We could say that closing his trilogy on naked bodies as an object of narration, which began in "Linceul" (2017) and continued in "Cortex" (2018), Selim Mourad continues to experiment with ideas in which his body is a representation of Lebanon. He reflects on his own death, which is transformed into a memory of his ancestors, talking about life beyond the cities, personal relationships, reconstructed bodies...
See also
Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews
