Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
What More Cannes I Say?
Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.
- 5/24/2024
- by Jesse Whittock
- Deadline Film + TV
Forget about all the studio-thrown premiere after-parties at prior Cannes, from Paramount’s Rocketman with Elton John performing at the beach, and Warner Bros’ Elvis which touted a King of Rock Roll drone show. amfAR’s annual gala, this year counting 30 years, blew them all away, capped off early Friday Am by a mind-blowing mini-concert by Cher who got the crowd on its feet after a four-hour auction with such hits as “Believe” and “If I Could Turn Back Time” and covers of Abba’s “Waterloo” and Marc Cohn’s “Walking in Memphis”. Vocally and in regards to sheer stage dynamic, Cher, at 78, is a force to be reckoned with; delivering a truly unforgettable pitch-perfect performance.
Throughout the course of its 30 years, the amfAR gala has raised over a quarter of a billion dollars in which this year’s host Demi Moore exclaimed has “become the most single important night in the fight against HIV.
Throughout the course of its 30 years, the amfAR gala has raised over a quarter of a billion dollars in which this year’s host Demi Moore exclaimed has “become the most single important night in the fight against HIV.
- 5/24/2024
- by Anthony D'Alessandro
- Deadline Film + TV
The Match Factory has finalized global sales for the Cannes competition title “The Substance,” directed by Coralie Fargeat and starring Demi Moore, Margaret Qualley and Dennis Quaid.
The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97). A deal is finalized for Japan, and Switzerland, Czech Republic, Slovakia, Hungary, Portugal and South East Asia are undergoing negotiations. Metropolitan previously acquired the film for distribution in France.
Mubi, the global film distributor and streaming service, retains all rights in North America, the U.K., Ireland, Germany, Austria, Latin America and Benelux, with plans for theatrical releases this year. Additionally, Mubi has acquired rights for Turkey and India.
The Match Factory has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), the former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97). A deal is finalized for Japan, and Switzerland, Czech Republic, Slovakia, Hungary, Portugal and South East Asia are undergoing negotiations. Metropolitan previously acquired the film for distribution in France.
Mubi, the global film distributor and streaming service, retains all rights in North America, the U.K., Ireland, Germany, Austria, Latin America and Benelux, with plans for theatrical releases this year. Additionally, Mubi has acquired rights for Turkey and India.
- 5/24/2024
- by Leo Barraclough
- Variety Film + TV
Buyers are hot for The Substance.
The Demi Moore body horror film from director Coralie Fargeat, one of the buzziest films in this year’s Cannes competition, has all but sold out worldwide following its rapturous reception at last week’s world premiere.
The Match Factory, which is handling world sales on the movie, closed deals in Cannes for Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97). Metropolitan has previously acquired the film for distribution in France.
Match Factory’s parent company Mubi holds all rights for The Substance in North America, the U.K., Ireland, Germany, Austria, Latin America, and Benelux, and is planning a theatrical rollout later this year.
The Demi Moore body horror film from director Coralie Fargeat, one of the buzziest films in this year’s Cannes competition, has all but sold out worldwide following its rapturous reception at last week’s world premiere.
The Match Factory, which is handling world sales on the movie, closed deals in Cannes for Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97). Metropolitan has previously acquired the film for distribution in France.
Match Factory’s parent company Mubi holds all rights for The Substance in North America, the U.K., Ireland, Germany, Austria, Latin America, and Benelux, and is planning a theatrical rollout later this year.
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Während Dennis Quaid aktuell in dem Cannes-Wettbewerbstitel „The Substance“ zu sehen ist, stellen HanWay und UTA das SciFi-Drama „The Blue is Mine“ vor, in dem Quaid jetzt ebenfalls eine Rolle übernommen hat.
Dennis Quaid, hier beim Fotocall zu „The Substance“ in Cannes, übernimmt eine Rolle in dem Cannes-Markttitel „The Blue is Mine“ (Credit: Imago / APress)
Schauspieler Dennis Quaid, der in Coralie Fargeats aktuellem Cannes-Wettbewerbstitel „The Substance“ einen Filmproduzenten spielt, hat jetzt eine Rolle in dem SciFi-Drama „The Blue is Mine“ übernommen, das HanWay und UTA aktuell auf dem Marché du Film anbieten.
Im englischsprachigen Debüt der in Brasilien geborenen Regisseurin Iuli Gerbase spielt Quaid Arthur, der bei einem Familienurlaub für eine Überraschung sorgt, als er seine schöne und rätselhafte Freundin Ivy (Elizabeth Debicki) mitbringt. Doch Ivys Anwesenheit und ihr merkwürdiges Verhalten gerät das ohnehin schon heikle Verhältnis zwischen Arthur und seinen Töchtern noch mehr aus dem Gleichgewicht. Connie (Zazie Beetz...
Dennis Quaid, hier beim Fotocall zu „The Substance“ in Cannes, übernimmt eine Rolle in dem Cannes-Markttitel „The Blue is Mine“ (Credit: Imago / APress)
Schauspieler Dennis Quaid, der in Coralie Fargeats aktuellem Cannes-Wettbewerbstitel „The Substance“ einen Filmproduzenten spielt, hat jetzt eine Rolle in dem SciFi-Drama „The Blue is Mine“ übernommen, das HanWay und UTA aktuell auf dem Marché du Film anbieten.
Im englischsprachigen Debüt der in Brasilien geborenen Regisseurin Iuli Gerbase spielt Quaid Arthur, der bei einem Familienurlaub für eine Überraschung sorgt, als er seine schöne und rätselhafte Freundin Ivy (Elizabeth Debicki) mitbringt. Doch Ivys Anwesenheit und ihr merkwürdiges Verhalten gerät das ohnehin schon heikle Verhältnis zwischen Arthur und seinen Töchtern noch mehr aus dem Gleichgewicht. Connie (Zazie Beetz...
- 5/24/2024
- by Jochen Müller
- Spot - Media & Film
The Match Factory has agreed a string of sales for Coralie Fargeat’s buzzy Cannes Competition title The Substance, starring Demi Moore, Margaret Qualley, and Dennis Quaid.
