59
Metascore
6 reviews · Provided by Metacritic.com
- 75San Francisco ChronicleChris VognarSan Francisco ChronicleChris VognarThe Manor establishes itself as a solid piece of paranoia horror.
- 60The New York TimesLena WilsonThe New York TimesLena WilsonDespite some flat cinematography and borderline goofy special effects, The Manor gives us a distinctive 70-year-old woman as its protagonist and a twisty ending sure to polarize.
- 60The Hollywood ReporterLovia GyarkyeThe Hollywood ReporterLovia GyarkyeWith its tight structure, adequate level of suspense and inventive plot, The Manor more than fulfills the requirements of a thrilling horror flick. But its clumsy and at times repetitive script, along with its beautiful but predictable cinematography, kept me from feeling fully immersed in Belgian writer-director Axelle Carolyn’s project.
- 58The A.V. ClubKatie RifeThe A.V. ClubKatie RifeAs with most of the Welcome To The Blumhouse movies, The Manor has flaws that could probably be attributed to scant resources and a quick turnaround time.
- 50RogerEbert.comNick AllenRogerEbert.comNick AllenThe premise isn’t thoroughly uncomfortable so much as it is simply tedious; Barbara Hershey’s focal character Tabitha is made to appear more and more helpless in the film’s scant psychological thrills, and yet we’re stuck with a flat anxiety for a feature's length.