I saw this film a few nights ago in the East Village, at the Anthology Film Archives. It was the first film of the night but was definitely one of the best. The characters were engaging, gritty, and raw. The writing and dialogue, thankfully the same. Along with a realistic crude-like atmosphere, picture Mamet meeting up with Fellini in the streets. The film-making was well done, I can't remember with certainty but I believe the camera never stopped moving. Not that it was obtrusive, it was simply enlightening to see a film and characters insight build while the camera is constantly moving. Although possibly low budget, it didn't hurt it, the rain I thought was real until looking at the credits here on IMDb.
I can't place why this film stuck with me more than the others that night, but I think it stems from the filmmakers furthering the story through the cinematography and mise-en-scène. The lighting and screen direction are actual characters in this. Without giving too much away *spoiler warning*, the story is unraveled by what lurks in the shadows. Very original and a bit dark, I liked it a lot.
K.C.
N.Y.
I can't place why this film stuck with me more than the others that night, but I think it stems from the filmmakers furthering the story through the cinematography and mise-en-scène. The lighting and screen direction are actual characters in this. Without giving too much away *spoiler warning*, the story is unraveled by what lurks in the shadows. Very original and a bit dark, I liked it a lot.
K.C.
N.Y.
