The Quiet Girl (2022) Poster

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8/10
Stay with it
gsygsy11 May 2022
Well written, beautifully directed and sensitively performed, this ends up being a deeply moving film. Director Colm Bairéad keeps his nerve as far as pacing is concerned, and as a result I expect there'll be some who find this too slow-moving for their taste. But stay with it. It's worth it.

I've never been the kind of moviegoer who wonders what happens to the characters after the film has ended, but it's difficult not to speculate in that way after The Quiet Girl's extraordinary final moments.
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8/10
A Quiet Beauty
billcr1225 October 2022
Catherine Clinch stars here as Cait, a girl of about ten who is sent to live with an older childless couple in rural Ireland. The biological mother and father are unfit parents with a brood of children living in a filthy and unkempt house.

Mom is expecting another child to add to her flock and the foster couple grow more and more attached to the quiet girl.

Two thirds of the way in, a terrible secret is revealed and it only deepens the attachment of Cait and her guardians.

Most of the film is in Gaelic with a few portions in English. The subtitles work fine but some of those spoken in English were difficult to understand.

The scenery is beautiful and story a tear jerker. The pretty young actress is a scene stealer.

I expect an Oscar nomination for Best Foreign Picture.
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9/10
First time I have ever given a 9 to a film
Boristhemoggy25 January 2023
Don't expect revelations, or furious action, or debauchery and violence. This is a slow burner but I sat rapt from the start til the closing credits.

There is so little dialogue, and yet more said than most films despite the paucity of words. Some of the scenes are like art. You want to stop the film and just look at it. It says so much in one shot or one scene, even if nothing is said.

The main star of the film is Catherine Clinch who has never been on screen before. But the entire film uses her as a foundation and she shoulders it perfectly. She only had to move her head, or her eyes, or close her mouth and instantly you knew what she was feeling.

And that's what the film's about, feeling. I believe the story will resonate with every single person who sees it.

It will also leave you desperate to know more, what happened afterwards, the feeling is in the pit of your stomach as the scene fades and the credits roll.

This film will be in time, a classic.
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10/10
A masterpiece
nickphelan-2574817 May 2022
Quite simply, the best Irish movie, I've ever seen. Not just Irish language but Irish! Sublime cinematography, direction and acting. Based on Claire Keegan's book Foster, this tells the story of Cait a withdrawn little girl from a poor big rural family who during her mother's latest pregnancy is packed off to live with a older rural couple who are relatives. Catherine Clinch is a revelation as the title character and Carrie Crowleyis her usual reliable self and Andrew Bennett in his role as the taciturn substitute father developing a relationship with Cait who delivers a powerful emotional punch. This movie had me welling up unexpectedly a number of times and there are so many nostalgic moments in relation to late 70s early 80s Ireland in relation to tv, sport and clothes. It is a joyous film that I cannot recommend highly enough it hypnotised me . I'm not staying quiet about this!
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10/10
An Cailín Ciúin
alex-oceallaigh26 February 2022
Watched this lovely film at the Virgin Media Dublin International Film Festival 2022.

I know it's only February but this is the best film I've seen this year. If you ever get a chance to watch 'An Cailín Ciúin' in the future, seize the chance.
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9/10
Through the Eyes of a Child...
Xstal19 September 2022
Imagine what you'd do, a young child where there's a few, in a rural Irish setting, father likes drinking and betting, mam's another on the way, so they send you far away, to relations you don't know, you have no say, you have to go.

Occasionally you come across a piece of cinema that leaves you stunned, buckled and undone; when performances and story, within a time and a place, just flow so elegantly and refined, against the most inelegant and unrefined backdrops.

