Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two...
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Director:
Writers:
Stars:
Awards:
- 1 win & 2 nominations.
- See more »
Photos and Videos
Cast
| Charo López | ... |
Narradora (voice)
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| Ariadna Gil | ... |
Narradora (voice)
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Jaime Arias | ... |
Self
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| Lucia Bosè | ... |
Self
(as Lucía Bosé)
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| Jack Cardiff | ... |
Self
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Ana María Chaler | ... |
Self
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Manel Fàbregas | ... |
Self
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Pere Gomis | ... |
Self
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| Silvia Marsó | ... |
Self
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Paco Miranda | ... |
Self
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Assumpció Nicolazzi | ... |
Self
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Francisco Fernández | ... |
Self
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Francesc Torres Monsó | ... |
Self
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Perico Vidal | ... |
Self
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Francisco Román | ... |
Self
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| Jaime Chávarri | ... |
Self
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Carlos Abella | ... |
Self
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Jesús García de Dueñas | ... |
Self
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Carme Gironès | ... |
Self
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| Rest of cast listed alphabetically: | |||
| Ava Gardner | ... |
Self (archiveFootage)
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Directed by
| Isaki Lacuesta | ||
Written by
| Isa Campo | ... | () |
| Isaki Lacuesta | ... | () |
| Marcos Ordóñez | ... | (novel "Beberse la vida: Ava Gardner en España") |
Produced by
| Domingo Corral | ... | executive producer |
| Inés García Alba | ... | producer: TCM (as Inés García) |
| Rafael Portela Freire | ... | executive producer (as Rafael Portela) |
| José Skaf | ... | producer: TCM |
Cinematography by
| Diego Dussuel | ||
Editing by
| Diana Toucedo | ||
Editorial Department
| Roberto Chinet | ... | assistant editor |
| Willy Nuez | ... | technical director |
| Carles Romeu | ... | color timer |
| Dani Zacarías | ... | post-production coordinator |
Production Management
| Víctor Cavaller | ... | production manager |
| Heiko Kraft | ... | unit production manager |
Second Unit Director or Assistant Director
| Olga Pujalte | ... | assistant director |
Sound Department
| Elena Coderch | ... | sound |
| Lucía Loiseau | ... | boom operator: Madrid |
| Juan Sánchez 'Cuti' | ... | sound designer / sound mixer |
| Amanda Villavieja | ... | sound |
Camera and Electrical Department
| Daniel Belza | ... | first assistant camera |
| Daniel Urrutia | ... | gaffer |
Location Management
| Paula López | ... | location manager: Madrid |
Transportation Department
| J. Manuel Bofarull | ... | transportation coordinator |
Additional Crew
| Gemma Alias | ... | production assistant |
| Anna M. Bofarull | ... | researcher |
| Marc Gil | ... | production assistant |
| María Jesús González | ... | press (as Mª Jesús González) |
| Javier Morales Perez | ... | creative advisor (as Javier Morales) |
| Aitor Susperregui | ... | production assistant |
| Juan Zavala | ... | press |
Thanks
| Montserrat Alcalde | ... | thanks |
| María Asquerino | ... | thanks |
| Marc Auladell | ... | thanks |
| Amparo Baró | ... | thanks |
| Carlos Benpar | ... | thanks (as Carlos Benpar) |
| Eudald Camps | ... | thanks |
| Josetxo Cerdán | ... | thanks |
| Enrique Cerezo | ... | thanks |
| Paloma Fernández | ... | thanks |
| Santiago Fillol | ... | thanks (as Santi Fillol) |
| Isabel Gabarain | ... | thanks |
| Diego Galán | ... | thanks |
| Jesús García de Dueñas | ... | thanks |
| Abel García Roure | ... | thanks |
| Mario Gas | ... | thanks |
| Helena Goma | ... | thanks (as Helena Gomà) |
| Lucia Graves | ... | thanks (as Lucía Graves) |
| Clara Heyman | ... | thanks |
| Sophie Labrousse | ... | thanks |
| Aitor Lacuesta | ... | thanks |
| Cathérine Laferrière | ... | thanks |
| Larry McCallister | ... | thanks |
| Marcos Ordóñez | ... | thanks |
| Domi Parra | ... | thanks |
| Pere Portabella | ... | thanks |
| Edmon Roch | ... | thanks |
| Pau Saavedra | ... | thanks |
| Trini Solano | ... | thanks |
| Nuria Vidal | ... | thanks |
| Ferran Viladevall | ... | thanks |
| Teddy Villalba | ... | thanks |
| Jill Wharton | ... | thanks |
| Jordi Xargayó | ... | thanks |
Production Companies
Distributors
Special Effects
Other Companies
- Aluzine Rentals (grip and lighting equipment)
- Amalgama (grip and lighting equipment)
- Equipos Profesionales Cinematográficos (EPC) (camera equipment provided by)
- Ovide (camera equipment provided by)
- Service Visión (camera equipment provided by)
- Southern Sun (grip and lighting equipment)
Storyline
| Plot Summary |
Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself. Written by Anonymous |
| Genres | |
| Parents Guide | Add content advisory for parents » |
Additional Details
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Did You Know?
| Movie Connections | References Pandora and the Flying Dutchman (1951). See more » |
| Soundtracks | Can't Help Loving That Man See more » |