Updated, May 11: The recipients in the remaining 18 of this year’s 33 categories at the 35th Annual GLAAD Media Awards were announced May 11 at a New York ceremony hosted by Ross Matthews. They included Red, White & Royal Blue, The Last Of Us, Heartstopper, The Jennifer Hudson Show, Rustin and Las Culturistas.
Jennifer Hudson received the Excellence in Media Award, introduced by Laverne Cox. Orville Peck received the Vito Russo Award, presented by Jennifer Lawrence. The evening featured live performances by Loren Allred and Scott Hoying, of Pentatonix.
The March 14 Los Angeles ceremony, hosted by Wayne Brady, revealed the first 16 category winners spanning film, TV, music, theater, podcasts, video games, comic books and journalism. The winners list includes Ted Lasso, Yellowjackets, RuPaul’s Drag Race and Reneé Rapp.
In addition, Oprah Winfrey received the Vanguard Award, introduced by longtime friends Chilli Pepper and Paolo Presta. Niecy Nash-Betts received the Stephen F. Kolzak Award,...
Jennifer Hudson received the Excellence in Media Award, introduced by Laverne Cox. Orville Peck received the Vito Russo Award, presented by Jennifer Lawrence. The evening featured live performances by Loren Allred and Scott Hoying, of Pentatonix.
The March 14 Los Angeles ceremony, hosted by Wayne Brady, revealed the first 16 category winners spanning film, TV, music, theater, podcasts, video games, comic books and journalism. The winners list includes Ted Lasso, Yellowjackets, RuPaul’s Drag Race and Reneé Rapp.
In addition, Oprah Winfrey received the Vanguard Award, introduced by longtime friends Chilli Pepper and Paolo Presta. Niecy Nash-Betts received the Stephen F. Kolzak Award,...
- 5/12/2024
- by Tom Tapp
- Deadline Film + TV
From Namibian western to animated revenge thriller, from Bosnian family saga to a lesbian vampire breakup story, 10 upscale scripted TV projects were spotlighted at the Berlinale Series Market’s Co-Pro Series on Tuesday morning, representing “unique and bold choices with regard to genre and perspective, on top of great storytelling,” Martina Bleis, Head of the Berlinale Co-Production Market, observed before the presentation..
“This should attract buyers and co-producers now, and will surely convince discerning audiences once they have been made,”
With Oscar winner Simon Beaufoy joining climate change satire “S.O.L.,” created by late Ruth McCance, or Cannes-awarded director Aida Begić now focusing on “Mirrors,” it was a high-profile affair.
“This female family chronicle serves as a bridge between two centuries, two eras and two societies, shedding light on the hidden lives of Balkan women. Female secrets touch on taboos such as sexuality, violence and mental health. What would...
“This should attract buyers and co-producers now, and will surely convince discerning audiences once they have been made,”
With Oscar winner Simon Beaufoy joining climate change satire “S.O.L.,” created by late Ruth McCance, or Cannes-awarded director Aida Begić now focusing on “Mirrors,” it was a high-profile affair.
“This female family chronicle serves as a bridge between two centuries, two eras and two societies, shedding light on the hidden lives of Balkan women. Female secrets touch on taboos such as sexuality, violence and mental health. What would...
- 2/21/2024
- by Marta Balaga
- Variety Film + TV
The best received of Spanish series at last month’s Málaga Festival, “Nights in Tefía” (“Las Noches de Tefía”) hit the festival with already strong buzz. The latest from Spain’s Buendía Estudios and SVOD service Atresplayer Premium whose titles also include “Veneno” and “Cardo,” “Nights in Tefía” proved a critics’ favourite. Written and directed by Miguel del Arco, a distinguished Spanish playwright and theater director, it turns on Airam Betancor who, living in Tenerife in 2004, recognises an old man shuffling down the street: Robles.
He’s the same man who, 42 years before, as a prison guard at the euphemistically named Tefía Penitentiary Agricultural Colony on Fuerteventura, another Canary Island, had beaten and tortured Airam as a teen inmate of the Francoist labor camp designed as a dumping ground for undesirables, from political dissidents to the socially unruly and homosexuals.
The sight of Robles, who has moved into Airam’s...
He’s the same man who, 42 years before, as a prison guard at the euphemistically named Tefía Penitentiary Agricultural Colony on Fuerteventura, another Canary Island, had beaten and tortured Airam as a teen inmate of the Francoist labor camp designed as a dumping ground for undesirables, from political dissidents to the socially unruly and homosexuals.
