Directed by
Tetsuo Shinohara |
Writing Credits
Tsukasa Ikegami | ... | (based on the novel by) & |
Kenzaburô Iida | ... | (based on the novel by) |
Harutoshi Fukui | ... | (screenplay) & |
Yasuo Hasegawa | ... | (screenplay) & |
Kenzaburô Iida | ... | (screenplay) |
Cast
Music by
Tarô Iwashiro |
Cinematography by
Satoshi Murakawa | ||
Hideo Yamamoto |
Editing by
Hirohide Abe |
Casting By
Yumiko Kûkan |
Art Direction by
Yoshiyuki Kasuga |
Costume Design by
Atsushi Okada |
Makeup Department
Kae Nemoto | ... | makeup artist |
Megumi Sasaki Schmidt | ... | assistant makeup artist: US segment |
Production Management
Takuma Hayashi | ... | unit production manager: US segment |
Takeshi Kobayashi | ... | production manager |
Second Unit Director or Assistant Director
Susumu Abe | ... | second assistant director: visual effects unit |
Masayuki Inoue | ... | first assistant director (US segment) |
Yoshikazu Ishii | ... | assistant director: visual effects unit |
Yasushi Ochi | ... | second assistant director: visual effects unit |
Shunji Okada | ... | second unit director |
Toshihisa Yamada | ... | assistant director |
Art Department
Eriko Chiba | ... | models sets props |
Kunihiro Goto | ... | graphic designer |
Wataru Hirai | ... | assistant art director |
Norihiko Iwasaki | ... | miniatures |
Megumi Katô | ... | matte artist (as Megumi Kato) |
Asayuko Kiyohara | ... | assistant art director |
Yôsuke Miura | ... | graphic designer |
Mie Nakatogawa | ... | art assistant |
Makoto Nakayama | ... | assistant art director |
Kazuhiro Saito | ... | property master |
Yasuyuki Shirane | ... | art assistant |
Takahiro Tanaka | ... | art assistant |
Moriaki Uematsu | ... | miniatures |
Atuo Wakana | ... | miniatures assistant |
Kazuya Watahiki | ... | property master |
Akira Yamada | ... | graphic designer |
Sound Department
Fumio Hashimoto | ... | supervising sound recordist |
Shin'ichi Itô | ... | sound effects editor |
Yasutaka Kondô | ... | assistant sound mixer (as Yasutaka Kondo) |
Yoshihiro Nakayama | ... | digital optical sound recording |
Toru Nishiyama | ... | assistant sound mixer |
Mika Ochi | ... | studio engineer |
Hiroki Ooba | ... | digital optical sound recording |
Atsuo Saito | ... | sound effects assistant |
Atsushi Sugiyama | ... | sound assistant |
Shinichi Toyoda | ... | assistant sound mixer |
Akira Udagawa | ... | digital optical sound recording |
Special Effects by
Yoshikazu Ishii | ... | special effects assistant |
Hajime Matsumoto | ... | special effects supervisor |
Kazuaki Sekiyama | ... | virtual reality |
Visual Effects by
Hiroshi Ihara | ... | miniature chief model maker / miniauture ship model supervisor |
Norihiko Iwasaki | ... | miniature coordinator |
Hajime Matsumoto | ... | visual effects supervisor |
Stunts
Kazumasa Seki | ... | action coordinator |
Camera and Electrical Department
Isao Asai | ... | grip: visual effects unit |
Freddy Cintron | ... | key grip |
Ryôsuke Fujii | ... | dolly grip: visual effects unit |
Kenji Fukuchi | ... | grip: visual effects unit |
Yôko Itakura | ... | focus puller: visual effects unit |
Shinji Kawai | ... | focus puller: visual effects unit |
Brian Macaya | ... | best boy electric: US segment |
Hideto Maruyama | ... | best boy: visual effects unit |
Hiroshi Murata | ... | grip: visual effects unit |
Shinya Nakano | ... | dolly grip: visual effects unit |
Eric Oakes | ... | grip: US segment |
Atsushi Ogasawara | ... | set lighting: visual effects unit |
Motoyo Osawa | ... | assistant camera: special effects cinematography |
Chris Ricci | ... | swing: US segment |
Kiyotaka Saitô | ... | still photographer |
Shawn Schaffer | ... | best boy grip: US Segment |
Yuta Sekine | ... | focus puller: visual effects unit |
Tadashi Uchiya | ... | grip: visual effects unit |
Yutaka Yamazaki | ... | grip: visual effects unit |
Chiho Yonekura | ... | best boy: visual effects unit |
Casting Department
Michael J. Camoin | ... | casting associate: US segment |
Don Case | ... | casting director: US segment |
Keiko Hibi | ... | casting coordinator |
Costume and Wardrobe Department
Andrea Seidel | ... | costume designer: US segment |
Editorial Department
Naoto Hosonuma | ... | conforming editor |
Rei Kumakura | ... | film recording |
Takeshi Kuramori | ... | video timing |
Yuki Matsuda | ... | conform manager |
Wataru Matsumoto | ... | color management |
Masaharu Oomi | ... | video timing |
Seiji Saitô | ... | digital color timer |
Kyohiku Sakai | ... | digital intermediate coordinator |
Kyudaka Sasa | ... | film scanner |
Yu Shimoda | ... | assistant editor |
Music Department
Kazumi Azuma | ... | musical coach: harmonica |
Script and Continuity Department
Hiromitsu Soma | ... | continuity |
Additional Crew
Yôkôzô Akamatsu | ... | titles |
Janek Ambros | ... | production assistant: US segment |
Nao Arisawa | ... | production assistant (as Nao Yamamoto) |
Charles 'Chaz' Galuski | ... | production assistant: US segment |
Ryota Hagiya | ... | production intern |
Juan Haidar | ... | dialogue coach: italian |
Koji Hakunita | ... | producer: trailer & TV spots |
Hirokazu Hara | ... | production intern |
Haruki Harabe | ... | production intern |
Harumi Harabe | ... | production intern |
Aya Hatakeyama | ... | producer: trailer & TV spots |
Tsutomu Kanayama | ... | dialogue coach: italian |
Kazuko Kawaguchi | ... | titles |
Tetsuya Kawakita | ... | set medic |
Mitsutaka Nakamura | ... | technical coordinator |
Shuhei Okabayashi | ... | production assistant |
Eiichirô Takane | ... | producer: trailer & TV spots (as Takane Eiichiro) |
Kazuo Tsubota | ... | set medic |
Taichi Ueda | ... | publicity producer |
Takeo Yamamoto | ... | producer: making of documentary |
Kiyoshi Yawase | ... | producer: making of documentary |
Thanks
Ray Bargallo | ... | special thanks: City of Albany |
Robert F. Cross | ... | special thanks: City of Albany |
Gerald D. Jennings | ... | special thanks: City of Albany |
Monique Kimball | ... | special thanks: City of Albany |
John Marsolais | ... | special thanks: City of Albany |