
Directors:
Writers:
Awards:
- 1 win & 3 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Elizabeth Olsen | ... |
Sarah
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| Adam Trese | ... |
John
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| Eric Sheffer Stevens | ... |
Peter
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| Julia Chan | ... |
Sophia
(as Julia Taylor Ross)
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 |
Adam Barnett | ... |
Stalking Man
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| Haley Murphy | ... |
Little Girl
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Directed by
| Chris Kentis | ||
| Laura Lau | ||
Written by
| Gustavo Hernández | ... | (film "La casa muda") |
| Laura Lau | ... | (screenplay) |
| Oscar Estévez | ... | (original screen play) |
Produced by
| Geoff Cox | ... | associate producer |
| Eva Diederix | ... | executive producer |
| Thomas Fatone | ... | associate producer |
| Adeline Fontan Tessaur | ... | executive producer |
| Meir Gal | ... | co-producer |
| Lynette Howell Taylor | ... | executive producer (as Lynette Howell) |
| Kristen Konvitz | ... | associate producer |
| Laura Lau | ... | producer |
| Mickey Liddell | ... | executive producer |
| Agnès Mentre | ... | producer (as Agnes Mentre) |
| Jennifer Monroe | ... | executive producer (as Jennifer Hilton Monroe) |
| George Paaswell | ... | executive producer |
| Danny Perkins | ... | executive producer |
Music by
| Nathan Larson | ||
Cinematography by
| Igor Martinovic | ||
Editorial Department
| Molle DeBartolo | ... | digital intermediate producer |
| Andrew Pang | ... | assistant editor |
| Anthony Raffaele | ... | digital intermediate colorist |
| Jonathan Sanden | ... | digital intermediate editor |
| Darrell R. Smith | ... | digital intermediate supervising producer |
| John Woo | ... | assistant editor (uncredited) |
Production Design by
| Roshelle Berliner | ||
Art Direction by
| Melissa Miller Costanzo | ... | (as Melissa B. Miller) |
Set Decoration by
| Robert Covelman | ||
Costume Design by
| Lynn Falconer | ||
Makeup Department
| Kymbra Callaghan | ... | special makeup effects artist (as Kymbra Callaghan Kelley) |
| Fabian Garcia | ... | hair department head (as Fabion Gracia) |
| Sharon Ilson | ... | makeup department head (as Sharon Ilson Burke) |
| Stephen Kelley | ... | prosthetic makeup artist |
| Johnny Mooi | ... | key hair stylist (uncredited) |
Production Management
| Jeff Caron | ... | assistant production manager |
| Patricia de Paula | ... | production supervisor |
| George Paaswell | ... | unit production manager |
Second Unit Director or Assistant Director
| Thomas Fatone | ... | first assistant director |
| Patrick D. Gibbons | ... | second assistant director (as Patrick Gibbons) |
| Kim Thompson | ... | second second assistant director |
Art Department
| Jamie Arbuckle | ... | on-set dresser |
| Susan Blume | ... | scenic artist |
| Barbara Cohig | ... | scenic artist |
| Michael Cory | ... | property master |
| Hugh Cummings | ... | art department production assistant |
| Nicole Eckenroad | ... | intern |
| Dianne Finn | ... | scenic artist (as Diane Finn) |
| James Geyer | ... | scenic artist |
| Scott Griswold | ... | set dresser |
| James Kelleher | ... | assistant property master |
| Mat Kowalski | ... | leadman |
| Michael B. Lewis | ... | set decoration production assistant |
| Meghan Lowry | ... | props |
| Robert Ludemann | ... | additional graphic artist |
| Gray Madder | ... | set dresser |
| Michele Mayas | ... | charge scenic artist |
| Bob Provenzano | ... | lead man |
| John Wolanczyk | ... | scenic artist |
