Directed by
| John V. Soto | ||
Writing Credits (in alphabetical order)
| Anthony Egan | ||
| John V. Soto | ||
Cast
Produced by
| Sean Baguley | ... | executive producer |
| Deidre Kitcher | ... | producer |
| Kane Manera | ... | associate producer |
Music by
| Jamie Blanks | ||
Cinematography by
| Stephen F. Windon | ||
Editing by
| Jason Ballantine | ||
Production Design by
| Nigel Devenport | ||
Makeup Department
| Paul Katte | ... | special makeup effects supervisor |
| Nick Nicolaou | ... | special makeup effects supervisor |
| Vivienne Rintoul | ... | hair & makeup artist |
Production Management
| Liz Kearney | ... | assistant production manager |
| Jane Sullivan | ... | production manager |
Second Unit Director or Assistant Director
| Vikki Barr | ... | first assistant director |
| Claire Blake | ... | second assistant director |
| Michael Rautao | ... | third assistant director |
Art Department
| Ness Demaine | ... | art department co-ordinator |
| Damien Foley | ... | art department runner |
| Brandon Hendroff | ... | illustrations: MEG Group |
| Alexander Locke | ... | graphic artist |
| Jessica Surendorff | ... | art department assistant |
| Jess Tran | ... | set dresser (as Jessica Tran) |
| Beau Vance | ... | stand-by props |
| Monique Wajon | ... | set dresser |
Sound Department
| Leon Anderson | ... | adr recordist / foley editor |
| Glen Dillon | ... | sound recordist |
| Romain Drouillon | ... | French dubbing mixer |
| Dan Giles | ... | boom operator |
| Peter Miller | ... | sound designer |
Special Effects by
| Daniel Phillis | ... | special effects |
| Jeremy Shaw | ... | mechanical effects supervisor / pyrotechnician (uncredited) |
Visual Effects by
| Steve Anderson | ... | visual effects supervisor |
| Daniel Loui | ... | digital compositor |
| Filipe Marques | ... | digital compositor |
| Genevieve Serna | ... | digital compositor (as Genevieve A. Serna) |
Camera and Electrical Department
| Rusty Geller | ... | steadicam operator |
| Timothy Goodacre | ... | electrician |
| Justin Griffiths | ... | still photographer |
| Bruce Kentish | ... | fourth grip |
| David Maund | ... | dolly grip: "a" camera |
| Mark McCumber | ... | best boy |
| Melissa Ozich | ... | second assistant camera |
| Andrew Piercy | ... | third grip |
| Adrian Pinto | ... | video playback operator |
| Daniel Spriggs | ... | electrician |
| Gregory Stirling | ... | key grip |
| Nigel Tomkinson | ... | first assistant camera |
| Jean Vandermeiren | ... | gaffer |
| Daniel Walsh | ... | second assistant camera: second unit |
| Jordan Shields | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Lien See Leong | ... | costume standby |
Editorial Department
| Ellena Flikier | ... | colorist: dailies |
| Adrian Hauser | ... | digital film colorist |
| Michelle Kaszai | ... | post-production coordinator (as Michelle Junee) |
| Matthew Ozerski | ... | first assistant editor |
| Justin Ngy Tran | ... | digital intermediate on-line editor |
Music Department
| Kim Green | ... | music supervisor |
Script and Continuity Department
| Greg Woodland | ... | script editor |
Additional Crew
| Louis Byrne | ... | assistant to director |
| John Fairhead | ... | safety report / safety supervisor |
| Stuart Monksfield | ... | project manager |
| David Pollison | ... | acquisition consultant |
| Sam Winzar | ... | data wrangler |
