Photos and Videos
Complete, Cast awaiting verification
Amber Heard | ... |
Kristen
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Mamie Gummer | ... |
Emily
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Danielle Panabaker | ... |
Sarah
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Laura-Leigh | ... |
Zoey
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Lyndsy Fonseca | ... |
Iris
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Mika Boorem | ... |
Alice
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Jared Harris | ... |
Dr. Gerald Stringer
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Sali Sayler | ... |
Tammy
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Susanna Burney | ... |
Nurse Lundt
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D.R. Anderson | ... |
Roy
(as Dan Anderson)
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Sean Cook | ... |
Jimmy
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Jillian Kramer | ... |
Ghost Alice
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Mark Chamberlin | ... |
Mr. Hudson
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Andrea Petty | ... |
Mrs. Hudson
(as Andrea L. Petty)
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Tracy Schornick | ... |
Cop #1
(as Tracey Schornick)
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Kent Kimball | ... |
Cop #2
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Joseph O'Shaugnessy | ... |
Receptionist
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Patrick Treadway | ... |
2nd Floor Nurse
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Bev Holsclaw | ... |
Admitting nurse
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Sydney Sweeney | ... |
Young Alice
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Rest of cast listed alphabetically: | |||
R.J. Hampton | ... |
Mental Ward Patient (uncredited)
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Milos Milicevic | ... |
Predator (uncredited)
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Joanna Theobalds | ... |
Mental Ward Patient (uncredited)
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Lonny W. Waddle | ... |
Orderly (uncredited)
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Directed by
John Carpenter | ... | (directed by) |
Written by
Michael Rasmussen | ... | (written by) & |
Shawn Rasmussen | ... | (written by) |
Produced by
Adam Betteridge | ... | executive producer |
Peter Block | ... | producer |
Rich Cowan | ... | executive producer |
Mischa Jakupcak | ... | line producer |
Doug Mankoff | ... | producer |
Mike Marcus | ... | producer |
Hans Ritter | ... | unit producer: Los Angeles |
David Rogers | ... | executive producer |
Ruben Samuel Sachs | ... | executive producer |
Andrew Spaulding | ... | producer |
Music by
Mark Kilian |
Cinematography by
Yaron Orbach | ... | director of photography |
Editing by
Patrick McMahon |
Editorial Department
Travis Berry | ... | assistant editor |
Ian Kennedy | ... | post-production consultant |
Tim Maffia | ... | digital intermediate senior colorist |
Kathie McCallister | ... | post-production producer |
Jeff Stone | ... | first assistant editor |
Jeff Stroot | ... | international editor |
Casting By
Pam Dixon | ... | (as Pam Dixon Mickelson) |
Production Design by
Paul Peters |
Art Direction by
Vincent DeFelice |
Set Decoration by
Rachel M. Thompson |
Costume Design by
Lisa Caryl-Vukas | ... | (as Lisa Caryl) |
Makeup Department
Howard Berger | ... | special makeup effects |
Amy Bruscoe | ... | makeup artist |
Emily Chisholm | ... | assistant makeup artist |
Kerrin Jackson | ... | special makeup effects artist |
Trista Jordan | ... | makeup department head |
Mike Meyers | ... | hair stylist |
Greg Nicotero | ... | makeup effects (as Gregory Nicotero) |
Jennifer Popochock | ... | key hair stylist |
Taci Van Leuven | ... | hair stylist |
Kevin Wasner | ... | makeup effects |
Production Management
Rich Cowan | ... | unit production manager |