If you have a heart, and a soul, an ounce of empathy, and a pathway from a screen straight to them, then prepare to be walloped by this heartfelt offering from the Emerald Isle.
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10/10
An Instant Classic
dowling-4266314 May 2022
Sometimes, maybe once in a decade or so a movie comes along and you can't shake it from your mind. I feel this movie is going to be with me for a very long time. It proves you dont need big Hollywood budgets to make a classic. Beautifully directed and superb acting.
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7/10
Subtle, heartwarming, perfectly constructed
beatrice_gangi3 January 2023
It is not so unusual to witness family situations in which parents treat their children as burdens, oblivious to their responsibility for bringing them into the world. Or of the reason why they did it. The discourse on parenting is precisely the film's pivotal element, and it is carried out gracefully. The Quite Girl is not an original film, or particularly entertaining, but it succeeds in offering a perfectly constructed story from beginning to end. It certainly conveys a great love for cinema and its language, this in the attention and subtle use of detail, in the beautiful cinematography and in the image construction. An outstanding piece of work indeed.
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10/10
Wonderful
hawthornd20 May 2022
An Cailín Ciúin has a slow almost boring start but you soon discover that this is very deliberate by the film maker. The film, and Cait, come out of themselves when they spend the summer at her mother's cousin's house.

There really isn't a big story here but a strong one, beautiful film making and performances from all involved drag the audience in.

At 90 minutes it's perfectly timed but you're left needing to know more.
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7/10
Beauty lies in its quietude
SoumikBanerjee19961 March 2023
A film whose beauty, whose eloquence, resides in its tranquillity, in its quietude; a narrative that demonstrates markings of brilliance and poise, as well as an articulated understanding of the art form in its simpler exposition, a screenplay that seems to compensate for its uneventfulness with similar, if not more effective components of drama and perceptible emotions! It talks less but shows so much more!

I'm one of those people who argue strongly that a child's upbringing is the key to his or her future and character traits and this story encapsulates the very same notion, the same argument with irrefutable insight and perseveration.

While blood relations are important for a child's learning and development, not every parent is qualified to take on the tasks and responsibilities that tag along. The sooner the commoners who are confined by societal norms realise this, the better it is for the countless children who yearn for love and attention!
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8/10
The Quiet Childhood!!!
li090442621 January 2023
The movie "The quiet girl" is an exceptional piece of drama. Beautifully adapted from Claire Keegan's book "Foster," writer/director Colm Bairéad makes a heavy, harrowing movie about the influence of a dysfunctional and neglected family in the development of a child.

Cáit (Catherine Clinch) is a little girl who spends most of her time quietly on her parent's farm. She feels the disdain of her family who is going through financial difficulties, she doesn't get along with her sisters and she is bullied at school, which affects her ability to read and write. Her parents then decide to send her away to spend some time with her aunt's family. As soon as Cáit arrives at the new residence, she begins to discover the true feeling of a family environment. That's when director Colm Bairéad shines, through small gestures and details, he manages to convey Cáit's blossoming, the feeling of existing and being loved, and at the same time shows the healing process of her uncles' tragedy.

This is a beautiful movie about discovery, healing and miserable childhood.
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Deceptively simple, yet profound
gortx1 February 2023
Writer-Director Colm Bairead's tender, deceptively simple adaptation of Claire Keegan's short story is a beautifully told tale. Set in the early 80s in Ireland, QUIET GIRL tells of a shy young girl, Cait (Catherine Clinch), who is sent away by her financially strapped parents for the summer while her family prepares for a baby to be born. Her Da (Michael Patric) calls Cait 'the wanderer' for her tendency to withdraw and to go off by herself. Cait stays with Ma's (Kat Nic Chonaonaigh) older cousin Eibhlin (Carrie Crowley) who lives with her husband Sean (Andrew Bennett).

Cait's natural introvertedness combined with the new surroundings makes for an uneasy transition. Over time, Eibhlin and Sean slowly break down that wall and they start to bond. Eibhlin and Sean are also firmly middle-class which further softens the awkward surroundings for the young girl who they endearingly call 'pet'. The surrogate parents assure Cait that there are no 'secrets' in their home. It's to the film's credit that when that promise is broken, it's done in a most gentle yet illuminating manner.