The Match Factory has sold the body horror to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg Film), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).
A deal is finalised for Japan and Switzerland, while Czech Republic, Slovakia, Hungary, Portugal...
The Match Factory has sold the body horror to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg Film), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).
A deal is finalised for Japan and Switzerland, while Czech Republic, Slovakia, Hungary, Portugal...
- 5/24/2024
- ScreenDaily
The Match Factory has finalized a raft of international deals for Coralie Fargeat’s Cannes Palme d’Or contender The Substance, following its buzzy premiere over the weekend in the presence of co-stars Demi Moore, Margaret Qualley, and Dennis Quaid.
The blood-spattered body horror has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).
Deals have also been struck for Japan and Switzerland, Czech Republic, Slovakia, Hungary, Portugal and South East Asia and are in final negotiations. Metropolitan previously acquired the film for distribution in France.
Mubi acquired worldwide rights for the film on the eve of Cannes. The global film distributor and streaming service retained all rights in North America,...
The blood-spattered body horror has sold to Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97).
Deals have also been struck for Japan and Switzerland, Czech Republic, Slovakia, Hungary, Portugal and South East Asia and are in final negotiations. Metropolitan previously acquired the film for distribution in France.
Mubi acquired worldwide rights for the film on the eve of Cannes. The global film distributor and streaming service retained all rights in North America,...
- 5/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Fresh from his appearance in mega-buzzy Cannes competition entry ‘The Substance,’ Dennis Quaid is now set to join Zazie Beetz and Elizabeth Debicki in another wild-sounding project, “This Blue is Mine.”
First announced by Variety ahead of the festival and being launched in the market by HanWay and UTA, “This Blue is Mine” is described as an “original, sexy sci-fi drama,” and marks the English-language debut of Brazilian-born director Iuli Gerbase.
The story is set amidst a family holiday at a tropical resort, where Arthur (Quaid), a guilt-free bon viveur, surprises everyone by bringing his new beautiful and enigmatic girlfriend, Ivy (Debicki). Ivy’s arrival and her odd behavior throws the already delicate dynamics off balance with Arthur and his daughters. Connie (Beetz) is still recovering from the trauma of a recent miscarriage and her older half-sister Laura can be a bit suffocating in her efforts to support her. One evening,...
First announced by Variety ahead of the festival and being launched in the market by HanWay and UTA, “This Blue is Mine” is described as an “original, sexy sci-fi drama,” and marks the English-language debut of Brazilian-born director Iuli Gerbase.
The story is set amidst a family holiday at a tropical resort, where Arthur (Quaid), a guilt-free bon viveur, surprises everyone by bringing his new beautiful and enigmatic girlfriend, Ivy (Debicki). Ivy’s arrival and her odd behavior throws the already delicate dynamics off balance with Arthur and his daughters. Connie (Beetz) is still recovering from the trauma of a recent miscarriage and her older half-sister Laura can be a bit suffocating in her efforts to support her. One evening,...
- 5/23/2024
- by Alex Ritman
- Variety Film + TV
Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her cinematic bloodlust for sexually violent men and gore-horror filmmaking. With her second, The Substance, she’s fully submerged in the ocean and making waves.
Meet Elisabeth Sparkle, a Demi Moore-esque A-lister (played by Demi Moore) whose stardom has long since faded, leaving her, to great displeasure, in the instructor’s seat of a glam morning-fitness class called “Sparkle Your Life.” We learn about her iconic career through a cleverly designed timelapse that opens the film––a bird’s-eye view of her Hollywood Walk of Fame star being minted, premiered, adorned, celebrated, surrounded, stood on, passed, ignored, and eventually forgotten.
Much more displeasing to Elisabeth is a phone call she overhears with Harvey, the show’s batshit, ludicrously evil, executive-type producer who screams things like,...
Meet Elisabeth Sparkle, a Demi Moore-esque A-lister (played by Demi Moore) whose stardom has long since faded, leaving her, to great displeasure, in the instructor’s seat of a glam morning-fitness class called “Sparkle Your Life.” We learn about her iconic career through a cleverly designed timelapse that opens the film––a bird’s-eye view of her Hollywood Walk of Fame star being minted, premiered, adorned, celebrated, surrounded, stood on, passed, ignored, and eventually forgotten.
Much more displeasing to Elisabeth is a phone call she overhears with Harvey, the show’s batshit, ludicrously evil, executive-type producer who screams things like,...
- 5/23/2024
- by Luke Hicks
- The Film Stage
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
The 77th edition of the Cannes Film Festival continues on Day 10 with the world premieres of All We Imagine as Light, and Beating Hearts, starring Adèle Exarchopoulos, Alain Chabat, and Benoit Poelvoorde.
Director Gilles Lellouche presents his latest musical rom-com, Beating Hearts, that whisks Adèle Exarchopoulos and François Civil away on a heady, twenty-year romantic odyssey.
Adapted from Neville Thompson’s novel, the film follows Jackie (Exarchopoulos) and Clotaire (Civil) who fall madly in love in their town in northern France. She’s kooky and nerdy where he’s a bit of a scoundrel, and although life puts their love to the test, nothing can keep them apart.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
Demi Moore hosts the annual 2024 amfAR Gala in Cannes, at the Hotel du Cap-Eden-Roc celebrates the 30th edition of the AIDS charity. The gala, presented...
Director Gilles Lellouche presents his latest musical rom-com, Beating Hearts, that whisks Adèle Exarchopoulos and François Civil away on a heady, twenty-year romantic odyssey.
Adapted from Neville Thompson’s novel, the film follows Jackie (Exarchopoulos) and Clotaire (Civil) who fall madly in love in their town in northern France. She’s kooky and nerdy where he’s a bit of a scoundrel, and although life puts their love to the test, nothing can keep them apart.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
Demi Moore hosts the annual 2024 amfAR Gala in Cannes, at the Hotel du Cap-Eden-Roc celebrates the 30th edition of the AIDS charity. The gala, presented...
