A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.A young cop is assigned to a precinct in the working class neighborhood where he grew up, and an old secret threatens to destroy his life and his family.
- Awards
- 1 nomination total
Simone Joy Jones
- Young Vicky
- (as Simone Jones)
Lemon Andersen
- Geronimo
- (as Lemon Anderson)
Peter Anthony Tambakis
- Dispatcher Numnuts
- (as Peter Tambakis)
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
THE SON OF NO ONE implodes under its own weight. It is another variation of the tired good cop/bad cop theme and the sins of childhood theme. Despite the presence of a heady cast of high profile actors this story just never takes off. Perhaps that is partially due to the fact that the lead actor role is given to Channing Tatum who though he does show some gradual improvement in learning his acting skills remains a one dimensional character on the screen.
To keep it short, the plot can be condensed as follows: rookie cop Jonathan 'Milk' White (Channing Tatum) is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain (Ray Liotta) starts receiving anonymous letters about two unsolved murders that happened many years ago in the housing projects when Jonathan was just a kid. A reporter (Juliette Binouce) sees the letters as evidence for an inside cover-up of the two murders from Jonathan's childhood and a detective (Al Pacino) leads the 'investigation' with the corroborated intent of cover-up of police action. There are scenes of flashback to when the murders occurred and the perpetrator is indeed Jonathan as a kid (Jake Cherry) whose only friend is young Vinnie (Brian Gilbert) - the victims were abusive junkies but Jonathan has never been able to forget the gruesome facts. We jump back and forth in time: Jonathan is happily married to Kerry (Katie Holmes) and they have a loving daughter with petit mal seizure disorder. As the investigation proceeds Jonathan fears for his family's safety and for the safety of his old friend Vinnie (now Tracy Morgan). The ending is predictable and far too prolonged.
Despite the presence of Binoche, Pacino, Liotta and Holmes (and a group of very talented youngsters who play the leads as children) the story is just too drawn out and predictable and filled with violence to make it work. Dito Montiel wrote and directed.
Grady Harp
To keep it short, the plot can be condensed as follows: rookie cop Jonathan 'Milk' White (Channing Tatum) is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain (Ray Liotta) starts receiving anonymous letters about two unsolved murders that happened many years ago in the housing projects when Jonathan was just a kid. A reporter (Juliette Binouce) sees the letters as evidence for an inside cover-up of the two murders from Jonathan's childhood and a detective (Al Pacino) leads the 'investigation' with the corroborated intent of cover-up of police action. There are scenes of flashback to when the murders occurred and the perpetrator is indeed Jonathan as a kid (Jake Cherry) whose only friend is young Vinnie (Brian Gilbert) - the victims were abusive junkies but Jonathan has never been able to forget the gruesome facts. We jump back and forth in time: Jonathan is happily married to Kerry (Katie Holmes) and they have a loving daughter with petit mal seizure disorder. As the investigation proceeds Jonathan fears for his family's safety and for the safety of his old friend Vinnie (now Tracy Morgan). The ending is predictable and far too prolonged.
Despite the presence of Binoche, Pacino, Liotta and Holmes (and a group of very talented youngsters who play the leads as children) the story is just too drawn out and predictable and filled with violence to make it work. Dito Montiel wrote and directed.
Grady Harp
The best part of the movie is the cast: both adults and children are great , although it seems to me Channing Tatum has had better roles than this. I liked most Al Pacino as Detective Stanford and Jake Cherry as young Jonathan "Milk" White, but the others were also equal to their task.
Directing and especially plot leave a lot to be desired. Background obsessing/pestering is always there, but some turns are strange and illogical. The solution scene is good (although nothing special), but the very ending is rather disappointing. When the credits appeared I just realized that I had seen another oppressive movie with the aim to let the viewers ponder upon guilt, forgiveness, remorse and other differently perceived feelings.
Directing and especially plot leave a lot to be desired. Background obsessing/pestering is always there, but some turns are strange and illogical. The solution scene is good (although nothing special), but the very ending is rather disappointing. When the credits appeared I just realized that I had seen another oppressive movie with the aim to let the viewers ponder upon guilt, forgiveness, remorse and other differently perceived feelings.
"You can hate me all you want, but your a free man." When rookie officer Jonathan White (Tatum) is assigned to the precinct where he grew up letters start showing up that mention two unsolved murders. When the letters remind White of his past he is stuck between trying to uncover who is sending them and covering up his involvement. I am a huge Pacino fan and that is the reason I wanted to watch this. The trailer looked OK but anything with him I will watch. He was great in this. That about it. The movie was very slow and had a 5 minute idea that they kept repeating over and over until you either struggle through or end up finishing just to see the ending. I will admit that the last ten minutes makes it worth watching, but getting to that part is a real struggle. Any scene without Pacino or Liotta lacks emotion and you have a hard time caring for White at all. Tracy Morgan is actually not bad in a dramatic performance but overall this is one of the biggest disappointments of the year. I give it a C-.
I was reading some reviews on this movie and pretty much ignored them because of all the star power. In the end the critics were right about this movie. Every actor in this movie looked out of place and not interested in the part they were playing.
Let's start with the younger kids in the flash backs. Overall, the acting was very poor from the younger generation in this film, Channing Tatum younger barely spoke and when he did it didn't seem real. Maybe, I was thrown off here because Tracy Morgan and Channings younger didn't even come close to resembling the adults.
I don't think anyone read the script before accepting the gig. Throwing a lot of great actors together for a crime thriller sometimes doesn't work and this is one case where it failed. Poor story, poor direction, and just downright bad acting by a lot of the big names in this film starting with Channing Tatum. If someone could turn back the clock this movie would of never made it past the green light.
