Sudanese director Mohamed Kordofani will soon be in Cannes with “Goodbye Julia,” a drama that he says reflects the “systematic racism” that led to the secession of South Sudan in 2011 and is, albeit indirectly, closely connected with the conflict that erupted in the country in April.
The powerful film, which is premiering in Un Certain Regard, marks the first Sudanese feature to bow from the Croisette. But there is an even greater historic significance to “Goodbye Julia,” in which two women – one from the North, the other from the South – are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities. It’s the hope that “it can be the start of a movement for reconciliation between all the Sudanese people,” Kordofani says.
Produced by fellow Sudanese filmmaker Amjad Abu Alala — director of “You Will Die at 20,” which became Sudan...
The powerful film, which is premiering in Un Certain Regard, marks the first Sudanese feature to bow from the Croisette. But there is an even greater historic significance to “Goodbye Julia,” in which two women – one from the North, the other from the South – are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities. It’s the hope that “it can be the start of a movement for reconciliation between all the Sudanese people,” Kordofani says.
Produced by fellow Sudanese filmmaker Amjad Abu Alala — director of “You Will Die at 20,” which became Sudan...
- 5/8/2023
- by Nick Vivarelli
- Variety Film + TV
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