- 5/23/2024
- by Robert Lang
- Deadline Film + TV
Exclusive: French film industry veteran Nicolas Royer, who was line and executive producer on Coralie Fargeat’s Cannes buzz title The Substance, has boarded Catherine Hardwicke’s upcoming feature A French Pursuit, starring Toni Collette.
The production, which is remake of Caroline Vignal’s 2020 French hit My Donkey, My Lover & I (Antoinette Dans Les Cévennes), starring Laura Calamy, is due to shoot in the Cévennes region in south-central France this summer.
Royer will line and executive produce the movie, which is lead produced by Christopher Simon at New Sparta Productions and Collette under her Vocab Films banner.
The new production will be first official gig for Royer’s company Voulez-Vous Production Services, which he created in 2023 to build on his work on The Substance.
Royer was line and executive producer on the body horror, lead produced by the UK’s Working Title and starring Demi Moore, Margaret Qualley and Dennis Quaid.
The production, which is remake of Caroline Vignal’s 2020 French hit My Donkey, My Lover & I (Antoinette Dans Les Cévennes), starring Laura Calamy, is due to shoot in the Cévennes region in south-central France this summer.
Royer will line and executive produce the movie, which is lead produced by Christopher Simon at New Sparta Productions and Collette under her Vocab Films banner.
The new production will be first official gig for Royer’s company Voulez-Vous Production Services, which he created in 2023 to build on his work on The Substance.
Royer was line and executive producer on the body horror, lead produced by the UK’s Working Title and starring Demi Moore, Margaret Qualley and Dennis Quaid.
- 5/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
Photo credit: “Shutterstock.AI” Demi Moore continues to redefine boundaries in her career with the acclaimed horror film, The Substance. Premiering to rave reviews at the Cannes Film Festival, this body horror thriller follows a fading actress who discovers a mysterious substance that transforms her into a younger version of herself. The catch? This transformation comes at a chilling cost. At 61, Moore bravely embraced the role’s vulnerability and rawness, including some nudity. In a Cannes press conference, she spoke about the experience. (click on the media bar below to hear Demi Moore). https://www.hollywoodoutbreak.com/wp-content/uploads/2024/05/Demi_Moore_The_Substance_Nudity_.mp3 While a release date has not yet been announced, keep an eye out for updates on when you can experience this unique and unsettling story.
The post At 61, Demi Moore Embraces Vulnerability & Horror in Acclaimed ‘The Substance’ appeared first on Hollywood Outbreak.
The post At 61, Demi Moore Embraces Vulnerability & Horror in Acclaimed ‘The Substance’ appeared first on Hollywood Outbreak.
- 5/23/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
Where were you when the Brat Pack took over Hollywood?
Core 1980s Brat Pack member Andrew McCarthy revisits his iconic teen past alongside his fellow “It” actors for documentary “Brats,” which McCarthy writes and directs. Reclaiming the term first coined in David Blum’s 1985 New York Magazine cover story, “Brats” unpacks the teen films — and their stars — of the ’80s that shaped a generation.
McCarthy’s former co-stars Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, Timothy Hutton, and Jon Cryer are among those featured in the documentary. McCarthy says he had not previously seen most of his past colleagues for more than 30 years.
Notably, Molly Ringwald is not part of the doc, despite her discussions on the role of the Brat Pack in cinematic history. The actress previously cited that she was typecast because of the moniker, telling The Guardian that “darker roles” weren’t available to...
Core 1980s Brat Pack member Andrew McCarthy revisits his iconic teen past alongside his fellow “It” actors for documentary “Brats,” which McCarthy writes and directs. Reclaiming the term first coined in David Blum’s 1985 New York Magazine cover story, “Brats” unpacks the teen films — and their stars — of the ’80s that shaped a generation.
McCarthy’s former co-stars Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, Timothy Hutton, and Jon Cryer are among those featured in the documentary. McCarthy says he had not previously seen most of his past colleagues for more than 30 years.
Notably, Molly Ringwald is not part of the doc, despite her discussions on the role of the Brat Pack in cinematic history. The actress previously cited that she was typecast because of the moniker, telling The Guardian that “darker roles” weren’t available to...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
“Surreal.” That’s the best way Margaret Qualley can sum up her experience at the Cannes Film Festival this year, as one of the only actors to star in not one, but two films premiering in competition — Yorgos Lanthimos’ bizarre black comedy “Kinds of Kindness” and Coralie Fargeat’s feminist body horror thriller “The Substance.”
This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor.
“I’m the luckiest person,” Qualley told Variety about her various experiences at the festival. “First time was a baby. I was deer in the headlights. I didn’t know what I wanted to do with myself or my life or how to do it.”
On that second trip, as...
This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor.
“I’m the luckiest person,” Qualley told Variety about her various experiences at the festival. “First time was a baby. I was deer in the headlights. I didn’t know what I wanted to do with myself or my life or how to do it.”
On that second trip, as...
- 5/22/2024
- by Angelique Jackson
- Variety Film + TV
The star-studded world premiere of The Substance brought A-list glamour to the 77th Cannes Film Festival on Saturday night. Leading the red carpet charge were acting legends Demi Moore and Dennis Quaid, joined by rising talents Margaret Qualley and director Coralie Fargeat.
All eyes were on Moore, 61, who defied age in a champagne Schiaparelli gown. The ageless beauty exuded confidence as she posed fiercely for photographers on the famed Palais des Festivals red carpet.
Moore’s co-star Quaid, 69, looked dapper in a classic tuxedo. The veteran actor flashed his trademark grin alongside his younger on-screen love interest, the 28-year-old Qualley.
Qualley, the daughter of Andie MacDowell, has been earning raves for her breakout performance in the psychological thriller. She stunned in a pretty white and pink dress with finely embroidered designs and feathers along the bottom edge.
French director Fargeat, who turned heads in a pale pink dress, rounded out the film’s glamorous quartet.
All eyes were on Moore, 61, who defied age in a champagne Schiaparelli gown. The ageless beauty exuded confidence as she posed fiercely for photographers on the famed Palais des Festivals red carpet.