Jason A. Payne | ... | post-production supervisor |
Second Unit Director or Assistant Director
Adam C. Boyd | ... | second assistant director |
Jared Briley | ... | second second assistant director |
Ivan Kraljevic | ... | second assistant director: additional photography |
Milos Milicevic | ... | first assistant director: additional photography |
Lynn Wegenka | ... | first assistant director |
Art Department
Dan Beyer | ... | set dresser |
Michael Broom | ... | storyboard artist: KNB EFX Group |
Steve Broussard | ... | construction coordinator |
Mike Cassell | ... | carpenter |
cdavid cottrill | ... | property master (as Cdavid Hall-cottrill) |
Alex Klaue | ... | set dresser |
Rubin Marcilla | ... | utility technician |
Dutch Merrick | ... | property master: additional photography |
Kenneth Milfred | ... | leadman |
Jodi Nichols | ... | art department coordinator |
Mo Noder | ... | demolition / props |
Michael Ruby | ... | charge scenic artist |
Angela J. Smith | ... | set decoration buyer |
Sound Department
Javier Bennassar | ... | sound designer / supervising sound editor |
Joe Cappelletti | ... | voice director: adr |
Chris Clifford | ... | boom operator |
Ryan Collins | ... | assistant sound editor |
Lara Dale | ... | foley artist |
Chris David | ... | re-recording mixer |
Brian Dunlop | ... | foley editor |
Lisle Engle | ... | sound editor |
Scott Kramer | ... | foley editor |
Tim Limer | ... | sound recordist |
Tom Marks | ... | re-recording mixer |
A. Josh Reinhardt | ... | foley mixer |
Dave Richards | ... | sound utility |
Leslie Shatz | ... | sound designer |
Tom Taylor | ... | sound mixer |
Callie Thurman | ... | assistant sound editor |
Mandell Winter | ... | supervising dialogue & adr editor |
Special Effects by
Ray Brown | ... | special effects foreman |
Brian Goehring | ... | special makeup effects crew: mold department K.N.B. EFX Group |
Stephen Klineburger | ... | special effects technician |
Casey Pritchett | ... | special effects coordinator |
Dirk Rogers | ... | special effects tech: K.N.B. efx group |
William Wayburn | ... | special effects technician |
Visual Effects by
Travis Berry | ... | visual effects artist |
J.D. McKee | ... | visual effects artist (MODEfx) (as Jason Mckee) / visual effects supervisor (MODEfx) (as Jason Mckee) |
Stunts
Helena Barrett | ... | stunt double |
Stacey Carino | ... | stunts |
John Casino | ... | stunt coordinator |
Jeff Imada | ... | stunt coordinator |
Jillian Kramer | ... | stunt performer |
Heidi Pascoe | ... | stunt double |
Michelle Sebek | ... | stunt double: Amber Heard |
Camera and Electrical Department
Mark L. Anderson | ... | first assistant camera: additional photography |
Philip A. Anderson | ... | lighting technician (as Philip Allister Anderson) / second assistant camera (as Philip Allister Anderson) |
Ryan Bradley | ... | grip |
Garrett Cantrell | ... | grip |
Bob Clifford | ... | loader |
Brianne Cronkhite | ... | second assistant camera: "b" camera |
Rick Davidson | ... | additional camera operator: "a" camera/Steadicam |
Mitch Davis | ... | electrician |
Trey Donner | ... | additional electrician |
Tony Ghiglione | ... | best boy rigging grip |
Peter N. Green | ... | assistant camera: a camera |
Nathan Heyer | ... | set electric (as Nate Heyer) |
Theresa Majeres | ... | grip |
Matthew May | ... | best boy electric |
Ryan Middleton | ... | lighting technician |
Dan Misner | ... | electrician |
Pete Moroz | ... | still photographer |
Charles Papert | ... | camera operator: "a" camera / steadicam operator |
Benjamin E. Porter | ... | additional electrician |
Chris Purkiss | ... | electrician |
Piotr Redlinski | ... | still photographer |
Gregory D. Smith | ... | key grip |
Don Stier | ... | dolly grip |
Dempsey Tillman | ... | digital video assist |
Mike Vukas | ... | gaffer |
Bob Webeck | ... | first assistant camera: "b" camera |
Casting Department
Bryan Burra | ... | casting assistant |
Nike Imoru | ... | casting: Spokane |
Costume and Wardrobe Department