The sight of Robles, who has moved into Airam’s...
- 4/17/2023
- by John Hopewell
- Variety Film + TV
Malaga, Spain — “My Parents’ Great Bazar,” from “Ane is Missing” co-scribe Marina Parés, bio “Costus,” on the iconic Madrid Movida artists, and “Villa Futuro,” a queer old age drama from “Locked Up” star Alberto Velasco, all feature among eight winners of Tell Us the Stories That Nobody Tells, a diversity drive contest for movies and TV shows backed by Netflix and Dama, the Spanish audiovisual authors’ rights collection body.
Announced Wednesday at an awards ceremony hosted by the Malaga Film Festival, the winners of the competition, which forms part of the partners’ Cambio de Plano initiative, will receive €6,000 a piece.
Two will also get a teaser financed by Netflix and Dama. As importantly, the partners will pay for mentoring for the development of their projects from Daniela Fejerman, director of Malaga’s opening film, “Someone Who Takes Care of Me,” TV critic and screenwriter Bob Pop (“Maricón perdido”), screenwriter Valentina Viso,...
Announced Wednesday at an awards ceremony hosted by the Malaga Film Festival, the winners of the competition, which forms part of the partners’ Cambio de Plano initiative, will receive €6,000 a piece.
Two will also get a teaser financed by Netflix and Dama. As importantly, the partners will pay for mentoring for the development of their projects from Daniela Fejerman, director of Malaga’s opening film, “Someone Who Takes Care of Me,” TV critic and screenwriter Bob Pop (“Maricón perdido”), screenwriter Valentina Viso,...
- 3/16/2023
- by John Hopewell
- Variety Film + TV
Former top Vis exec Laura Abril has been appointed EVP of scripted and global business development at Buendía Estudios, producer of “Veneno,” “Cardo” Season 1 and “Offworld,” in a move which signals the large international ambitions of one of Spain’s key production powerhouses.
Abril will report to Ignacio Corrales, Buendía Estudios CEO.
Rising through the ranks at Viacom from 2009, Abril crowned her career at the studio as the highest-ranking international TV executive in Spain named in 2019 as head of ViacomCBS International Studios (Vis) for Europe, Middle East, Africa and Asia.
Launched in August 2020, Buendía Estudios has already scored heavily in creative terms, producing a Variety Best International TV Show in 2020 (“Veneno”), 2021 (“Cardo” Season 1) and 2022 (“Offworld”). In volume, in 2022, it produced seven series for streaming services, more than any other production house in Spain, according to a study by Madrid-based consultancy Geca.
Six of these were, however, for either Atresplayer Premium,...
Abril will report to Ignacio Corrales, Buendía Estudios CEO.
Rising through the ranks at Viacom from 2009, Abril crowned her career at the studio as the highest-ranking international TV executive in Spain named in 2019 as head of ViacomCBS International Studios (Vis) for Europe, Middle East, Africa and Asia.
Launched in August 2020, Buendía Estudios has already scored heavily in creative terms, producing a Variety Best International TV Show in 2020 (“Veneno”), 2021 (“Cardo” Season 1) and 2022 (“Offworld”). In volume, in 2022, it produced seven series for streaming services, more than any other production house in Spain, according to a study by Madrid-based consultancy Geca.
Six of these were, however, for either Atresplayer Premium,...
- 2/27/2023
- by John Hopewell
- Variety Film + TV
Atresplayer Premium, the burgeoning Ott service behind HBO Max hit “Veneno,” has renewed “The Gypsy Bride” (“La novia gitana”), whose Season 1, from “Penny Dreadful” director Paco Cabezas, world premieres at the San Sebastian Film Festival.
Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by Vis with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.
Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, is called in to investigate the torture and assassination of a young woman just before her wedding.
Channelling echoes of a Lorca tragedy, the series, shot with large visual ambition by Cabezas – mixing bold panoramics and hand-held camerawork...
Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by Vis with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.
Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, is called in to investigate the torture and assassination of a young woman just before her wedding.
Channelling echoes of a Lorca tragedy, the series, shot with large visual ambition by Cabezas – mixing bold panoramics and hand-held camerawork...
- 9/15/2022
- by John Hopewell
- Variety Film + TV
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