The Invisible Eye (2010)
La mirada invisible (original title)Reference View | Change View
- 1h 37min
- Drama
- 19 Aug 2010 (Argentina)
- Movie
- 5 wins & 17 nominations.
- See more »
Photos and Videos
Cast
Rest of cast listed alphabetically: | |||
Diego Vegezzi | ... |
Marini
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Julieta Zylberberg | ... |
María Teresa Cornejo
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Ailín Salas | ... |
Inès
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Osmar Núñez | ... |
Señor Biasutto
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Marta Lubos | ... |
Adela abuela de Maria Teresa
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Magdalena Capobianco | ... |
Romero
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Martín Kohan | ... |
Empleado Casa Discos
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Jorge García Marino | ... |
Sr. Prefecto
(as Jorge Garcia Marino)
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Tomás Pernich | ... |
Preceptor
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Gastón Luparo | ... |
Fornillo
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Pablo Sigal | ... |
Esteban
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Daniel Patera | ... |
Profesor
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Martina Delgado | ... |
Solange Estebez
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Ivan Mochner | ... |
Profesor Espinosa
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Ana Clara Valdes | ... |
Ohman
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Stella Gabrizzi | ... |
Profesor Chamas
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Leandro Rivas | ... |
Preceptor
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Antonio Ziembrowski | ... |
Wittenstein
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Micaela Mantinan | ... |
Frunklin
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Félix Tornquist | ... |
Profesor Iturralde
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Nicolas Devicente | ... |
Fillhol
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Vanina Montes | ... |
Vera
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Adriana Pizzino | ... |
Madre Esteban
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Anita Co | ... |
Profesor Martinez
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Ariel Matías Morosín | ... |
Preceptor
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Julian Larkier | ... |
Preceptor
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Santos Lontoya | ... |
Plomero
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Gaby Ferrero | ... |
Elvira de Cornejo
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Valerie Coifman | ... |
Pelaccini
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Alan Bogado | ... |
Blandini
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Guido Moran | ... |
Matias, Kagan
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Enrique Alfil | ... |
Farmaceutico
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Paula Royon | ... |
Soporiti
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Elidas Schinocca | ... |
Secretaria
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Samuel Perez | ... |
Hombre Limpeza
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Ignacio Sanchez | ... |
Saenz
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Beatriz Gelman | ... |
Bibliotecaria
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Norma Espina | ... |
Susana
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Directed by
Diego Lerman |
Written by
Martín Kohan | ... | (novel "Ciencias Morales") |
Diego Lerman | ... | (screenplay) |
María Meira | ... | () |
Produced by
Nicolás Avruj | ... | producer |
Dominique Barneaud | ... | co-producer |
Marc Bordure | ... | co-producer |
Diego Lerman | ... | producer |
Ignacio Monge | ... | co-producer |
Luis Ángel Ramírez | ... | co-producer (as Luis Angel Ramirez) |
Rafael Álvarez | ... | co-producer |
Music by
José Villalobos |
Cinematography by
Álvaro Gutiérrez |
Editing by
Alberto Ponce |
Editorial Department
Beto Acevedo | ... | film lab supervisor |
Production Design by
Yamila Fontan |
Costume Design by
Sandra Fink |
Makeup Department
Néstor Burgos | ... | hair stylist / makeup artist |
Cecilia Jacquemin | ... | assistant makeup artist |
Production Management
Jimena Monteoliva | ... | production manager |
Second Unit Director or Assistant Director
Facundo Españon | ... | second assistant director |
Tomás Pernich | ... | trainee assistant director |
Federico Rotstein | ... | first assistant director |
Art Department
Laura Guaragna | ... | set dresser |
Emiliano Konoba | ... | graphic designer |
Sound Department
José E. Caldararo | ... | foley artist (as José Caldararo) |
Vicente D'Elia | ... | sound mixer |
Bechen de Loredo | ... | foley editor |
Leandro de Loredo | ... | re-recording mixer / sound designer |
Aymeric Dupas | ... | re-recording mixer |
Francisco Pedemonte | ... | sound effects editor |
Francisco Rizzi | ... | foley artist |
Sebastián Sonzogni | ... | foley artist |
Special Effects by
Franco Burattini | ... | special effects coordinator |
Visual Effects by
Ignacio Gorfinkiel | ... | visual effects supervisor |
Matías Kamijo | ... | visual effects |
Georgina Pretto | ... | scanning and recording |
Camera and Electrical Department
Mariano Bonello | ... | second assistant camera |
Juan Manuel Muñoz | ... | key grip |
Location Management
Marcelo Martinez | ... | location manager |
Guido Segal | ... | location scout |
Script and Continuity Department
Lorena Lisotti | ... | script supervisor |
Additional Crew
Jorge Aranda | ... | production staff |
Vanesa Crisci | ... | production staff |
German Garrido | ... | production assistant |
Lucía Vela | ... | release producer |
Thanks
Daniel Burman | ... | thanks |
Mauricio Kartun | ... | thanks |
Marcelo Moura | ... | thanks |
Fernando E. Solanas | ... | thanks |
Alesia Weston | ... | thanks |
Production Companies
- El Campo Cine
- MMM Film Zimmermann & Co.
- Agat Films & Cie
- Factor RH Producciones
- Imval Madrid S.L.
- Mediagrama
Distributors
- Distribution Company (2010) (Argentina) (theatrical)
- Esfera Filmes (2012) (Brazil) (theatrical)
- Pyramide Distribution (2011) (France) (theatrical)
- Star Films (2010) (Bolivia) (theatrical)
- Star Films (2010) (Peru) (theatrical)
- trigon-film (2010) (Switzerland) (theatrical)
- Filmfreak Distributie (2013) (Netherlands) (DVD)
- Global Film Initiative (2010) (Canada)
- Global Film Initiative (2010) (United States)
- trigon-film (2011) (Switzerland) (DVD) (Special edition)
Special Effects
Other Companies
- Tauro Digital Sound (re-recording)
Storyline
Plot Summary |
Buenos Aires, March 1982. On the streets of the Argentinean capital, people are challenging the military dictatorship. The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. Written by Diego Lerman |
Plot Keywords | |
Taglines | Maria Teresa, classroom assistant at the Nacional School of Buenos Aires, chases the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys' lavatories to catch the smoking student in flagrante. There she develops a clandestine habit of dubious piquancy See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Box Office
Budget | EUR1,000,000 (estimated) |
Did You Know?
Goofs | The movie is set in 1982. When Maria Teresa arrives to the party thrown by her colleague, the music playing in "Lunes por la madrugada" by Los Abuelos de la Nada, which dates from 1984. See more » |
Soundtracks | Wadu Wadu See more » |