Moore’s co-star Quaid, 69, looked dapper in a classic tuxedo. The veteran actor flashed his trademark grin alongside his younger on-screen love interest, the 28-year-old Qualley.
Qualley, the daughter of Andie MacDowell, has been earning raves for her breakout performance in the psychological thriller. She stunned in a pretty white and pink dress with finely embroidered designs and feathers along the bottom edge.
French director Fargeat, who turned heads in a pale pink dress, rounded out the film’s glamorous quartet.
- 5/22/2024
- by Lauren Ramsey
- Uinterview
We know the drill: When Hollywood actresses hit a certain age, they’re pushed off the industry conveyor belt. Some find a few roles, or perhaps a gig as a brand ambassador, spokesperson, or fitness guru. That’s the world of Elisabeth Sparkle, as played by Demi Moore, in Coralie Fargeat’s body-horror industry satire “The Substance.” However, this film represents the best role in the 61-year-old Moore’s career.
In the mid-1990s, Moore was a star after “St. Elmo’s Fire,” “Ghost,” “A Few Good Men,” “Indecent Proposal,” “Disclosure.” She hit her financial peak with the 1996 “Striptease” — $12 million, which inspired snarky asides of “Gimme Moore” — but the reviews were bad and the box office not much better. Her career shifted into smaller movies and smaller roles (including a standout turn in 2011’s “Margin Call”), many of which didn’t deserve her presence and, well, sparkle.
This year Moore had...
In the mid-1990s, Moore was a star after “St. Elmo’s Fire,” “Ghost,” “A Few Good Men,” “Indecent Proposal,” “Disclosure.” She hit her financial peak with the 1996 “Striptease” — $12 million, which inspired snarky asides of “Gimme Moore” — but the reviews were bad and the box office not much better. Her career shifted into smaller movies and smaller roles (including a standout turn in 2011’s “Margin Call”), many of which didn’t deserve her presence and, well, sparkle.
This year Moore had...
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
After the extraordinary triple whammy of Emelia Perez, The Substance and Anora, here comes Portuguese auteur Miguel Gomes with a blast of cinematic chloroform to calm the Cannes Competition down a touch.
A talky, experimental odyssey through the Far East, it deals with issues of colonialism and gender, but in such an oblique way that it’s hard to fathom without referring to the rather cryptic press notes that come with it. Fans of Gomes’ deadpan style — with which he broke out in 2012 when his film Tabu became an arthouse favorite on the festival circuit — no doubt will respond to its eccentricity, its wry irony and its undoubtedly striking monochrome cinematography. Less enlightened viewers may wish to take a pillow.
The film takes place in two timeframes. The fictional narrative takes place in 1918 and begins with British civil servant Edward Abbot (Gonçalo Waddington) arriving at Mandalay station in Burma. Although...
A talky, experimental odyssey through the Far East, it deals with issues of colonialism and gender, but in such an oblique way that it’s hard to fathom without referring to the rather cryptic press notes that come with it. Fans of Gomes’ deadpan style — with which he broke out in 2012 when his film Tabu became an arthouse favorite on the festival circuit — no doubt will respond to its eccentricity, its wry irony and its undoubtedly striking monochrome cinematography. Less enlightened viewers may wish to take a pillow.
The film takes place in two timeframes. The fictional narrative takes place in 1918 and begins with British civil servant Edward Abbot (Gonçalo Waddington) arriving at Mandalay station in Burma. Although...
- 5/22/2024
- by Damon Wise
- Deadline Film + TV
A handful of competition premieres just made their way to the Palais to mixed results as the festival starts to wind down, the Cannes Marche du Film shutters Wednesday, and guests pack it up and head home.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
Demi Moore was one of the members of the Hollywood group The Brat Pack, a bunch of Hollywood actors who broke out in acting and started together in coming-of-age films in the 90s. She rose to prominence with the 1990 supernatural romance film Ghost. The 90s was her best decade, when she became an A-list actress, while also being deemed one of the most beautiful movie stars in the industry.
Demi Moore and Patrick Swayze in 1990’s Ghost | Paramount Pictures
Despite her illustrious career, the actress has had problems maintaining her body image and has suffered from weight issues. In her memoir, Inside Out, Moore detailed the extent to which she went to shed her weight for a film and the pain it caused to her body. The actress clearly had a love-hate relationship with her body all her life.
Demi Moore’s Unhealthy Relationship With Her Body Affected Her Life...
Demi Moore and Patrick Swayze in 1990’s Ghost | Paramount Pictures
Despite her illustrious career, the actress has had problems maintaining her body image and has suffered from weight issues. In her memoir, Inside Out, Moore detailed the extent to which she went to shed her weight for a film and the pain it caused to her body. The actress clearly had a love-hate relationship with her body all her life.
Demi Moore’s Unhealthy Relationship With Her Body Affected Her Life...
- 5/21/2024
- by Rahul Thokchom
- FandomWire
Ali Abbasi’s The Apprentice has failed to impress the critics on Screen’s Cannes jury grid, recording the lowest score so far this year of 1.7.
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
- 5/21/2024
- ScreenDaily
Demi Moore Opens Up About Filming Nude Scenes. (Photo Credit – Instagram)
Demi Moore opened up about her experience stripping down at 61 for her latest film, “The Substance.” The stunning actress, who is no stranger to baring it all in films in the 90s, revealed it was a “vulnerable” experience seeing her own body on screen at the 2024 Cannes Film Festival.
Variety reported that while speaking at the press conference for “The Substance,” Demi Moore said the film pushed her out of her comfort zone but noted that nudity was necessary to tell the story that revolves around a celebrity’s obsession with youth.
In the movie, Demi Moore plays Elizabeth Sparkle, who uses a black-market drug that creates a younger version of herself (Margaret Qualley) to save her fading celebrity. Before taking the substance, Moore’s character studies her nude body in the film.
Trending Are Ben Affleck and Jennifer Lopez Finally Headed For Divorce?...
Demi Moore opened up about her experience stripping down at 61 for her latest film, “The Substance.” The stunning actress, who is no stranger to baring it all in films in the 90s, revealed it was a “vulnerable” experience seeing her own body on screen at the 2024 Cannes Film Festival.