Let's start with the younger kids in the flash backs. Overall, the acting was very poor from the younger generation in this film, Channing Tatum younger barely spoke and when he did it didn't seem real. Maybe, I was thrown off here because Tracy Morgan and Channings younger didn't even come close to resembling the adults.
I don't think anyone read the script before accepting the gig. Throwing a lot of great actors together for a crime thriller sometimes doesn't work and this is one case where it failed. Poor story, poor direction, and just downright bad acting by a lot of the big names in this film starting with Channing Tatum. If someone could turn back the clock this movie would of never made it past the green light.
'THE SON OF NO ONE': Two and a Half Stars (Out of Five)
I was severely let down by 'THE SON OF NO ONE'! I'm a fan of the filmmaker Dito Montiel, who wrote and directed the film, and I like most of the cast. Montiel also helmed two other urban dramas 2006's 'A GUIDE TO RECOGNIZING YOUR SAINTS' (which was pretty good) and 2009's 'FIGHTING' (which I absolutely loved). Those films both starred Channing Tatum, like this one does, so Tatum appears to be Montiel's go to guy. 'SAINTS' also starred Shia LaBeouf and Robert Downey Jr. though (who made the movie) and 'FIGHTING' also starred Terrence Howard (who turned in my favorite performance of that year!). This one co-stars Al Pacino, Ray Liotta, Katie Holmes, Juliette Binoche and Tracy Morgan. With all that talent and what Montiel has already delivered us I expected a lot more from this film. Instead we get a routine cop movie with weak pacing and an unsatisfactory ending. The cast is still good but there was potential for so much more!
Tatum plays Jonathan White, a young police officer with a wife, Kerry (Holmes) and sick daughter, Charlie (Ursula Parker). Early on in the film he's assigned to a precinct in Queens where he grew up. He and his fellow officers also start receiving mysterious letters from an anonymous writer bringing up a cold case from 1986 which accuses a police officer of covering two murders up. Jonathan is troubled by these letters as they remind him of haunting memories from his past and may jeopardize his future. He tries to figure out who's sending the letters as we see the horrors he and another childhood friend experienced at the time through flashbacks.
The movie is nicely stylized and appears to be moving, suspenseful and mysterious but it never quite makes any sense. Like I said the acting is all decent, especially the young boy who plays Jonathan as a kid (Jake Cherry). I like Tatum, I don't think he's a great actor but he can be likable in the right role. Here he's decent, well cast and does the best he can but has nothing really to work with. Pacino and the others are all as good as they can possibly be as well. The blame lies solely with Montiel for the movie's failures, mainly just his weak script. A few more rewrites really could have worked wonders for this movie and next time these talented actors shouldn't sign on so quickly. Hopefully Montiel will learn from his mistakes and be back to what he does best with his next film.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=rje99p8QSz8
I was severely let down by 'THE SON OF NO ONE'! I'm a fan of the filmmaker Dito Montiel, who wrote and directed the film, and I like most of the cast. Montiel also helmed two other urban dramas 2006's 'A GUIDE TO RECOGNIZING YOUR SAINTS' (which was pretty good) and 2009's 'FIGHTING' (which I absolutely loved). Those films both starred Channing Tatum, like this one does, so Tatum appears to be Montiel's go to guy. 'SAINTS' also starred Shia LaBeouf and Robert Downey Jr. though (who made the movie) and 'FIGHTING' also starred Terrence Howard (who turned in my favorite performance of that year!). This one co-stars Al Pacino, Ray Liotta, Katie Holmes, Juliette Binoche and Tracy Morgan. With all that talent and what Montiel has already delivered us I expected a lot more from this film. Instead we get a routine cop movie with weak pacing and an unsatisfactory ending. The cast is still good but there was potential for so much more!
Tatum plays Jonathan White, a young police officer with a wife, Kerry (Holmes) and sick daughter, Charlie (Ursula Parker). Early on in the film he's assigned to a precinct in Queens where he grew up. He and his fellow officers also start receiving mysterious letters from an anonymous writer bringing up a cold case from 1986 which accuses a police officer of covering two murders up. Jonathan is troubled by these letters as they remind him of haunting memories from his past and may jeopardize his future. He tries to figure out who's sending the letters as we see the horrors he and another childhood friend experienced at the time through flashbacks.
The movie is nicely stylized and appears to be moving, suspenseful and mysterious but it never quite makes any sense. Like I said the acting is all decent, especially the young boy who plays Jonathan as a kid (Jake Cherry). I like Tatum, I don't think he's a great actor but he can be likable in the right role. Here he's decent, well cast and does the best he can but has nothing really to work with. Pacino and the others are all as good as they can possibly be as well. The blame lies solely with Montiel for the movie's failures, mainly just his weak script. A few more rewrites really could have worked wonders for this movie and next time these talented actors shouldn't sign on so quickly. Hopefully Montiel will learn from his mistakes and be back to what he does best with his next film.
Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=rje99p8QSz8
Did you know
- TriviaRobert De Niro was cast as Detective Stanford, but was replaced by Al Pacino.
- Quotes
Loren Bridges: Tampered evidence is wasted evidence
Officer Thomas Prudenti: Yeah... You realize it's not actually evidence untill someone gives a fuck about this?
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #2.16 (2011)
- SoundtracksMy Maria
Written by Louis C. Stevenson, Daniel Joseph Moore
Performed by B W Stevenson
Published by Universal Music Publishing Group (ASCAP)
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Music Group Film & TV Licensing
- How long is The Son of No One?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Đứa Con Bị Bỏ Rơi
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $30,680
- Opening weekend US & Canada
- $18,015
- Nov 6, 2011
- Gross worldwide
- $1,091,132
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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