Bairead's spare but finely observed writing and direction is ably matched with the cast, in particular Crowley and Bennett who give sublty effective performances. Clinch perfectly suits the title role with an uncommon sense of stillness when necessary, while also being able to deliver in the more emotional ones. The movie is framed in the old fashioned 1:37 aspect ratio to suit the intimacy of the story, while still giving room to show the picturesque Irish landscape during the long drives to and from the two homes.

THE QUIET GIRL may, at times, feel a bit slight, but, be careful, it shall sneak up on you if allow it to unfold at its own lovely pace. It's a story that stealthily becomes so much more deeply felt that what's appears on the surface.
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7/10
The Quiet Girl
jboothmillard22 April 2023
Warning: Spoilers
Mark Kermode said very positive things in his review for this Irish film, and it was rated well by the Radio Times, apart from the title making it obvious what it was about, I didn't know any proper details, but I was up for it. Basically, set in 1981, nine-year-old Cáit (Catherine Clinch) lives with her impoverished and neglectful parents and many siblings in rural Ireland. She struggles to fit in at school, and her mother (Kate Nic Chonaonaigh) is pregnant again. The parents decide to send their quiet daughter away for the summer to live with middle-aged distant cousin Eibhlín Kinsella (Carrie Crowley) and her husband Seán (Andrew Bennett). Cáit arrives at the Kinsella (Cinnsealach) home, on a dairy farm, with no luggage, with Eibhlín immediately welcoming her. In a few days, she is shown love, and taught how to do chores around the house and farm. Eibhlín shows Cáit a well on the property, claiming that the water has healing powers, but warns to be cautious when retrieving water from it. Eibhlín says not to speak of it and Cáit asks, "Is it a secret?", to which Eibhlín responds that there are no secrets in the household, everyone tells each other everything. Eibhlín places Cáit in a spare bedroom, and fearing adults entering, she gets scared and wets the bed. Initially, Eibhlín dresses her in boys' clothes from a wardrobe in the bedroom. She later buys Cáit new girls' clothes. Seán is withdrawn and is initially cold towards his foster daughter. One day while Eibhlín is away, Cáit helps Seán with jobs on the farm, including cleaning the milking parlour. While he is occupied, Cáit wanders off. Once Seán notices her absence, he panics and searches for her on the property. He eventually finds her but scolds her and orders her to never wander off again. Cáit runs, frightened by his sudden anger, back to the house. Seán apologises and starts to try and bond with Cáit. He encourages her to run and fetch the mail, praising her for her speed, and this becomes a pleasant ritual. She slowly opens up to Seán, and the two become close. One day, the Kinsella family attend a wake. Eibhlín and Seán want to comfort their friends at the event but see Cáit getting restless. A gossipy neighbour (Carolyn Bracken) offers to look after her for a few hours, Eibhlín hesitates but agrees. While the woman and Cáit walk together, the woman reveals that the Kinsellas had a young son who drowned in the slurry pit some years ago. When the Kinsellas pick Cáit up from the neighbour's house, they notice her withdrawn demeanour and ask what the neighbour said to her. Cáit tells them the truth, they are visibly upset but they do not deny it. Over a month into her stay, Cáit's mother has given birth and has requested for her daughter to return home in time for the start of the school year. Cáit, Eibhlín and Seán each express sadness at having to say goodbye. Cáit sneaks off to the well to fetch water but falls in, overwhelmed by her rapidly filling bucket. Cáit manages to get out, a distressed Eibhlín searching for her finds her soaked and shivering, and she develops a cold. A few days later, Eibhlín and Seán drive Cáit back to her home. Her mother barely acknowledges her daughter's return, and her father (Michael Patric) shows anger when she sneezes. The adults have a conversation that becomes tense, with Eibhlín telling Cáit's parents that the girl is welcome to stay with them at any time. They reluctantly bid farewell to Cáit and begin to drive off. While watching the car disappear down the long driveway, Cáit suddenly sprints toward it. She manages to catch up to the couple when Seán stops to close the gate. Cáit and Seán hug while Eibhlín is sobbing in the car. Cáit looks over Seán's shoulder and sees her angry father approaching. She says "Daddy" to alert Seán, there is a brief pause, and she says "Daddy" again. Also starring Joan Sheehy as Úna, Tara Faughnan as Sorcha, Neans Nic Dhonncha as Gráinne, and Eabha Ni Chonaola as Aoife. Crowley and Bennett are good as the foster parents, but young Clinch gives the most powerful expressive performance as the shy girl who only says a few words. It is a simplistic story of a girl taken out of a bad situation who gradually comes out of her shell being shown the love she has been neglected, it is interesting when the characters speak both English and Irish language, and it does get you emotionally at the right moments, a gentle but most watchable coming-of-age drama. Very good!
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5/10
Underwhelmed
stephen-63525 July 2022
I read the rave reviews on IMDB and other places, however I wish I would have been more impressed.