Variety reported that while speaking at the press conference for “The Substance,” Demi Moore said the film pushed her out of her comfort zone but noted that nudity was necessary to tell the story that revolves around a celebrity’s obsession with youth.
In the movie, Demi Moore plays Elizabeth Sparkle, who uses a black-market drug that creates a younger version of herself (Margaret Qualley) to save her fading celebrity. Before taking the substance, Moore’s character studies her nude body in the film.
Trending Are Ben Affleck and Jennifer Lopez Finally Headed For Divorce?...
- 5/21/2024
- by Anushree Madappa
- KoiMoi
David Cronenberg has opened up on putting his film The Shrouds to Netflix executives as a television series, who greenlit writing a first episode before rejecting the director’s project.
The sci-fi drama, which aired in Cannes to a three-and-a-half minute applause before Cronenberg spoke to the audience, follows Karsh (Vincent Cassel), a prominent businessman and widower who, inconsolable since the death of his wife (Diane Kruger) invents a revolutionary and controversial technology that enables the living to monitor the decomposition of deceased loved ones in their graves.
Cronenberg spoke at Cannes’ press conference for the film on Tuesday, explaining how he envisioned the story working well as a series. He flew to Los Angeles to speak with two Netflix execs who financed the writing of a first episode – which they loved. But after the second, they did not want to go any further.
“They said – and this is a...
The sci-fi drama, which aired in Cannes to a three-and-a-half minute applause before Cronenberg spoke to the audience, follows Karsh (Vincent Cassel), a prominent businessman and widower who, inconsolable since the death of his wife (Diane Kruger) invents a revolutionary and controversial technology that enables the living to monitor the decomposition of deceased loved ones in their graves.
Cronenberg spoke at Cannes’ press conference for the film on Tuesday, explaining how he envisioned the story working well as a series. He flew to Los Angeles to speak with two Netflix execs who financed the writing of a first episode – which they loved. But after the second, they did not want to go any further.
“They said – and this is a...
- 5/21/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Amid a generally positive market the familiar gripe of high asking prices has sent a clear message that buyers and sellers are finding it increasingly tough to reconcile their respective financial models.
The tension remains particularly acute on A-list market packages, where independent producers have fought (and paid) to attract and hold on to talent in a post-strike world where hefty offers from studios and streamers, driven by talent agents, have been hard to resist.
The ripple effect has forced sales agents to push up their asks in order to recoup financiers’ investments. Sales estimates set more than a year ago,...
The tension remains particularly acute on A-list market packages, where independent producers have fought (and paid) to attract and hold on to talent in a post-strike world where hefty offers from studios and streamers, driven by talent agents, have been hard to resist.
The ripple effect has forced sales agents to push up their asks in order to recoup financiers’ investments. Sales estimates set more than a year ago,...
- 5/21/2024
- ScreenDaily
Chilean producer Tomas Gerlach Mora of A Simple Vista has struck a deal in the Cannes Marché for Colombia’s Rhayuela Films to join as co-producer on the upcoming genre film Dog Legs (Patas De Perro) starring Chilean A-lister Alfredo Castro.
Matías Rojas Valencia will direct and established his reputation with San Sebastián Horizontes Latinos 2013 selection Root and Tallinn 2021 entry A Place Called Dignity.
Based on the 1960 novel by Chilean literary giant Carlos Droguett, Dog Legs follows a lonely man who adopts a child born with the legs of a dog and is met with escalating violence when he tries...
Matías Rojas Valencia will direct and established his reputation with San Sebastián Horizontes Latinos 2013 selection Root and Tallinn 2021 entry A Place Called Dignity.
Based on the 1960 novel by Chilean literary giant Carlos Droguett, Dog Legs follows a lonely man who adopts a child born with the legs of a dog and is met with escalating violence when he tries...
- 5/21/2024
- ScreenDaily
Los Angeles-based Concourse Media has reported brisk pre-sales here on its action thriller Raider starring Aaron Eckhart as the US president and Danny Huston as the head of the Secret Service.
Rights have closed in Germany (Constantin Film), Australia/New Zealand (Rialto), Spain (Second Gen Pictures), Italy (Eagle Pictures), Scandinavia (Mis Label), Eastern Europe (MediaSquad), Cis (Paradise), Indonesia, (Pt Prima), Middle East (Grant Entertainment), and Israel (Shoval Film).
Talks are underway on a North American sale and production is scheduled to begin in Spain in autumn.
Raider tells the story of the recently elected US president who sweeps into power...
Rights have closed in Germany (Constantin Film), Australia/New Zealand (Rialto), Spain (Second Gen Pictures), Italy (Eagle Pictures), Scandinavia (Mis Label), Eastern Europe (MediaSquad), Cis (Paradise), Indonesia, (Pt Prima), Middle East (Grant Entertainment), and Israel (Shoval Film).
Talks are underway on a North American sale and production is scheduled to begin in Spain in autumn.
Raider tells the story of the recently elected US president who sweeps into power...
- 5/21/2024
- ScreenDaily
David Cronenberg’s The Shrouds recently premiered at the Cannes Film Festival, and the reviews have begun to emerge. The film follows a businessman and grieving widower who invents a controversial technology known as Gravetech that allows families to see inside the graves of their loved ones as they decompose. Although known as the master of body horror, fans shouldn’t expect too much of that as Cronenberg’s latest is a much more personal film. The Shrouds is at least partly inspired by the death of his wife, Carolyn Cronenberg, in 2017.
THR‘s Leslie Felperin said, “This fetid stew of sex, death and tech may be an aphrodisiac for hardcore Cronenberg fans, but more casual viewers are likely to find it all rather slapdash and undercooked here. Cinematographer Douglas Koch’s lighting looks drabber than usual, and many of the scenes feel like the first or second take after a long day’s filming,...
THR‘s Leslie Felperin said, “This fetid stew of sex, death and tech may be an aphrodisiac for hardcore Cronenberg fans, but more casual viewers are likely to find it all rather slapdash and undercooked here. Cinematographer Douglas Koch’s lighting looks drabber than usual, and many of the scenes feel like the first or second take after a long day’s filming,...
