Directed by
Andrew Ryland |
Writing Credits (in alphabetical order)
Royston Deitch | ... | (written by) |
Cast (in credits order)
Mark Conway | ... | Charlie McLeish | |
Joe Brook | ... | Elvis Presley (as Joe Bevan) | |
Michelle Frost | ... | Mrs. Thompson | |
Tim Parker | ... | Tony Young | |
Alex Moore | ... | Lieutenant Dixon | |
Jacob Lee | ... | Private Martin |
Produced by
Royston Deitch | ... | producer |
Cinematography by
Jamie Kennerley |
Editing by
Gaia Borretti |
Art Direction by
Tim Belcher |
Costume Design by
Oliver Garcia |
Makeup Department
Kate Gittins | ... | hair stylist assistant / makeup assistant |
Topaz Knight | ... | Make-up and Hair stylist |
Second Unit Director or Assistant Director
Aliki Katriou | ... | first assistant director |
Art Department
Nikolai Kozin | ... | original artwork |
Emma Nisse | ... | Thirty Seven Films Ltd. logo designed by |
Rachel Vidal | ... | property master |
Scot Whiteman | ... | set constructor |
Sound Department
Duncan Cross | ... | foley editor |
James Hynes | ... | re-recording mixer / supervising sound editor |
Jaime Juarez | ... | sound designer |
Giles Stogdon | ... | production sound mixer (as Giles Henry-Stogdon) |
Visual Effects by
Matt Watson | ... | colourist |
Camera and Electrical Department
Sebastian Marczewski | ... | focus puller (as Sebastian John David Marczewski) |
Segev Navon | ... | gaffer |
Editorial Department
Tuataroa Rapana Neill | ... | additional editing |
Matt Watson | ... | colorist |
Script and Continuity Department
Pedro Rilhó | ... | continuity/script supervisor |
Additional Crew
Tim Parker | ... | voice coach |
Jelena Sokic | ... | production assistant |
Andrew Steggall | ... | production assistant |
Thanks
Margaret Deitch | ... | special thanks |
Russell Deitch | ... | special thanks |
Leonie Fleming | ... | special thanks |
Anna MacLeod | ... | special thanks |
John Ryland | ... | special thanks (as John and Lynda Ryland) |
Lynda Ryland | ... | special thanks (as John and Lynda Ryland) |