When JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia... Read allWhen JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia enforcer Mrado, who is on the hunt for Jorge.When JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia enforcer Mrado, who is on the hunt for Jorge.
- Awards
- 4 wins & 1 nomination total
Matias Varela
- Jorge
- (as Matias Padin Varela)
Featured reviews
This is a stylish, intelligent thriller with good camera-work and lots of visual style. I liked the way the movie shows international crime as a very ugly business, without rules and with lots of violence. The way a greedy young student is slowly drawn into a world that is clearly not his, is intriguing. Some elements make this film stand out above the usual Hollywood-flicks - for example the way one of the criminals treats his little daughter. This is a nice thriller that doesn't slow down, with lots of action scenes and twists. It could have done without the hardly believable love story, but I can imagine the director needed to compensate the violence with some softer scenes.
A really good action thriller with interesting characters. I do NOT think that they are plain stereotypes without Drott. On the contrary. You feel for them and it's easy to get engaged in their lives and all they experience.
The movie manages to bring forth some very sensitive moments as well as very brutal scenes with realistic violence. I especially likes the lighting when it comes to the technical part of Snabba Cash. I also liked the shots of some of the dialogue which i found innovative without being over the top. They made it very interesting to watch.
I usually look the other when it comes to Swedish movies but I really enjoyed this one.
I say watch it.
The movie manages to bring forth some very sensitive moments as well as very brutal scenes with realistic violence. I especially likes the lighting when it comes to the technical part of Snabba Cash. I also liked the shots of some of the dialogue which i found innovative without being over the top. They made it very interesting to watch.
I usually look the other when it comes to Swedish movies but I really enjoyed this one.
I say watch it.
Easy Money (or Snabba Cash to give it its original Swedish title) was originally released in Sweden in 2010, a full three years before it reached the UK, by which time the sequel (snappily entitled Snabba Cash II) had already been out for a year in Scandinavia. Perhaps that at least ensures we won't need to wait too long to find out what happens to the surviving characters.
With three strands that entwine into a single story, Easy Money is a violent, at times bloody, peek under the tarpaulin that covers the Serbian mafia and its nefarious dealings with drugs and murder. JW (Joel Kinnaman) is a clean-cut law student with money issues until the opportunity to run drugs ends the former and resolves the latter. With a girlfriend, Sophie (Lisa Henni), from the right side of town and employers from the wrong side, his life becomes complicated and very tense. Caught between Jorge (Mateas Varela), a fugitive on the run from the cops and the Serbian mafia, and Mrado (Dragomir Mrsic) a mafia hard man, JW winds up in some very deep do-do indeed
Easy Money carves up the screen in a similar vein to this year's Dead Man Down but lacks the panache. Where as Colin Farrell's film had a certain smoothness to the violence, this is gritty and unfinished. It feels a little rushed at times but that's part of the attraction. You really don't want to mess with any of these characters. Ever.
It's very easy to like JW, even though everything screams that he's a fool who is willingly corrupting himself. It doesn't take a genius to work out there'll be serious consequences come the end of the film, but for whom? Kinnaman, who boosted his international profile with The Killing, is on excellent form here. Think Jonathan Rhys Meyers in Match Point only better. Much, much better.
The characters are rounded well enough for us to step back from them but not so much that they appear sculpted film characters rather than raw, unpleasant lowlifes who'll blow you away if it's ever a threat to their survival.
Easy Money is always compelling and the two-hour running time whizzes by in an instant. Alas, by sheer dint of it being in foreign language, it is unlikely to garner much of an audience in the UK and USA; I was the sole occupant of the cinema last night and, whilst it was a joy for me, it doesn't bode well for the chances of the sequel hitting Bristol.
For the philistines who are unable to watch and read the screen simultaneously, Easy Money is good enough to have been awarded an unnecessary Hollywood remake staring Zac Effron. I have nothing against Effron, on the contrary, he impressed me in The Paperboy last year, it's just that Hollywood does have a tendency to take excellent foreign language films and mutilate them. Disagree? Compare and contrast Let The Right One In with Let Me In, or The Girl With the Dragon Tattoo and its remake, or the Hollywood adaptation of TV's The Killing, or
When will Hollywood learn? Stop remaking the great films and TV series and take a look at those that should have been good but bombed. I'm not judging the remake of Easy Money before the cameras even start rolling but, take it from me, it's unlikely to improve on the original. It's certainly no date movie, but a gritty thriller that will happily consume any Friday night.
For more reviews from The Squiss, subscribe to my blog and like the Facebook page.
With three strands that entwine into a single story, Easy Money is a violent, at times bloody, peek under the tarpaulin that covers the Serbian mafia and its nefarious dealings with drugs and murder. JW (Joel Kinnaman) is a clean-cut law student with money issues until the opportunity to run drugs ends the former and resolves the latter. With a girlfriend, Sophie (Lisa Henni), from the right side of town and employers from the wrong side, his life becomes complicated and very tense. Caught between Jorge (Mateas Varela), a fugitive on the run from the cops and the Serbian mafia, and Mrado (Dragomir Mrsic) a mafia hard man, JW winds up in some very deep do-do indeed
Easy Money carves up the screen in a similar vein to this year's Dead Man Down but lacks the panache. Where as Colin Farrell's film had a certain smoothness to the violence, this is gritty and unfinished. It feels a little rushed at times but that's part of the attraction. You really don't want to mess with any of these characters. Ever.