- 5/20/2024
- by Kevin Fraser
- JoBlo.com
The Cannes audience gave a respectful embrace to David Cronenberg’s chilly drama The Shrouds, the latest from the Canadian king of horror.
Cronenberg joined castmembers Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt and Elizabeth Saunders to hit the Croisette for the film’s premiere Monday. Cronenberg rocked the red carpet wearing a pair of white rimmed wrap-around 1990s-style plastic sunglasses.
The film was met with applause that went on for three and a half minutes before Cronenberg put an end to it by taking the mic and thanking the crowd. The director explained that it was the first time he had seen the movie with an audience and added, “And it is completely different.”
Its reception was rather reserved, perhaps in keeping with the film’s subject matter of grief and death. The connection to the director’s own experience was made clear with Cassel’s character Karsh,...
Cronenberg joined castmembers Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt and Elizabeth Saunders to hit the Croisette for the film’s premiere Monday. Cronenberg rocked the red carpet wearing a pair of white rimmed wrap-around 1990s-style plastic sunglasses.
The film was met with applause that went on for three and a half minutes before Cronenberg put an end to it by taking the mic and thanking the crowd. The director explained that it was the first time he had seen the movie with an audience and added, “And it is completely different.”
Its reception was rather reserved, perhaps in keeping with the film’s subject matter of grief and death. The connection to the director’s own experience was made clear with Cassel’s character Karsh,...
- 5/20/2024
- by Scott Roxborough and Patrick Brzeski
- The Hollywood Reporter - Movie News
Demi Moore is living her best life at the 77th annual Cannes Film Festival. She and her The Substance co-stars received a 13-minute standing ovation as the “body horror with a feminist take” concluded at the Palais des Festivals et des Congrès. The 61-year-old has also debuted nearly 10 gorgeous and unique looks as they promote the film in the chic city in southwest France.
On May 17, Moore debuted her first Cannes look at the Kinds Of Kindness red carpet. The Ghost star doesn’t star in the dark comedy anthology film. But she earned a rightful place at the premiere with her starring role in The Substance. The horror-thriller movie follows a TV aerobics star (Moore) who ingests a drug that makes people a younger, better version of themselves. Margaret Qualley stars as Moore’s new and “improved” self.
Demi Moore at the ‘Kinds Of Kindness’ red carpet at Cannes...
On May 17, Moore debuted her first Cannes look at the Kinds Of Kindness red carpet. The Ghost star doesn’t star in the dark comedy anthology film. But she earned a rightful place at the premiere with her starring role in The Substance. The horror-thriller movie follows a TV aerobics star (Moore) who ingests a drug that makes people a younger, better version of themselves. Margaret Qualley stars as Moore’s new and “improved” self.
Demi Moore at the ‘Kinds Of Kindness’ red carpet at Cannes...
- 5/20/2024
- by Ali Hicks
- Showbiz Cheat Sheet
Revenge director Coralie Fargeat’s new body horror satire, The Substance, screened at the Cannes Film Festival over the weekend, and the reactions have been (mostly) very positive - although it sounds like the movie has its share of shocking moments.
The film focuses on an acclaimed actress turned celebrity host of a daytime exercise program (Demi Moore) who gets replaced by a younger star (Margaret Qualley), sparking a confrontation between the two women that ultimately turns violent.
The Substance reportedly features some pretty extreme gore, but the scene that's sparked the most discussion is a brutal fight between Moore and Qualley's characters - complete with graphic, full-frontal nudity.
“I had someone who was a great partner,” said Moore of her co-star. “We were obviously quite close at some moments… and naked. But there was also a levity [in shooting those scenes].”
Moore also noted that the film “pushed me out of the comfort zone,...
The film focuses on an acclaimed actress turned celebrity host of a daytime exercise program (Demi Moore) who gets replaced by a younger star (Margaret Qualley), sparking a confrontation between the two women that ultimately turns violent.
The Substance reportedly features some pretty extreme gore, but the scene that's sparked the most discussion is a brutal fight between Moore and Qualley's characters - complete with graphic, full-frontal nudity.
“I had someone who was a great partner,” said Moore of her co-star. “We were obviously quite close at some moments… and naked. But there was also a levity [in shooting those scenes].”
Moore also noted that the film “pushed me out of the comfort zone,...
- 5/20/2024
- ComicBookMovie.com
As ever, Cannes is providing serious buzz. It’s a key part of the festival circuit – films screen, conversation proliferates, and exciting must-sees come out of it all. And amid the myriad takes on Francis Ford Coppola’s Megalopolis, the debut of Kevin Costner’s Horizon, and the arrival of another new Yorgos Lanthimos joint Kinds Of Kindness, there’s one film that’s got everybody talking: The Substance. It’s an upcoming body horror from French filmmaker Coralie Fargeat (previously behind Revenge), and has provoked all kinds of conversation – in part for giving Demi Moore her biggest role in years.
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
- 5/20/2024
- by Ben Travis
- Empire - Movies
The Substance: Demi Moore body horror film earns 11 minute standing ovation and rave first reactions
Seven years have gone by since director Coralie Fargeat made her feature directorial debut with a very cool revenge movie that was appropriately titled Revenge – you can read our 8/10 review of the film at This Link. Now Fargeat is back with an “explosive feminist take on body horror” called The Substance, which stars Demi Moore (Ghost) and Margaret Qualley (Once Upon a Time in Hollywood). The film had its premiere at the Cannes Film Festival over the weekend, earning rave first reactions and an 11-minute standing ovation from the audience. (While also catching media attention with its scenes of Moore and Qualley displaying full frontal nudity.) We have assembled some of the reactions here:
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
- 5/20/2024
- by Cody Hamman
- JoBlo.com
More than just a director of animation, Hayao Miyazaki is one of the best filmmakers (of any kind) of all time. His films are beloved and studied. You might as well just hand him an Oscar when he makes a new one. So, it’s incredibly interesting to see what all goes into the making of one of his features.
