- Nominated for 1 Oscar. Another 10 wins & 15 nominations.
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Cast verified as complete
Mia Wasikowska | ... |
Jane Eyre
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Jamie Bell | ... |
St John Rivers
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Su Elliot | ... |
Hannah
(as Su Elliott)
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Holliday Grainger | ... |
Diana Rivers
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Tamzin Merchant | ... |
Mary Rivers
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Amelia Clarkson | ... |
Young Jane
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Craig Roberts | ... |
John Reed
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Sally Hawkins | ... |
Mrs. Reed
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Lizzie Hopley | ... |
Miss Abbot
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Jayne Wisener | ... |
Bessie
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Freya Wilson | ... |
Eliza Reed
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Emily Haigh | ... |
Georgiana Reed
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Simon McBurney | ... |
Mr. Brocklehurst
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Sandy McDade | ... |
Miss Scatcherd
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Freya Parks | ... |
Helen Burns
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Edwina Elek | ... |
Miss Temple
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Ewart James Walters | ... |
John
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Judi Dench | ... |
Mrs. Fairfax
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Georgia Bourke | ... |
Leah
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Sally Reeve | ... |
Martha
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Romy Settbon Moore | ... |
Adèle Varens
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Églantine Rembauville-Nicolle | ... |
Sophie
(as Églantine Rembauville)
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Michael Fassbender | ... |
Rochester
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Rosie Cavaliero | ... |
Grace Poole
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Angela Curran | ... |
Undercook
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Imogen Poots | ... |
Blanche Ingram
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Sophie Ward | ... |
Lady Ingram
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Joe Van Moyland | ... |
Lord Ingram
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Hayden Phillips | ... |
Colonel Dent
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Laura Phillips | ... |
Mrs. Dent
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Harry Lloyd | ... |
Richard Mason
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Ned Dennehy | ... |
Dr. Carter
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Joseph Kloska | ... |
Clergyman Wood
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Ben Roberts | ... |
Briggs
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Valentina Cervi | ... |
Bertha Mason
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Rest of cast listed alphabetically: | |||
Ash Baggott | ... |
Timmins (uncredited)
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Sarah Hough | ... |
Georgiana Reed - Adult (uncredited)
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Directed by
Cary Joji Fukunaga |
Written by
Moira Buffini | ... | (screenplay by) |
Charlotte Brontë | ... | (based on the novel by) |
Produced by
Mairi Bett | ... | co-producer |
Hannah Farrell | ... | associate producer |
Peter Hampden | ... | executive producer |
Sasha Harris | ... | line producer: re-shoots (uncredited) |
Christine Langan | ... | executive producer |
Alison Owen | ... | producer |
Paul Trijbits | ... | producer |
Faye Ward | ... | co-producer |
Music by
Dario Marianelli |
Cinematography by
Adriano Goldman | ... | director of photography |
Editing by
