Perhaps I'm jaded, but I wasn't blown away by this installment. It wasn't bad, but it's another one that was missing a touch of oomph or chutzpah. The scene of the security box(?) being airlifted out of the taskforce HQ felt like something meant for a Bond movie, or a cartoon. Perhaps from setting that wasn't the FBI building, it wouldn't have felt too over the top. The appearance of Teddy and his wife Edna was delightful. The actors did great with the material. Townsend is still a hollow villain filled with a dull bark but over exaggerated and unconvincing bite. I don't think it's the writing so much as it is this actor wasn't right for the part, but I'll be glad when the show is finally rid of him.
Elizabeth forever seems oblivious about the gravity of her situation. Red clearly means her no harm. She killed Anne right in front of him and he never so much as mentioned it to her. Townsend is supposedly the most dangerous person ever. He had Liz's group of "super friends" killed, but she is so sold on the breadcrumbs of vague information from the woman who claimed to be Katarina, that she opts to reach out and offer Townsend her help AGAIN rather than cooperate with Red. Red who wants to protect her. Red who wants to tell her everything. At the very least, anyone else on earth would be curious enough to stop sabotaging the man long enough to hear him out. Not Elizabeth, nope. I'm not angry that she opposes dealing with Red. I wasn't nearly this irritated with Liz when she got Red imprisoned and put on death row. It's the way she has been written for the better part of two seasons adding to my argument that she's more of a plot device than a character. Are women THAT hard to write? I could give the showrunners several strong, complex, conflicted fictional females to study spanning many genres of television. For all the flaws, BTVS got so much right in regards to our vampire slaying heroine, while The Blacklist's Liz has become a study of what NOT to do.
Back to the show, Red has decided to tell Elizabeth everything. While I strongly detest Liz's actions this season, I do feel Red let things go too far from his end. We can blame the writers or network or studio for this. The powers that be really hate giving out answers while the show still has a big audience, and instead likes to shed half the audience and force some shark jumping before spilling the beans. Season 3: Red could have told Liz the truth while she was pregnant, this may have helped her understand Red's role in her life and decide how to proceed for the sake of her and her child. Season 4: Red could have told her after the drawn out kidnapping of Agnes, so she could know what potential dangers truly lurk and perhaps she'd make future decisions accordingly, same for after the Kaplan ordeal and the DNA test that said he was her father. Season 5: Red could have told Liz after Tom died in an effort to build trust as they teamed up to track down Ian Garvey. Season 7: He could have told her once the woman claiming to be Katarina made herself known. That's just ideas off the top of my head.
There were ample logical opportunities, none which would have felt forced or "too early" for Reddington to tell Liz something. Not necessarily everything, but anything meaningful enough to assure her he has always had her best interests at heart, that he truly means it when he says the last few decades of his life has been about protecting her. But no, a whole lot of people had to die before Red decided too much had happened and the truth must come out. I highly doubt the truth will make us say "Gee, golly Red! It was so worthwhile to keep quiet about that! I also totally forgive Liz's descent into ungodly stupidity!" especially after the incredible damage done to Liz's character this season, even more so if it's all been in an effort to protect her from some horrible truth about herself. If we're supposed to view Liz as an emotionally stunted, unsympathetic and shallow nutjob, then I will have to re-evaluate this season and give them a standing ovation. Unfortunately think we're still supposed to root for Liz and for plenty of us they've done too much damage to make that a possibility.
Solving a mystery, or even solving only half of it does not mean the show is over. It means you have opened up a door for more story opportunities, but you have to be creative about it. Perhaps I have an over active imagination. Regardless, that doesn't seem like too daunting a task for people being paid to tell stories for a living. At this rate the answers are almost certain to feel underwhelming or absolutely ridiculous. Red tells Liz, and essentially the viewer "Forget everything you thought you knew." It's equal parts horrifying and exciting, but with the uneven way this season has gone, I'm far more concerned than excited. Will the answers restore my faith that they've always known what they're doing? Will they leave me scratching my head and wondering how anyone could think this is a feasible and worthy explanation? Or will we get partial answers and before the most important things are revealed, Townsend interrupts and ruins everything with his over dramatic and campy presence? I'll find out Wednesday, June 16th at 10pm. Until then, I'll be wondering why someone with Reddington's resources and dislike for loose ends would allow the big bad Townsend to live all these years when he posed such a massive threat. See how dumb everything has to be for this plot?