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
- 5/20/2024
- by Martin Miller
- The Playlist
Demi Moore is using her juiciest leading role in years to make a statement against the sexism of Hollywood.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
- 5/20/2024
- by Samantha Bergeson
- Indiewire
Coralie Fargeat’s The Substance is out in front on Screen’s Cannes jury grid with 2.7.
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
- 5/20/2024
- ScreenDaily
After 27 years, Demi Moore returned to the Cannes red carpet following the world premiere of her body horror The Substance, starring Margaret Qualley. Directed by French director Coralie Fargeat, the horror thriller has made waves, with critics deeming it Moore’s best big-screen role in decades.
The plot revolves around a new product, The Substance, which promises people to transform into the best version of themselves. However, it comes with a twist and the new horror is definitely not for the faint-hearted, as critics deemed it among the best films the genre has to offer.
The Substance Doesn’t Disappoint in the Body Horror Front Per Critics Demi Moore | Credit: Indecent Proposal ( Paramount Pictures)
Demi Moore‘s new film is a complete departure from her Industry image, which has earned her and the crew a 13-minute standing ovation at Cannes. Revolving around self-hatred, The Substance doesn’t shy away from...
The plot revolves around a new product, The Substance, which promises people to transform into the best version of themselves. However, it comes with a twist and the new horror is definitely not for the faint-hearted, as critics deemed it among the best films the genre has to offer.
The Substance Doesn’t Disappoint in the Body Horror Front Per Critics Demi Moore | Credit: Indecent Proposal ( Paramount Pictures)
Demi Moore‘s new film is a complete departure from her Industry image, which has earned her and the crew a 13-minute standing ovation at Cannes. Revolving around self-hatred, The Substance doesn’t shy away from...
- 5/20/2024
- by Santanu Roy
- FandomWire
by Cláudio Alves
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
Coralie Fargeat's The Substance is a body horror shocker.
Half of the Cannes Main Competition has screened, and it seems we're in a year of big swings and even bigger faceplants. Divisive titles aplenty, the most acclaimed films of the festival appear to be located in parallel sections rather than Thierry Frémaux's selection. Even so, Jia Zhangke's Caught by the Tides has confirmed itself as the critics' favorite, though that only extends to writers already fond of the director's oeuvre. The documentary-fiction hybrid made no new converts. Jacques Audiard dazzled audiences with the trans-themed Mexican musical Emilia Perez, and while some critics are ecstatic, others loathe the thing. Reactions are more pointedly adverse to Kirill Serebrennikov's Limonov biopic, while Coralie Fargeat's The Substance has elicited equal pans and praise. Some folks online are trying to characterize the body horror's critical divide as a battle of the sexes,...
- 5/20/2024
- by Cláudio Alves
- FilmExperience
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Speaking at the Cannes Film Festival press conference for Competition title The Substance, Demi Moore described how making the film was a challenging, vulnerable experience that left her “with a greater acceptance of myself as I am”.
“There was something freeing about this exploration,” said Moore. “It was a very raw experience that required a depth of vulnerability and willingness to expose myself emotionally and physically that definitely pushed me out of my comfort zone.”
Coming through the filming process with that acceptance was “a gift”, she added.
French filmaker Coralie Fargeat’s feminist body horror follows an actress aged...
“There was something freeing about this exploration,” said Moore. “It was a very raw experience that required a depth of vulnerability and willingness to expose myself emotionally and physically that definitely pushed me out of my comfort zone.”
Coming through the filming process with that acceptance was “a gift”, she added.
French filmaker Coralie Fargeat’s feminist body horror follows an actress aged...
- 5/20/2024
- ScreenDaily
Many were left scratching their heads when Cannes topper Thierry Frémaux made The Substance a part of the competition (and conversation) and the reason being that while the midnight films are a welcome inclusion in the overall line-up of the fest they are indeed a rarity in the competition line-up. Perhaps as he suggested Titane influenced his decision. Coralie Fargeat moved into English language terrain with her sophomore feature and judging by last night’s reaction this will indeed draw a strong … reaction among patrons. Filmed at the beginning of 2022, Demi Moore and Margaret Qualley get top billing in what is a two-handed serve – Dennis Quaid is a supporting character (who replaced Ray Liotta).…...
- 5/20/2024
- by Eric Lavallée
- IONCINEMA.com
Cannes – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut. A bold dissection on aging and self-hatred Fargeat’s latest work is an utter visual marvel and features superb performances from its lead actresses; Demi Moore and Margaret Qualley.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
- 5/20/2024
- by Gregory Ellwood
- The Playlist
Demi Moore said performing in Coralie Fargeat’s body horror shocker The Substance required accepting a “level of vulnerability and rawness” with regard to her own body on screen.
Moore put it all out there for the film, a gory, campy satire on beauty standards, toxic masculinity and female self-hatred, with the movie’s frequent and prominent nudity, as well as its gruesome violence, attracting a lot of attention after its world premiere in Cannes. Moore plays Elisabeth Sparkle, an acclaimed actress turned celebrity host of a daytime exercise program who gets replaced by a younger, more beautiful star (Margaret Qualley), sparking a confrontation between the two women. One of the more graphic scenes in the movie shows Moore and Qualley having a naked, no-holds-barred bloody fight. The Cannes audience loved it, giving the film a rapturous reception Sunday night.
“I had someone who was a great partner,” said Moore of Qualley.
Moore put it all out there for the film, a gory, campy satire on beauty standards, toxic masculinity and female self-hatred, with the movie’s frequent and prominent nudity, as well as its gruesome violence, attracting a lot of attention after its world premiere in Cannes. Moore plays Elisabeth Sparkle, an acclaimed actress turned celebrity host of a daytime exercise program who gets replaced by a younger, more beautiful star (Margaret Qualley), sparking a confrontation between the two women. One of the more graphic scenes in the movie shows Moore and Qualley having a naked, no-holds-barred bloody fight. The Cannes audience loved it, giving the film a rapturous reception Sunday night.
“I had someone who was a great partner,” said Moore of Qualley.
