Directed by
Bill Guttentag | ||
Dan Sturman |
Writing Credits (WGA)
Bill Guttentag | ... | (written by) & |
Dan Sturman | ... | (written by) |
Cast (in credits order)
Produced by
Mihal Arguetty | ... | associate producer |
Joslyn Barnes | ... | producer |
Jennifer Buffett | ... | associate producer |
Peter Buffett | ... | associate producer |
Karin Chien | ... | line producer |
Jim Czarnecki | ... | producer |
William Douglass | ... | associate producer |
Mark Downie | ... | executive producer (as Mark E. Downie) / executive producer |
Lindsay Gillette | ... | associate producer |
Danny Glover | ... | executive producer |
Bill Guttentag | ... | producer |
Gina Harrell | ... | executive producer |
Marc Henry Johnson | ... | executive producer |
Jarrett Lilien | ... | associate producer |
Karen Lin | ... | line producer |
Mynette Louie | ... | line producer |
Lauren McCauley | ... | associate producer |
Julia Mintz | ... | associate producer |
Dylan Nelson | ... | producer |
Beverly Oden | ... | co-producer |
Dan Sturman | ... | producer |
Agnes Varis | ... | associate producer |
Music by
Phil Marshall |
Cinematography by
Jon Else | ||
Stephen Kazmierski | ||
Buddy Squires |
Editing by
Jeffrey Doe |
Production Management
Julia Mintz | ... | post-production supervisor |
Second Unit Director or Assistant Director
Rebecca Strickland Weathersby | ... | first assistant director (as Rebecca Strickland) |
Sound Department
Martin Czembor | ... | re-recording mixer |
Dan Fulton | ... | assistant sound editor |
Scott Harber | ... | production sound mixer |
Bruce Kitzmeyer | ... | dialogue editor |
Mark Roy | ... | sound |
Ira Spiegel | ... | sound designer / supervising sound editor |
Michael Suarez | ... | sound |
Visual Effects by
Clay Haskell | ... | end credits sequence (as Clay Haskell) |
Peter Heady | ... | DI finishing artist |
Jerome Olivier | ... | titles & graphics |
Camera and Electrical Department
Manuel Billeter | ... | camera operator |
Sam Chase | ... | camera operator |
Dermott Downs | ... | additional cinematographer |
Giles Dunning | ... | additional cinematographer |
Vincent Follier | ... | camera operator |
Magdalena Górka | ... | camera operator |
Neil Kilpatrick | ... | camera operator |
Paul Marbury | ... | assistant camera |
Laura Nespola | ... | assistant camera |
Anthony Savini | ... | assistant camera |
Jonathan Weaver | ... | assistant camera |
Editorial Department
Peter Heady | ... | colorist / on-line editor |
Jean Lane | ... | digital intermediate producer |
Jonathan Liebert | ... | digital cinema mastering |
Tim Spitzer | ... | digital intermediate supervisor |
Music Department
Daniel James Chan | ... | composer: additional music |
Martin Czembor | ... | re-recording mixer |
David Evans | ... | musicologist |
Jan Fairchild | ... | music mixer / recording engineer |
Delvida Flaherty | ... | music coordinator |
Joel Hamilton | ... | recording engineer |
Evyen Klean | ... | music consultant |
Janet Lopez | ... | music consultant |
Phil Marshall | ... | music editor |
Midori Nishijima | ... | music assistant |
Julie Sessing | ... | music clearance |
Corey Smyth | ... | music producer |
Additional Crew
Toby Ashraf | ... | translation: german |
Lynn Griffiths | ... | production legal |
Josh Miller | ... | still photgrapher |
Julia Morgan | ... | production coordinator |
Marilyn Penn-Lindley | ... | production accountant (as Marilyn Penn) |
Deborah Ross | ... | titles consultant |
Tom Sasinowski | ... | production intern |
Jonathan E. Shikora | ... | production legal (as Jonathan Shikora) |
Alex Sobotowski | ... | production intern |
Thanks
Eli Davis | ... | special thanks |
Julie Janata | ... | special thanks |
Lanier Nelson | ... | thanks |