Directed by
| Kane Guglielmi | ... | (as Kane Christopher) |
Writing Credits (in alphabetical order)
| Allan West | ... | (written by) |
Cast
| Roy Billing | ... | Arthur | |
 |
Grant Dodwell | ... | Charlie |
|
|
May Lloyd | ... | Margaret |
| Wendy Strehlow | ... | Rhonda | |
| Lani John Tupu | ... | Dan | |
Produced by
| Kane Guglielmi | ... | executive producer (as Kane Christopher) / producer (as Kane Christopher) |
Music by
| Alan Harding | ||
Cinematography by
| Geoffrey Simpson | ||
Editing by
| Kane Guglielmi | ... | (as Kane Christopher) |
Production Design by
| Paula Ryan | ||
Makeup Department
| Angela Brookes | ... | makeup artist |
Production Management
| Kane Guglielmi | ... | production manager (as Kane Christopher) |
| Jonathan Moore | ... | assistant production manager |
Second Unit Director or Assistant Director
| Matthew Grossman | ... | first assistant director |
Sound Department
| Mark Bergin | ... | sound recordist |
| Tim Colvin | ... | boom operator |
| Jeff Richardson | ... | sound mixer |
Camera and Electrical Department
| Andre Deubel | ... | assistant camera |
| Reg Garside | ... | gaffer |
| Richard Mason | ... | best boy |
| Paul Micallef | ... | grip |
| Jonathan Moore | ... | second assistant camera |
| Louis Puli | ... | steadicam operator |
| Colin Wyatt | ... | best boy |
Editorial Department
| Carl Firth | ... | dailies transfer |
| Adrian Hauser | ... | colorist |
| Justin Ngy Tran | ... | on-line editor |
Script and Continuity Department
| Karen Hodgkins | ... | continuity / script supervisor |
Thanks
| Martin Cayzer | ... | special thanks |
| Richard Clendinnen | ... | special thanks |
| Ray Martin | ... | special thanks |