- 5/20/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Demi Moore’s new film, the feminist body horror “The Substance,” sees her bare it all, with several scenes featuring full nudity. At the Cannes Film Festival press conference for the film on Monday, the 61-year-old actor discussed the “vulnerable experience.”
“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”
In the film from “Revenge” helmer Coralie Fargeat, Moore plays a fading celebrity who uses a black market drug the film is named for — a cell-replicating device that winds up creating a young, better version of herself (Margaret Qualley). Not only must she share a space with this new creature, she has to spend half her time in a...
“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”
In the film from “Revenge” helmer Coralie Fargeat, Moore plays a fading celebrity who uses a black market drug the film is named for — a cell-replicating device that winds up creating a young, better version of herself (Margaret Qualley). Not only must she share a space with this new creature, she has to spend half her time in a...
- 5/20/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Demi Moore is officially back in The Substance or, as her co-star Dennis Quaid called it for her at the pic’s Cannes Film Festival press conference Monday, “an incredible third act” for the actress.
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s...
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s...
- 5/20/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
- 5/19/2024
- by Nancy Tartaglione and Anthony D'Alessandro
- Deadline Film + TV
Cannes Film Festival went apeshit for the jaw-dropping, nauseating, defiant, hilarious “The Substance” — a body horror thriller from French director Coralie Forgeat starring Demi Moore and Margaret Qualley — on Sunday night with an 11-minute standing ovation.
It’s the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named for. It promises a younger, better version of herself through a cell replicating process.
Moore takes a leap of faith and winds up on the bathroom floor, spine split open like a Christmas ham, when this new version — played by Qualley — comes slithering out of her back. Young, supple and brimming with possibilities, the two characters are allowed to coexist with one important caveat: they must trade one week on, one week off in each body.
It’s the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named for. It promises a younger, better version of herself through a cell replicating process.
Moore takes a leap of faith and winds up on the bathroom floor, spine split open like a Christmas ham, when this new version — played by Qualley — comes slithering out of her back. Young, supple and brimming with possibilities, the two characters are allowed to coexist with one important caveat: they must trade one week on, one week off in each body.
- 5/19/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
The Substance, a gruesome body-horror flick, had its world premiere Sunday night in competition at the Cannes Film Festival and was greeted with a nine-minute standing ovation from the crowd at the Grand Lumiere Theatre.
The sophomore directorial effort and English-language debut of the French filmmaker Coralie Fargeat — she also wrote, produced and edited the film — stars Demi Moore, Dennis Quaid and Margaret Qualley (Qualley also appears in another competition title at this year’s fest, Kinds of Kindness), all of whom were on hand for the screening.
A gory fantasia that is a twisted cross between the classic films Sunset Boulevard and Freaks, it is one of the most out-there Cannes competition films since Titane — and, with the right mix of jurors, could follow that film to a major festival award, if not for the film, then perhaps for Moore.
Produced by Working Title’s art house mavens Tim Bevan and Eric Fellner,...
The sophomore directorial effort and English-language debut of the French filmmaker Coralie Fargeat — she also wrote, produced and edited the film — stars Demi Moore, Dennis Quaid and Margaret Qualley (Qualley also appears in another competition title at this year’s fest, Kinds of Kindness), all of whom were on hand for the screening.
A gory fantasia that is a twisted cross between the classic films Sunset Boulevard and Freaks, it is one of the most out-there Cannes competition films since Titane — and, with the right mix of jurors, could follow that film to a major festival award, if not for the film, then perhaps for Moore.
Produced by Working Title’s art house mavens Tim Bevan and Eric Fellner,...
- 5/19/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Certainly the grossest, most way-out-there, and dare-you-to-lose-your-dinner film to debut in the Cannes competition so far, Coralie Fargeat’s “Revenge” follow-up “The Substance” premiered in the Palais Sunday night after a morning press screening that saw plenty of expected walkouts. Surely the same volume of repulsed exiters carried over to the premiere public screening, where Greta Gerwig’s jury got their first glimpse of the otherwise since-secretive film whose synopses and press notes tell you little. Mubi has distribution rights, which the company purchased just before the festival started. IndieWire’s David Ehrlich calls it an “instant classic.”
In this audacious, two-plus-hour feminist body horror, Demi Moore bares all to play a once-decorated actress quote-unquote past her prime named Elisabeth Sparkle, now resigned to Jane Fonda-esque fitness videos. But her time is finally up. She’s fired for being too old, sent packing home back to her sparse LA apartment,...
In this audacious, two-plus-hour feminist body horror, Demi Moore bares all to play a once-decorated actress quote-unquote past her prime named Elisabeth Sparkle, now resigned to Jane Fonda-esque fitness videos. But her time is finally up. She’s fired for being too old, sent packing home back to her sparse LA apartment,...
- 5/19/2024
- by Ryan Lattanzio
- Indiewire
Coralie Fargeat’s “The Substance” is a body horror film with all the subtlety of a sledgehammer. It smashes you over the head with its ideas and imagery, making even the fleeting moments of supposed beauty its characters are desperately chasing into something gloriously gruesome. It’s also great fun, pushing itself to greater heights and increasingly ludicrous lows at every turn as it riffs on the perils of youth and aging. It’s a lurid, loud and lewd film that comes at you.
The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out. The filmmaker does so literally and figuratively, making it one of the most utterly ridiculous and unrestrained films to show at a festival this year. Few come even close.
While not as sensational as body horror films of festivals past, namely “Raw” and “Titane,...
The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out. The filmmaker does so literally and figuratively, making it one of the most utterly ridiculous and unrestrained films to show at a festival this year. Few come even close.
While not as sensational as body horror films of festivals past, namely “Raw” and “Titane,...
- 5/19/2024
- by Chase Hutchinson
- The Wrap
Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme. She draws on much of the hyperbolic flamboyance that’s come to define megaplex horror. But unlike 90 percent of those movies, “The Substance” is the work of a filmmaker with a vision. She’s got something primal to say to us.
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
- 5/19/2024
- by Owen Gleiberman
- Variety Film + TV
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