Alayna Caryl | ... | costumer |
Rebecca Cook | ... | key costumer |
Location Management
Phil Andrade | ... | location assistant |
Alan Lee Baker | ... | location manager |
Trey Donner | ... | location assistant |
Heidi Habib | ... | assistant location manager |
Laurie Hicks | ... | location scout |
Pete Moroz | ... | location manager |
Benjamin E. Porter | ... | location assistant |
Music Department
Matthew Janszen | ... | score coordinator |
Matt Shelton | ... | music editor |
Casey Stone | ... | music scoring mixer |
Toddy Walters | ... | vocals |
Script and Continuity Department
Barbara Brown | ... | script supervisor (as Barbara A. Brown) |
Transportation Department
Aaron Daugherty | ... | driver |
Shannon Freeman | ... | driver: cast |
Nicole Heigh | ... | driver: cast |
Mike Kjolso | ... | transportation captain |
Shawn Odom | ... | driver |
John Petty | ... | driver |
Seth Pickens | ... | driver |
Jason Yarbrough | ... | driver |
Additional Crew
Noor Ahmed | ... | production legal |
Shelly Bancroft | ... | Acquisitions consultant: Premiere Picture |
Beth Bruckner O'Brien | ... | assistant to Peter Block (as Beth Bruckner) |
Sarah Clifford | ... | animal supplier / rat trainer |
Kimberly Cohrs | ... | production assistant: additional photography |
Tana David | ... | post facilities coordinator |
Amanda M. Davis | ... | production intern |
Mitch Davis | ... | production assistant |
Justin Farris | ... | production assistant |
Aaron Fink | ... | production assistant (as Aaron A. Fink) / production assistant |
Jason Garrett | ... | financier |
Gina Gilberto | ... | assistant: John Carpenter |
Mike Groner | ... | insurance broker |
Brad Harland | ... | production accountant |
Fiona Kihlstrom | ... | financier |
Lynn Komarek | ... | assistant production coordinator |
Hakan Kousetta | ... | production legal advisor: financing |
Jenny Lee | ... | title designer |
Maggie Lucas | ... | production staff |
Kathleen McInnis | ... | publicity consultant |
Brittany Meadows | ... | production assistant: additional photography |
Susan Muir | ... | completion bond guarantor |
Cory C. Myler | ... | production coordinator: reshoots |
Nadia Naguib | ... | financier |
David Peck | ... | consultant |
J.P. Pettinato | ... | consultant to producers |
Skyler Prendergast | ... | production assistant |
Benjamin R. Reder | ... | production legal counsel |
Justina Renoud | ... | caterer |
Zoe Bower Robert | ... | post-production facilities manager (as Zoe Bower) |
Steven Rogers | ... | consultant |
Mary C. Russell | ... | production coordinator (as Mary C. Rolfes) |
Marcus Searancke | ... | financier |
Michelle Sellwood | ... | assistant to producer: mike marcus |
Tara A. Senior | ... | production legal counsel |
Natasha Shumny | ... | post facilities coordinator |
Ryan Sleight | ... | production assistant |
Gareth Smith | ... | title designer |
Alena Walker | ... | financier (as Alena Trower) |
Mela Lee | ... | adr voice artist (uncredited) |
Production Companies
- FilmNation Entertainment
- Premiere Picture
- Echo Lake Entertainment
- A Bigger Boat (in association with)
- North by Northwest Entertainment
Distributors
- BIM Distribuzione (2011) (Italy) (theatrical)
- Italian Film (2011) (United Arab Emirates) (theatrical)
- GEM Entertainment (2010) (Non-US) (multi-territory)
- A-Film Distribution (2011) (Netherlands) (theatrical) (limited to one theater in The Hague)
- Concorde Filmverleih (2010) (Germany) (theatrical)
- Distribution Company (2011) (Argentina) (theatrical)
- Golden Village Pictures (2011) (Singapore) (theatrical)
- Odeon (2011) (Greece) (theatrical)
- Pioneer Films (2011) (Philippines) (theatrical)
- Showgate (2011) (Japan) (theatrical)
- Warner Bros. (2011) (United Kingdom) (theatrical)
- XLrator Media (2011) (United States) (theatrical)
- A-Film Home Entertainment (2012) (Netherlands) (DVD)
- A-Film Home Entertainment (2012) (Netherlands) (Blu-ray) (DVD)
- ARC Entertainment (II) (2011) (United States)
- Alliance (2011) (Canada) (DVD)