Elizabeth forever seems oblivious about the gravity of her situation. Red clearly means her no harm. She killed Anne right in front of him and he never so much as mentioned it to her. Townsend is supposedly the most dangerous person ever. He had Liz's group of "super friends" killed, but she is so sold on the breadcrumbs of vague information from the woman who claimed to be Katarina, that she opts to reach out and offer Townsend her help AGAIN rather than cooperate with Red. Red who wants to protect her. Red who wants to tell her everything. At the very least, anyone else on earth would be curious enough to stop sabotaging the man long enough to hear him out. Not Elizabeth, nope. I'm not angry that she opposes dealing with Red. I wasn't nearly this irritated with Liz when she got Red imprisoned and put on death row. It's the way she has been written for the better part of two seasons adding to my argument that she's more of a plot device than a character. Are women THAT hard to write? I could give the showrunners several strong, complex, conflicted fictional females to study spanning many genres of television. For all the flaws, BTVS got so much right in regards to our vampire slaying heroine, while The Blacklist's Liz has become a study of what NOT to do.
Back to the show, Red has decided to tell Elizabeth everything. While I strongly detest Liz's actions this season, I do feel Red let things go too far from his end. We can blame the writers or network or studio for this. The powers that be really hate giving out answers while the show still has a big audience, and instead likes to shed half the audience and force some shark jumping before spilling the beans. Season 3: Red could have told Liz the truth while she was pregnant, this may have helped her understand Red's role in her life and decide how to proceed for the sake of her and her child. Season 4: Red could have told her after the drawn out kidnapping of Agnes, so she could know what potential dangers truly lurk and perhaps she'd make future decisions accordingly, same for after the Kaplan ordeal and the DNA test that said he was her father. Season 5: Red could have told Liz after Tom died in an effort to build trust as they teamed up to track down Ian Garvey. Season 7: He could have told her once the woman claiming to be Katarina made herself known. That's just ideas off the top of my head.
There were ample logical opportunities, none which would have felt forced or "too early" for Reddington to tell Liz something. Not necessarily everything, but anything meaningful enough to assure her he has always had her best interests at heart, that he truly means it when he says the last few decades of his life has been about protecting her. But no, a whole lot of people had to die before Red decided too much had happened and the truth must come out. I highly doubt the truth will make us say "Gee, golly Red! It was so worthwhile to keep quiet about that! I also totally forgive Liz's descent into ungodly stupidity!" especially after the incredible damage done to Liz's character this season, even more so if it's all been in an effort to protect her from some horrible truth about herself. If we're supposed to view Liz as an emotionally stunted, unsympathetic and shallow nutjob, then I will have to re-evaluate this season and give them a standing ovation. Unfortunately think we're still supposed to root for Liz and for plenty of us they've done too much damage to make that a possibility.
Solving a mystery, or even solving only half of it does not mean the show is over. It means you have opened up a door for more story opportunities, but you have to be creative about it. Perhaps I have an over active imagination. Regardless, that doesn't seem like too daunting a task for people being paid to tell stories for a living. At this rate the answers are almost certain to feel underwhelming or absolutely ridiculous. Red tells Liz, and essentially the viewer "Forget everything you thought you knew." It's equal parts horrifying and exciting, but with the uneven way this season has gone, I'm far more concerned than excited. Will the answers restore my faith that they've always known what they're doing? Will they leave me scratching my head and wondering how anyone could think this is a feasible and worthy explanation? Or will we get partial answers and before the most important things are revealed, Townsend interrupts and ruins everything with his over dramatic and campy presence? I'll find out Wednesday, June 16th at 10pm. Until then, I'll be wondering why someone with Reddington's resources and dislike for loose ends would allow the big bad Townsend to live all these years when he posed such a massive threat. See how dumb everything has to be for this plot?