| Warren Lewis Allen | ... | intern (uncredited) |
Sound Department
| Krissopher Chevannes | ... | digital assistant |
| Jeffrey Eisner | ... | additional audio |
| Robert Fernandez | ... | re-recording mixer |
| Paul Flinchbaugh | ... | digital assistant |
| Jim Gardner | ... | additional audio |
| Arda Gulesserian | ... | additional audio |
| Gary A. Hecker | ... | foley artist |
| Avi Laniado | ... | dubbing stage engineer |
| Sumit Mahendru | ... | sound effects editor |
| Glenn T. Morgan | ... | supervising sound designer & editor |
| Jay Peck | ... | foley artist |
| Peter Rincon | ... | adr mixer |
| Michael Rivera | ... | adr recordist |
| Bob Rosenthal | ... | additional audio |
| Jay Rubin | ... | additional audio |
| Stephen Selvaggio | ... | adr recordist |
| John Sember | ... | boom operator |
| Noah Timan | ... | sound mixer |
| Mathew Waters | ... | additional re-recording mixer |
| Ben Wilkins | ... | re-recording mixer |
Special Effects by
| Drew Jiritano | ... | special effects coordinator |
Visual Effects by
| Leslie Chung | ... | digital compositor |
| Sasa Jokic | ... | visual effects supervisor |
| Matt Kushner | ... | visual effects producer |
| Mani Trump | ... | digital compositor |
Stunts
| Declan Mulvey | ... | assistant stunt coordinator |
| Manny Siverio | ... | stunt coordinator |
Camera and Electrical Department
| Daniel Choy Boyar | ... | electrician |
| Radium Cheung | ... | gaffer |
| Caswell Cooke | ... | key grip |
| Nicole Cosgrove | ... | additional |
| Jaime D'Aquino | ... | digital loader (as Jaime Segschneider) |
| Spencer Gillis | ... | second assistant camera |
| Jim Gourley | ... | additional digital loader |
| John Guzzi | ... | best boy grip (as John Guzi) |
| Will Hart | ... | still photographer |
| Nicholas Kuhn | ... | camera intern |
| Ludovic Littee | ... | first assistant camera |
| Chris Lombardozzi | ... | gaffer: additional photography |
| Andrew Lupo | ... | grip |
| James Madrid | ... | additional first assistant camera |
| Igor Martinovic | ... | camera operator |
| Ian O'Neill | ... | grip: re-shoots |
| Robin Pontbriand | ... | video assist |
| Kyle Simmons | ... | best boy electric |
| Brooks Toran | ... | dimmer board operator |
| Jonathan Vendetti | ... | best boy grip (as John Vendetti) |
| Daniel Wallenstein | ... | grip |
Casting Department
| Lee Genick | ... | background casting |
| Ronen Gevint | ... | background casting |
Costume and Wardrobe Department
| Jordan Cain | ... | wardrobe intern |
| Gemma Glasser | ... | wardrobe intern |
| Hollie Nadel | ... | wardrobe supervisor |
| Anatasia Yuferoa | ... | wardrobe intern |
Location Management
| Jeff Caron | ... | location manager |
| Alex Starke | ... | assistant location manager (as Alexander Starke) |
| Scott Tankel | ... | location scout |
Music Department
| Jason Domnarski | ... | musician: sample/piano |
| Julie Kent | ... | musician: cello |
Script and Continuity Department
| Katri Billard | ... | script supervisor |
| Carol A. Compton | ... | script clearance |
| Jodi Domanic | ... | additional script supervisor: reshoots |
Transportation Department
| Daisy Flores | ... | driver |
Additional Crew
| Sean Barrett | ... | office production assistant: reshoots |
| Justin Begnaud | ... | completion bond: Film Finances |
| Stacey Cormier | ... | assistant: Mr. Kentis and Ms. Lau |
| Patricia de Paula | ... | production coordinator |
| Kelly M. Duncan | ... | production assistant |
| Scott Ennis | ... | creative marketing |
| Kantarama Gahigiri | ... | set production assistant |
| Brandon K. Hines | ... | production secretary |
| Corey Kloos | ... | production assistant |