Melanie Oliver | ... | (as Melanie Ann Oliver) |
Editorial Department
Chris Bentley | ... | digital intermediate-lab operator |
James Clarke | ... | digital intermediate supervisor |
Stuart Fyvie | ... | digital intermediate colorist |
Scott Goulding | ... | assistant digital intermediate colorist |
Chris McGloin | ... | first assistant editor |
Mathieu Reid | ... | color timer |
Danny Salas | ... | second assistant editor |
Daniel Tomlinson | ... | senior digital intermediate-lab operator |
Diana Vasquez | ... | digital lab operator |
Rick White | ... | vt supervisor: Lip Sync Post |
Michael Alexander Winter | ... | delivery coordinator: Ruby Films (as Michael Winter) |
Rob Ackerman | ... | technical support (uncredited) |
Scott Macbeth | ... | technical support (uncredited) |
Salim Rahman | ... | technical support (uncredited) |
Casting By
Nina Gold |
Production Design by
Will Hughes-Jones |
Art Direction by
Karl Probert |
Set Decoration by
Tina Jones | ||
Greer Whitewick |
Costume Design by
Michael O'Connor |
Makeup Department
Bee Archer | ... | daily makeup artist |
Theresa Atkinson | ... | trainee hair stylist: BBC (as Theresa Carey) / trainee makeup artist: BBC (as Theresa Carey) |
Carolyn Cousins | ... | crowd hair stylist / crowd makeup artist |
Françoise Cresson | ... | daily makeup artist |
Julie Dartnell | ... | daily makeup artist |
Janita Doyle | ... | daily makeup artist |
Sarah Grispo | ... | daily makeup artist |
Lilly Hodson | ... | trainee makeup artist |
Jane Logan | ... | crowd hair and makeup artist |
Ameneh Mahloudji | ... | daily makeup artist |
Veronica McAleer | ... | on-set chief hair stylist: additional photography (as Veronica Brebner) / on-set chief makeup artist: additional photography (as Veronica Brebner) |
Belinda Parish | ... | daily makeup artist (as Belinda Parrish) |
Daniel Phillips | ... | hair designer / makeup designer |
Tapio Salmi | ... | hair stylist / makeup stylist |
Loulia Sheppard | ... | hair stylist |
Rupert Simon | ... | daily makeup artist |
Barbara Taylor | ... | daily makeup artist |
Xanthia White | ... | daily makeup artist |
Eve Wignall | ... | daily makeup artist |
Kristyan Mallett | ... | special makeup effects designer (uncredited) |
Production Management
Rob Campbell-Bell | ... | assistant unit manager (as Robert Campbell-Bell) |
Jane Nerlinger Evans | ... | executive in charge of production |
Sasha Harris | ... | production manager |
Charlie Simpson | ... | unit manager |
Michael Solinger | ... | post-production supervisor |
Ben Urquhart | ... | post production executive |
Second Unit Director or Assistant Director
Lee Grumett | ... | first assistant director |
Jude Harrison | ... | daily third assistant director: crowd |
Ursula Haworth | ... | daily third assistant director: crowd |
Alexander Holt | ... | second assistant director: additional photography |
Tamara King | ... | daily third assistant director: crowd |
Carley Lane | ... | third assistant director |
Arif Macaco | ... | trainee assistant director (as Arif Maruthiyil) |
Barrie McCulloch | ... | first assistant director: additional photography |
Jo Tew | ... | second assistant director |
Art Department
Dion Banner | ... | supervising painter |
Lynne Benelick | ... | standby props (as Lynn Bennellick) |
Barry Brown | ... | supervsing rigger |
Mat Campbell | ... | key greensman |
Graham Caulfield | ... | drapes master |
Ian Cooper | ... | dressing props: additional photography |
Cathy Cosgrove | ... | buyer: additional photography / set decorator: additional photography |
David Creed | ... | standby carpenter: additional photography |
Charlotte Crosbie | ... | petty cash buyer |
Josh Field | ... | prop trainee |
Jordan Forbes | ... | prop trainee |
David Gray | ... | stand-by rigger |
Peter Hallam | ... | property master: additional photography |
Dean Hawley | ... | standby painter |
Mark Keene | ... | carpenter |
Lizzie Kilham | ... | standby art director |
Tim Lanning | ... | greensman |
Dave Midson | ... | dressing props |
Jonathan Millward | ... | storyboard artist |