The story seemed far from remarkable and the pace is terribly slow, in fact there is really not much to comment on of any note.

All of the actors did their bit and yes, there was a subtlety in exploring developing relationships. The photography was lovely and the sense of period was well done, but basically nothing much happens throughout. I wish I could be more enthusiastic, but it was dull.
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9/10
Such an exceptional piece of filmmaking
Behnam-A7 January 2023
I start with the story. This movie is an eye-opening wonderfully made piece of art about the most precious things in life. The movie demonstrates the importance of kindness, love, and care which you may not be aware of unless you lose them. That is one aspect of the story. Another important aspect of the story is children's problems in integrating with the environment, even with their own family, based on their personality. To have a different personality could be hard and gets amplified in a toxic family. The aspect of a toxic family, especially toxic parents has been presented as masterfully as possible. I won't explain the details to avoid spoiling the movie.

Storytelling is straight. Minimum metaphors and vague scenes have been filmed, maybe zero. Also, the movie does not include any form of parent love cliches which is a strong point in my opinion. You hardly find any unnecessary moments in the film and the scenes are sequenced perfectly. However, there could be some extra time for the girl's biological family. Other than that, everything is great. The story will get you right to the end which is emotional and lovely.

The cinematography is perfect as well. Excellent facial close-ups and sceneries help build up the atmosphere for different parts of the story. The performance is superb. You will accept the actors as their characters without doubt and cannot expect a better performance or cast. Especially the little girl is excellent.
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10/10
Stunning
michelledennehy20 May 2022
Beautiful film that has a quiet gentleness about it. It allows the viewer time to absorb all the little nostalgic details. There are sequences when nothing much happening like the girl is sitting in the back seat of her dad's car looking at the sky & it took my right back to what that feels like- to be a child and to just stare at the clouds & daydream. Such wonderful performances by all especially the young lead actress. Excellent cinematography, direction & set design. Bravo to all concerned. Maith sibh! Go see it on the big screen - it is good for the soul!
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10/10
Transformative power
Royce-murphy117 May 2022
A quiet voice often speaks louder than those trying to drown it out. I will go to the cinema to sit back and be entertained, but I often go to experience lives lived in other circumstances. Roger Ebert referred to cinema as a machine for generating empathy, and this film is a wonderful example.

The film takes a child's-eye view of the world, much like Petit Maman. This film, however, gave me a real sense of place. The thoughtfulness with which it constructed the home the girl left and the home at which she arrived was the frame within which a beautiful story played out.

In the cinema, the aspect ratio changed from wide screen in the trailers to a box view. It gave me pause. Why would the director choose to constrain views of the Irish countryside? Within seconds, all I cared about was the people in focus.

As the story unfolds, motivations become clear, and behaviours, which seemed odd at the beginning, make sense. The lead actor and director allow the flower to open slowly. The transformative power of love is there to see, but it does require patience and care.

All you needed was a bit of mindin'
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10/10
Beautiful
tonyandsilvia199421 September 2022
Warning: Spoilers
There are times when an image or a scene from a movie stays with you. And often, it's not the bangs, crashes or stunts that live long in the memory, it's the simple things, done almost anonymously that linger.

