User Reviews

Winner of the Best Asian Film Award at last year's Tokyo International Film Festival, and screened out of competition at Cannes this year, writer-director Ounie Lecomte's debut feature film is a semi-autobiographical tale of a young South Korean girl who got abandoned by her single dad to an orphanage where she yearns a life of normalcy, still harbouring hopes that she'll be reunited with the only family she knows.

One can imagine just how much reference from Lecomte's own life got written into the film. Being unable to speak Korean and has French as a first language herself, Lecomte's tale follows the adventures of Jinhee (Kim Sae Ron), a precocious little girl who ends up in France which probably accounted for the director's own language skills or the lack thereof in her native tongue, and throughout the story you'll find it pretty heart-wrenching especially when Jinhee tries to resist blending into the scheme of things in the orphanage, knowing that to go with the flow will mean to surrender all memory of her loved one and life as she knew, to making herself appealing for a new foster family to pick her up for adoption.

Thus beneath the exterior sweetness lies strong feelings of resentment and anger even, being unable to fathom how her dad can give her up so that she can supposedly lead a better life in a foster home in the mid 70s Korea, and likely one to be overseas given the kind of folks who drop by the orphanage to look for children to adopt. The story's episodic in nature as the orphanage serves as a temporary holding point in her life in between a giant leap of change, and flits between how Jinhee finds every opportunity to resist change, and how each time she embraces a little change through friendships forged, her heart gets broken all over again.

And having one's heart broken too many times probably doesn't bode well for a proper, balanced development, given that her trust with loved ones and friends got betrayed in the highest order. The gem and revelation of the film is the tour de force performance by Kim Sae Ron as Jinhee, who almost single-handedly lifts the film from start to finish giving an unbelievably strong performance for her age, dealing with the range of positive and negative emotions like a seasoned veteran.

You can't help but to fall in love with the little girl, and share in her despair at being abandoned, and weep a little with her when promises made become shattered. Casting Sae Ron is a stroke of brilliance, as the actress' performance was key to make or break this film, and thankfully, she was the miracle to breathe life into what was a straightforward story dealing with human emotions, nevermind the bleak landscape that spelt doom and gloom. This performance alone is well worth getting a ticket to the film.

Life can appear very strange, when no-one is there to explain it. Especially when you're a child and you have plenty of questions. This is a big question which started the day when a father, with no explanations left his daughter at an orphanage. A Brand New Life takes its spectator to childhood - to a time when we asked many things and perhaps got no answers and no explanations why things happen exactly this way. Film is through and through seen from the eyes of a child, but brought to it's richness with the help of a wonderful script and skillful camera, allowing its spectator to put aside for a while his adult point of view and just observe, and try to understand. This is the story of a little girl, Jinhee, played marvelously by Mademoiselle Sae Ron Kim. She poses questions, but there never comes an honest answer why her life has turned out like this.

A Brand New Life achieves a perfect harmony, one element underlines the other one. The long takes allow the spectator to grasp, how long the time in orphanage seemed for Jinhee, the relatively small amounts of dialogs depicts the introvert child, whose emotions break out through some furious actions. The gray tone palette which en-tours the setting of the orphanage shows very understandable the sadness of this place.

Film touches not only an auto-biographical story, but the sad truth of life – we all know that there are thousands of places like this around the world. And there are thousands of children who, perhaps, have mastered this tragicomic show for the visitors, the potential new families.

In conclusion I'd like to say that this is a very daring film, knowing that this was a true story and a true childhood, perhaps lived through second by second as we see it on the screen. I must say that it's a brave choice to put a story like this on the screen. But its greatest value is the absence of a pathos and absence of a depiction the children as a victims of the cruelty of life. A Brand New Life is hope and search for the answers through and through it.

I read some of the reviews for this film and I agree, this is a pretty depressing and yet engaging movie but the audience will be left wanting more when the credits starts rolling and not because the movie is mind blowing or anything. And Son Rae Kim was just perfect for this role, she is a very good actress for her age and is looking forward for her to make it in the movie business. The other children in the movie did a fine job as well. But I am just curious why a big time actor such as Kyung-gu Sol played a very small part as Jinhee's father, when anyone else could have done the role since it doesn't even show his face. This is the first movie I saw about children in the Korean orphanage, and was well worth the time. It was sad watching the children in the movie struggling and doing there best to get adopted and to know the problem of many children ending up in the orphanages still goes on today.