It's very easy to like JW, even though everything screams that he's a fool who is willingly corrupting himself. It doesn't take a genius to work out there'll be serious consequences come the end of the film, but for whom? Kinnaman, who boosted his international profile with The Killing, is on excellent form here. Think Jonathan Rhys Meyers in Match Point only better. Much, much better.
The characters are rounded well enough for us to step back from them but not so much that they appear sculpted film characters rather than raw, unpleasant lowlifes who'll blow you away if it's ever a threat to their survival.
Easy Money is always compelling and the two-hour running time whizzes by in an instant. Alas, by sheer dint of it being in foreign language, it is unlikely to garner much of an audience in the UK and USA; I was the sole occupant of the cinema last night and, whilst it was a joy for me, it doesn't bode well for the chances of the sequel hitting Bristol.
For the philistines who are unable to watch and read the screen simultaneously, Easy Money is good enough to have been awarded an unnecessary Hollywood remake staring Zac Effron. I have nothing against Effron, on the contrary, he impressed me in The Paperboy last year, it's just that Hollywood does have a tendency to take excellent foreign language films and mutilate them. Disagree? Compare and contrast Let The Right One In with Let Me In, or The Girl With the Dragon Tattoo and its remake, or the Hollywood adaptation of TV's The Killing, or
When will Hollywood learn? Stop remaking the great films and TV series and take a look at those that should have been good but bombed. I'm not judging the remake of Easy Money before the cameras even start rolling but, take it from me, it's unlikely to improve on the original. It's certainly no date movie, but a gritty thriller that will happily consume any Friday night.
For more reviews from The Squiss, subscribe to my blog and like the Facebook page.
Fortunately, thriller is not dead. Hollywood thriller is a desiccated corpse. It somehow keeps plodding stealing good ideas from around a world. This movie is awaiting a remake in Hollywood. Can't wait to see that disaster. What makes this Swedish thriller fresh and original is the hefty dose of reality and interest in it's characters. They are not just a bunch of crooks and psychopaths, they are human too. Young Swede with expensive tastes and little money, Chilean criminal with dreams and the Serbian enforcer with an 8-year daughter to care for. We see the glimpse of what they are made of. Nothing overly heavy and preachy, but just enough to fell real and plausible. And that is what Hollywood doesn't do. The audience they aim for, pimply, computer game addicted, 14 year olds just don't have the patience for anything else apart from explosions and non-stop action. So, thankfully comes this brilliant flick with 2 sequels to follow.
EASY MONEY is a highly effective slice of Scandi crime drama that blows the socks off the Hollywood competition. It's a film responsible for introducing new talent to the international scene in the form of lead Joel Kinnaman (who went on to be the new ROBOCOP) and director Daniel Espinosa (who went on to direct the Denzel Washington thriller SAFE HOUSE on the strength of this).
The story is a complex but watchable one that tells of various competing criminal factions seeking to control the local drug supply. The mix of amoral characters is what makes this film feel unique; the hero is anything but heroic, merely out to save his own skin, and thus has a kind of vibrant realism missing from all those goody two-shoes in Hollywood flicks. Plus, Dragomir Mrsic's Serbian hit-man is good enough to deserve a film all to himself, and really helps to add quality to the film.
Epinosa's direction is another strength as he forgoes the typical dark and dingy look of a Scandinavian crime flick and instead creates a bright, colourful and beautiful look for the film. I had the pleasure of seeing this in high definition and it really looks a treat. EASY MONEY isn't an action film or a thriller packed with suspense scenes, but the quality of the script and plotting mean you'll be glued to the screen as if it were. Bring on the sequel!
The story is a complex but watchable one that tells of various competing criminal factions seeking to control the local drug supply. The mix of amoral characters is what makes this film feel unique; the hero is anything but heroic, merely out to save his own skin, and thus has a kind of vibrant realism missing from all those goody two-shoes in Hollywood flicks. Plus, Dragomir Mrsic's Serbian hit-man is good enough to deserve a film all to himself, and really helps to add quality to the film.
Epinosa's direction is another strength as he forgoes the typical dark and dingy look of a Scandinavian crime flick and instead creates a bright, colourful and beautiful look for the film. I had the pleasure of seeing this in high definition and it really looks a treat. EASY MONEY isn't an action film or a thriller packed with suspense scenes, but the quality of the script and plotting mean you'll be glued to the screen as if it were. Bring on the sequel!
Did you know
- TriviaDragomir Mrsic is not a trained actor, but is actually a former bank robber.
- GoofsBefore the scene where Mrado is assaulting Jorge in the woods, JW is seen walking past Mrado's car. When he walks past the car you can clearly see the camera-team visible for a short second.
- ConnectionsFeatured in Maltin on Movies: Ice Age: Continental Drift (2012)
- SoundtracksU Got Me Good
Written by Jörgen Elofsson (as J. Elofsson), John Lundvik (as J. Lundvik), Erik Lidbom (as H. Lidbom) and nm10019610 (as C. Mason)
Performed by Sheri
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Tiền Bẩn
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- SEK 30,000,000 (estimated)
- Gross US & Canada
- $205,741
- Opening weekend US & Canada
- $24,684
- Jul 15, 2012
- Gross worldwide
- $8,444,544
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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