The Quiet Girl is an absolute delight. Shot in a very un-obtrusive and realistic way, it tells the story of Cait who is sent to live with some relatives as her mother prepares to have yet another baby. At home, times are hard, she doesn't quite fit in, and it's obvious she's struggling at school.

The difference in the attention and love shown towards her with her temprorary family is is painfully obvious, and the delight that Cait takes in learning some of the most mundane tasks, like vacuuming and peeling vegetables, is beautiful. You see, it's just that no one has ever taken the time with her before to do these simple tasks. And that is heartbreaking.

I could wax lyrical about this film for hours, but won't. I just urge you to give this a try. The main performances from Catherine Clinch,Carrie Crowley and Andrew Bennett are perfection. Understated and real.

And that scene I mentioned at the start? A biscuit being left on a kitchen table made my heart sing.
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7/10
The Quiet Movie
TigerHeron29 April 2023
This is a poignant movie but I think it probably worked better as a short story, which I think was the original format. It's slow moving and there aren't any real surprises. It has literary touches such as irony and a subtle repeating motif. It's a grim indictment of Irish poverty. It has a classic short story format; there's a main character and we get to know her during an episode in her life. There isn't a plot per se but rather interactions between characters in a few settings. It's mostly in Gaelic with subtitles, although it's partly in English and these lines are also subtitled. Subtle gestures in the film are evocative of the themes.
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10/10
Beautiful
prylands-389-56748017 May 2022
Wonderfully understated and yet filled with a million moments that will resonate - the difficulties of saying what you feel, of leaving the past behind, of understanding and being understood. It brought to my mind thoughts of the many kindnesses I have been shown in my life and I found it very moving.

Nicely shot, often from a child's point of view, it takes the hurt of adult life and suggests that there is always something special to be found in giving people a chance. A simple film that says so much.
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7/10
Comes Close But Feels a Little Thin
brentsbulletinboard1 March 2023
Truly affecting domestic dramas are among my favorite types of films, and writer-director Colm Bairéad's debut narrative feature takes a noble stab at the genre, one that's tender and moving but that doesn't quite land itself in masterpiece territory. Set in rural Ireland in 1981, this film, whose dialogue is mostly in Irish Gaelic, tells the story of a misunderstood young girl, Cáit (Catherine Clinch), whose dysfunctional family can't be bothered with her, so she's sent to live with her mother's relatives for the summer until Mam delivers yet another child who's likely to be just as unwanted as she is. While separated from her parents and siblings, however, she discovers a whole new way of living - and loving - with people whom she's never met. And her presence in their household does much to rejuvenate their lives as well, a relationship that benefits all concerned - that is, until it's time for Cáit to return home. The emotions stirred here are indeed palpable, but the narrative is a tad thin, requiring the picture to be embellished with plenty of gorgeous nature shots, emotive closeups and a heart-tugging background score to shore up the lean aspects of this offering. There's certainly nothing wrong with any of that; in fact, it provides viewers with more than most other comparable releases supply. However, as an offering that earned best foreign language/international film nominations at both the BAFTA Awards and the Oscars, I expected more, a film that would truly have me more engaged and potentially on the verge of tears at any time, goals that came up a little short. It certainly raises important issues related to child neglect and emotional abuse, and it shows that change is possible where such circumstances prevail, but it just didn't grab me that way I would anticipate a picture like this should. Enjoy it, but don't be disappointed if it doesn't live up to your expectations as well.
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8/10
A stunning movie
steveinadelaide21 September 2022
Based on the renowned story, Foster, by Claire Keegan, THE QUIET GIRL is an exquisite and heart-wrenching Irish drama set in 1981. The film follows 11-year-old girl, Cáit (Catherine Clinch) who is sent to live with foster parents for the summer after her dysfunctional family life becomes too much to handle. Maeve quickly falls in love with the bucolic setting and her foster parents but discovers a troubling secret that threatens to destroy the idyllic world she has found herself in.