7.8/10

What kind of story would attract the acclaimed South Korean director Lee Chang-Dong's support and serving as a producer? (So far he has only served as a producer of two films. He was even only an executive producer of his own work "Secret Sunshine." I have to also mention that the film's French producer Laurent Lavolé was the guest who I honorably hosted in the Taipei Film Festival in 2008.) "A Brand New Life" is such a simple but moving film from the new French Korean filmmaker Ounie Lecomte. Based on her personal experience as a child, she sincerely shares this poignant but very inspiring childhood memories to the audience around the world.

Jinhee was taken out on a trip by her father. Her father bought a wide range of gifts, they ate lots of delicious food, and he even gave her a big cake, but it all turned to a different direction once they set their feet into a children's monastery shelter. It turned out that Jinhee's life will never be the same ever since. This has a similar premise as the famous fairy tale "The Little Princess" by the British writer Frances Hodgson Burnett. Though we think that there would be another harsh supervisor and several kids who try to bully her here through Jinhee's eyes, fortunately, the reality is not entirely so tragic.

The supervisor seems harsh, but in fact, she has a loving heart under her icy face; the crippled sister, who's the oldest among the children, sadly took her fate after the unsuccessful struggle; Sookhee is already an older child than most, she seems capricious at first, but she's very sympathetic underneath. She and Jinhee soon to become inseparable friends. But they still have total different perspectives toward the future. Sookhee, who has watched many of the adopted children left, wish that she would find a good home before she becomes too old, so she tried her best to promote herself once she gets the chance. But Jinhee, who's still waiting for her father to fulfill his promise and come back to pick her up, but the wait seems to be increasingly long and increasingly remote.

Lecomte showed her great talent in this film she wrote and directed for the first time. She presented the very personal story in a very modest and earthy way, but it's even more effective and moving than letting the sentiments taking over. Take the part where Jinhee and Sookhee secretly took care of a dying bird after they found it as an example, it simply conveys the profound meaning of the fine line between life and death. Kin Sae Ron, who was casted as Jinhee, successfully performed as the crucial key to make the film work, whether it's the look when being helpless, or the fake smile when she has learned to be sophisticated, they are all hard to make the audience not be moved.

After Sookhee was gone, Jinhee, who had hope once again in her heart, had lost someone she could rely on. In the meantime, she learned that her father and the family had moved to somewhere no one knows from the headmaster of the monastery. It was the first time in her life that she felt all alone and was left in helplessness and despair. but she eventually learned to face the difficulties of life with strengths. She quickly got a new hope that might become a turning point in her life with her adorable looks. When on her way towards the unknown destination, the warmth when leaning on her father's back on the back seat of the bike suddenly appeared in her heart, but it may only be deeply buried in the memory as the song she sang from her heart.

This movie is very beautiful to watch. I saw it at the Toronto International Film Festival '09 at the Isabel Bader theatre. Though heartbreaking, I found myself wanting to make every small moment last, as if holding onto the only remaining photo of a person lost.

The acting from everybody, including all the small children, was very good and believable. They seemed honest and innocent, including the adult supporting characters. Some very impactful moments from secondary characters with small but important parts. They said things without having to actually say anything at all. I left feeling like the movie was neither too long or too short, so I found the timing perfect.

When would this be released in Canada? I would love to view it again.

...yet I was left wanting for more. I didn't get to know much about Jinhee, why she was there, what happened to her family, and the like. Yet in real life, as this movie was based on, we often don't get the answers we seek or that would make sense of our situation. One reviewer said it wasn't a tearjerker but a heart tugger, and I tend to agree. The roles were beautifully played the child cast and a few cameos were nice by two of Korea's leading male actors who played Jinhee's father and a sympathetic doctor.

The sad thing is, Koreans still dump unwanted children into orphanages to this day, a lot of whom are the product of out-of-wedlock relationships. It's horrible to have the children suffer for the mistakes of adults.

