During one of the many flashbacks in “All the Light We Cannot See,” Marie-Laure (Aria Mia Loberti) sits with her great-uncle, Etienne (Hugh Laurie), as the aging Frenchman casts a line into the English Channel. Their fishing expedition is both a ploy and, well, a fishing expedition: They’re trawling for intelligence, not dinner, as Etienne describes the new boats docked nearby to his blind grandniece, who dutifully writes down whatever she’s told. Later, their reports will be shared with the Allies over the radio, but only if their cover, the fishing pole, masks their more critical tool: the typewriter. Nazi troops have taken over the small French town of Saint-Malo, and a cadre of Germans soon stumble upon their two-person operation. As an inquisitive officer demands answers from Marie, Etienne reaches into his tackle box for a makeshift weapon. If they don’t buy her story, he knows what must be done.
- 9/10/2023
- by Ben Travers
- Indiewire
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