| Lindsey Lefkow | ... | assistant production office coordinator: reshoots |
| Robert Levi | ... | director: making-of documentary |
| Darryl Prevost | ... | production assistant |
| John Rhodes | ... | acquisitions assistant |
| Max Rifkind-Barron | ... | production assistant: re-shoots |
| Kelsi Russell | ... | assistant production office coordinator |
| Luke Tomalin Sherman | ... | key production assistant: additional photography |
| Jessica Thorne | ... | assistant accountant |
| Tracy Wong | ... | craft service |
| Billy Zayac | ... | production assistant: reshoots |
Thanks
| Warren Lewis Allen | ... | special thanks (as Warren Allen) |
| Annie Chung | ... | thanks |
| William Lowery | ... | special thanks (as Will Lowery) |
| Jérôme Rougier | ... | special thanks |
| Julie Susset | ... | special thanks |
| Antoine Zylberberg | ... | special thanks |
Production Companies
Distributors
- Energía Entusiasta (2012) (Argentina) (theatrical)
- Entertainment One (2012) (Canada) (theatrical)
- Fine Films (2013) (Japan) (theatrical)
- Open Road Films (II) (2012) (United States) (theatrical)
- Paradiso Entertainment (2012) (Netherlands) (theatrical)
- Spentzos Films (2012) (Greece) (theatrical)
- StudioCanal (2012) (United Kingdom) (theatrical)
- Alive Vertrieb und Marketing (2014) (Germany) (DVD) (and Blu-ray)
- Argentina Video Home (2013) (Argentina) (DVD)
- Audio Visual Entertainment (2013) (Greece) (DVD)
- Film1 (2013) (Netherlands) (tv) (limited)
- Great Movies (2018) (Germany) (DVD)
- LD Entertainment (2012) (United States)
- Lanterna de Pedra Filmes (2014) (Portugal)
- Sookie Pictures (2012) (South Korea)
- Tema Distribuciones (2014) (Spain)
- Universal Pictures Home Entertainment (UPHE) (2011) (United States) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2012) (United States) (DVD)
- Wild Duck Productions (2019) (Spain)
Special Effects
- Look Effects (visual effects)
- Link9 (additional visual effects)
Other Companies
- Descriptive Video Works (audio description)
- Dolby Laboratories (sound mix)
- Film Finances (film completion guarantor)
- IndieClear (script clearance)
- Major Engager (creative marketing)
- Sundance Film Festival (festival)
- Sylvia Fay/Lee Genick & Associates Casting (background casting)
Storyline
| Plot Summary |
Sarah as she and her dad go to their lakeside retreat to pack things up, as it's being sold. Her uncle also helps out getting the place ready. When her uncle leaves to get an electrician to check the wiring, Sara hears noises sees what she believes are people inside the house. Soon, she and her dad are attacked by someone - or something, and they end up in a fight for their lives. But there's something more sinister going on. Written by Michael Hallows Eve |
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| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $2,000,000 (estimated) |
| Opening Weekend United States | $6,661,234, 11 Mar 2012 |
Did You Know?
| Trivia | Contrary to the marketing's claim that the film was shot in one uninterrupted take, the entire movie was actually shot to mimic one continuous real-time take, with no cuts from start to finish, as a result the time span of the film's plot is exactly 86 minutes. It was shot in roughly 10 minute segments then carefully edited to hide the cuts. This was confirmed in an interview by Elizabeth Olsen and the directors. See more » |
| Goofs | Blood appears on Sarah's chest and blouse in different places, and different patterns. See more » |
| Movie Connections | Featured in Episode #20.99 (2012). See more » |
| Soundtracks | Wonder Why See more » |
| Quotes |
Sarah:
Come on, don't be shy! See more » |