One of the greatest fears of childhood is being abandoned by your parents and left to face the world alone. In A Brand New Life, winner of Best Asian Film Award at the Tokyo International Film Festival, French director Ounie Lecomte recalls her childhood in South Korea with this sensitively rendered and touching story of a young girl who was left by her father in an all-girls Catholic orphanage to be placed for adoption. Set in Seoul in 1975, nine-year-old Jin-hee, superbly performed by Kim Sae-rom, does not suspect anything out of the ordinary after spending a day with her father (Sol Kyung-gu) buying new clothes, going out to dinner, and taking a ride together on his bicycle.

When Jin-hee is suddenly dropped off the next day at an orphanage just after her father bought her a cake that she picked out, she is bewildered but believes that her father will return to bring her home. Left to adjust to a strange new environment, however, she is full of anger. Though she is treated well by the nuns and the other children, she refuses to comply with the rules and resists the requests of sister Bomo (Park Myeong-shin), the woman who runs the orphanage. Refusing to speak, eat or change clothes, Jin-hee pleads with the director Koo (Oh Man-seok) to allow her to call her father but he is unable to find him. Planning to escape, she spends the night outside in the cold.

When she decides to return, she begins to reluctantly accept that her father will not return and that she will sooner or later be placed for adoption, perhaps with a family from another country. Fortunately, she finds a friend in 11-year-old Sook-hee (Park Do-yeon), a bright and outgoing girl who has learned to say the right things to prospective parents, but often causes trouble with the nuns. The two girls practice English together, play card games, sneak extra pieces of cake for each other, and care for a sick bird. Sook-hee tells her that she has started to have her period but she must keep it a secret. They talk about another girl Yeshin (Ko Ah-sung) who is depressed by a letter she receives from a boy (Mun Hack-jin) that she has a crush on.

Even though she is able to bond with Sook-hee, Jin-hee remains distressed about the lies her father told her, taking out her frustration by destroying Christmas dolls given to children as gifts, and refusing to answer questions at a meeting with perspective parents. A Brand New Life involves the heart but refuses to pull out all the dramatic stops to ratchet up the tears. Though its theme is downbeat, it is not a depressing film because the children are shown as having amazing strength and resilience. When each girl leaves with a new family and the remaining children sing "Auld Lang Syne," they are not just saying goodbye and lamenting the old times, but designing a brand new life for their friend and voicing hope as well for their own future.

When I sat down here in 2022 to watch the 2009 South Korean drama "Yeo-haeng-ja" (aka "A Brand New Life"), then I had never heard about the movie before. So writer and director Ounie Lecomte had every opportunity to bedazzle and entertain me.

While I have no idea what life in an orphanage would be like in the 1970s South Korean, then I will say that writer and director Ounie Lecomte definitely managed to put together a rather emotional and beautiful movie here with "Yeo-haeng-ja".

But it was not only the writing and the storyline that made "Yeo-haeng-ja" a good movie. No, it was also very much because of some really amazing acting performances, especially by Kim Sae-Ron, Do Yeon Park and Ko Asung.

It should be noted that "Yeo-haeng-ja" is a slow paced movie, even for a drama. So it is a movie that might not find a base with just anyone in the audience, as it requires a particular mindset and mood to delve into the movie and enjoy it. There is just a sense of realism and sadness about the movie that permeates the entire movie, and it does creep in under the skin.

I will say, though, that I was adequately entertained by "Yeo-haeng-ja". However, it is not a movie that I will ever return to watch a second time around, as the storyline just doesn't have the contents to support a second viewing.

My rating of "Yeo-haeng-ja" lands on a six out of ten stars.

"..Life in the orphanage, seen through the eyes of a child.."

A Brand New Life Story of a little girl, in a sudden, abandoned by her father in the orphanage.. Living her life in the orphanage and venturing herself to a great unknown, a new family, hence A Brand New Life..

The film is based on the experiences of the director, an ethnic Korean who was adopted by a French couple in the 1970s..

A beautifully made movie.. An 8 of 10 stars from me..