THE QUIET GIRL is an incredibly moving film that deals with some very heavy themes in a sensitive and beautiful way. Director Colm Bairéad has crafted a visually stunning film that is anchored by amazing performances, especially from Clinch who is a revelation in the lead role. It is slow-paced and consistently riveting, with a payoff that is both devastating and beautiful. It has won many awards and has become the highest grossing Irish-language film of all time.

THE QUIET GIRL is a must-see movie for anyone who appreciates great filmmaking. It is a beautiful, heartbreaking, and hopeful film that will leave you deeply affected. Highly recommended.
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One of the best movies last year, and an Oscar nominee.
JohnDeSando13 March 2023
"All you needed was some minding." Eibhlin (Carrie Crowley)

Cait (Catherine Clinch)is an Irish 9-year-old in 1981, neglected and quiet even more than that age usually allows. Shuffled off to a distant relative's home for the summer, she discovers a loving care rarely seen in real life and not in contemporary dysfunctional-family-obsessed cinema.

This quiet farm is smallholding in rural '80's Ireland, for the work is daily and hourly mostly by Sean (Andrew Bennett), the middle-aged foster parent, whose quiet affection for Cait is the film's warm surprise. Providing Cait with her first and most powerful affection is his wife, Eibhlin, who has lost a young son to at tragic accident and shows all how fine a mother she was meant to be.

It's the small stuff that show the real love-peeling potatoes and running for the mail, for example. In fact, nothing grand happens in this Oscar-nominated film, more in the Seinfeld tradition than Guardians of the Galaxy. Controversy is small as well, for example, a little face-off about rhubarb.

Each frame exudes a care that transforms the quiet adolescent into a loving companion for the older couple. Mind you, it is minimalism in its pure form: we can infer from conversation and small acts the depth this burgeoning love is going to.

The Quiet Girl is an Irish treasure, where the small acts breed love like cleaning the dairy floor with a smile. Mix that in with writer-director Colm Bairead's choice of green Irish landscape and ancient farm houses and you have an intensely satisfying drama that will delight cinephiles and introduce the rest to a quiet tale about a quiet girl.
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7/10
A sad depiction of Irish culture
colros-763041 June 2022
Ii went into this movie knowing absolutely nothing Irish culture is changing. People are speaking more. Eibhlin, one of the main characters, states that there is no secrets in this house, secrets indicate shame. Irish people have a learnt behaviour from oppression of keeping things to themselves and not speaking out. This internalises trauma and saddens our psyche which is very well depicted. Every character we meet is severely traumatized or sad. A good movie, but I'd like to watch an Irish movie with more joy next time.
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4/10
Fantastic performances, but not really entertaining, hence my low rating.
paulclaassen20 February 2023
Warning: Spoilers
'The Quiet Girl' has such a simple premise. From an analytic perspective, there's probably much to read between the lines here. But from an entertainment perspective, I'm sorry to say I wasn't all that entertained by this multi award winning film.

The Quiet Girl in question, is 9-year old Cait (Catherine Clinch) from a poor family. When her mother becomes pregnant again, it is decided that Cait goes to live with a distant cousin, Eibhlin (Carrie Crowley) and her husband Sean (Andrew Bennett) for the summer.

There's not really much happening here apart from witnessing each character's emotions as Eibhlin and Sean teaches Cait the daily chores of farm life. Sean is initially hesitant to connect with Cait, but eventually does become fond of her. The performances from the small cast are fantastic, and definitely the driving force behind this slow and simple film. The actors conveyed so much with a simple expression.

The 'secret' Cait discovers according to the film's synopsis, is not really a secret at all. It simply is a tragic incident that happened to Eibhlin and Sean, and one of which they don't easily talk about.

The only gooseflesh moment came right at the end of the film, when one realizes how badly Cait wants a loving home, and my heart broke for this innocent little girl. In general, though, I found the film a bit on the boring side.
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