- Concorde Home Entertainment (2012) (Germany) (DVD)
- D Productions (2010) (Turkey)
- Film1 (2012) (Netherlands) (tv) (limited)
- Future Film (2011) (Finland) (Blu-ray) (DVD)
- Mongkol Major (2011) (Thailand)
- Music Television (MTV) (2016) (Italy) (tv)
- Odeon (2011) (Greece) (DVD)
- Panorama Distributions (2011) (Hong Kong) (DVD)
- Panorama Distributions (2011) (Hong Kong) (Blu-ray) (DVD)
- Plus Video (2011) (Argentina) (DVD)
- Roadshow Entertainment (2011) (Australia) (DVD)
- Sookie Pictures (2013) (South Korea)
- Videocine (2012) (Mexico)
- Vértice 360 (2012) (Spain) (DVD)
- XLrator Media Partnership (2011) (United States)
- Zon Lusomundo Audiovisuais (2011) (Portugal)
Special Effects
- MODEfx (visual effects)
Other Companies
- ABS Payroll & Production Accounting Services (payroll services)
- Aslan Charles Kousetta (legal advisors)
- Digital Media Services (DMS) (digital marketing asset management)
- Film Finances (completion guarantor)
- Katrina Wan PR (film publicist)
- Modern VideoFilm (post-production services)
- National Bank of California (financing provided by)
- Reder & Feig (production legal counsel)
- Studio Solutions Group (Film Rights Acquisition)
- Studio Trucks (production transport: fueler, honeywagon, hair/makeup trailer, wardrobe trailer, stakebeds, camera trucks, etc)
- The Domain Group (clearances) (The Domain Group)
- Toronto International Film Festival (festival)
- Varèse Sarabande (soundtrack)
- Visual Icon (exclusive clip and still licensing)
- Wildfire Studios (ADR Recording Facility)
- Wildfire Studios (post-production sound services)
Storyline
Plot Summary |
In 1966, in North Bend, Oregon, the runaway Kristen is captured by the police after burning down a farmhouse and is locked in the North Bend Psychiatric Hospital. Kristen is introduced to Dr. Gerald Stringer, who uses experimental therapy. Then she meets the inmates Emily, Sarah, Zoey and Iris and the tough nurse Lundt. During the night and in the shower later, Kristen sees the ghost of a woman and she learns that she is Alice Leigh Hudson, a mysterious wicked intern that has disappeared. When Iris is ready to go home, she is attacked by the ghost of Alice in the basement and murdered. She vanishes and the inmates decide to seek Iris out. Then Sarah is abducted by the Alice and also killed; the next one is Emily. Meanwhile Kristen escapes from her room and meets Zoey, expecting to protect her. However, Zoey is kidnapped by Alice and Kristen runs to Dr. Stringer's office. She snoops his desk and finds a report with the truth about Alice. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | Only Sanity Can Keep You Alive See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $10,000,000 (estimated) |
Did You Know?
Trivia | On the audio commentary, Jared Harris asks John Carpenter why he did not compose the soundtrack. John replies "Quite frankly, I'm just too old". Carpenter would go on to compose the music for the short film The Noise (2013), and eventually returned as composer for the Halloween (2018) reboot assisted by Cody Carpenter and Daniel A. Davies. See more » |
Goofs | Although Electroconvulsive therapy (ECT), formerly known as electroshock, is still used today in the U.S., it is only used as a last resort, with patient consent (except in the most extreme cases), and with the patient anesthetized, not awake and screaming like a tortured banshee as depicted in the film. Also, the ECT machines used in the U.S. today make the procedure quick and relatively painless (e.g., no noticeable twitching or spasming of the muscles). However, the movie is not set in present time but rather in the 60s, as Dr Stringer revealed during his last session with Iris. See more » |
Movie Connections | Featured in John Carpenter's The Ward (2011). See more » |
Soundtracks | Run Baby Run (Back Into My Arms) See more » |
Quotes |
Iris:
Listen, don't let this place get to you. You stay locked up long enough and you start to believe that you're nuts. See more » |