Nick Milner | ... | prop storeman |
Garry Moore | ... | standby carpenter |
Daniel Nussbaumer | ... | trainee art director: BBC |
Steve Payne | ... | daily propman (as Steven Payne) |
Wesley Peppiatt | ... | daily propman |
Clare Porritt | ... | art department assistant |
Mickey Pugh | ... | standby props (as Michael Pugh) |
Graeme Purdy | ... | property master |
Tabitha Quitman | ... | daily art department assistant |
Chris Rosser | ... | assistant art director |
Tony Sankey | ... | construction manager: London |
Bob Sherwood | ... | dressing props |
Ian Summers | ... | construction manager: Derbyshire |
Katharine Tidy | ... | home economist |
Jenny Tobin | ... | set florist |
Kate Venner | ... | production buyer |
James Wakefield | ... | assistant art director |
Rohan Harris | ... | scenic artist (uncredited) |
Tanya Peacock | ... | prop maker and painter (uncredited) |
Tabitha Quitman | ... | work experience (uncredited) |
Doreen Watkinson | ... | prop maker (uncredited) |
Sound Department
Dan Bentham | ... | senior producer: sound, Lip Sync Post |
Steve Browell | ... | sound effects editor |
Sandy Buchanan | ... | adr recordist |
Peter Burgis | ... | foley artist |
Simon Chase | ... | adr editor |
Matthew Collinge | ... | supervising sound editor |
Ed Colyer | ... | foley mixer |
Paul Cotterell | ... | adr mixer |
Jennie Evans | ... | dialogue supervisor |
Robert Farr | ... | re-recording mixer |
Catherine Hodgson | ... | supervising sound editor |
Peter Lindsay | ... | production sound mixer |
Michael Maroussas | ... | dialogue editor |
Aileen McIntosh | ... | producer: sound, Lip Sync Post |
Kate Morath | ... | sound maintenance |
Ben Norrington | ... | sound editor |
Theotime Pardon | ... | sound assistant |
Keith Partridge | ... | foley engineer |
Gavin Rose | ... | adr editor |
Barnaby Smyth | ... | foley supervisor |
Ben Tat | ... | adr assistant |
Yanti Windrich | ... | sound assistant |
Sebastian Dale | ... | dialogue editor (uncredited) |
Rob Prynne | ... | additional sound effects editor (uncredited) |
James Shannon | ... | sound consultant: Dolby (uncredited) |
Special Effects by
Tony Auger | ... | special effects supervisor |
Jonathan Bullock | ... | special effects standby: additional photography |
Danny Hills | ... | special effects technician |
Stuart Prior | ... | special effects technician |
Mark Roberts | ... | senior special effects technician |
Visual Effects by
Oana Anghel | ... | graphics coordinator: Lip Sync Post |
Jean Arousi | ... | visual effects editorial: Modus FX |
Marie-Ève Authier | ... | pre compositor: Modus FX |
Marie-Pier Avoine | ... | texture artist: Modus FX |
Angela Barson | ... | visual effects supervisor: BlueBolt |
Dan Bentham | ... | visual effects senior producer: Lip Sync Post |
Lizzie Bentley | ... | digital matte painter: BlueBolt |
Mathieu Bertrand | ... | lead look development: Modus FX |
Patrick Bissonnette | ... | visual effects financial controller: Modus FX |
Jonathan Boisvert | ... | technical support: Modus FX |
Guy Boudreau | ... | pre compositor: Modus FX |
Marc Bourbonnais | ... | visual effects executive producer: Modus FX |
Linden Brownbill | ... | visual effects film engineer: Lip Sync Post |
Alberto Buron | ... | digital restoration artist: Lip Sync Post |
Luke Butler | ... | digital compositor: Lip Sync Post |
Naomi Butler | ... | digital compositor: Lip Sync Post |
Alexandre Canniccioni | ... | texture artist: Modus FX |
Guillaume Champagne | ... | modeller: Modus FX |
Sébastien Chartier | ... | visual effects artist: Alchemy 24 |
Nicolas Cloutier | ... | matte painter: Modus FX |
Valérie Clément | ... | visual effects sales and marketing director: Modus FX |
Tom Collier | ... | lead compositor: Lip Sync Post |
Tobie Cote | ... | matte painter |
Jacinthe Côté | ... | visual effects production manager: Modus FX (as Jacynthe Côté) |
Peter Dickinson | ... | graphic designer: Lip Sync Post |
Stefan Drury | ... | head of visual effects: Lip Sync Post |
Marilyn Emond | ... | visual effects coordinator: Modus FX |
Sean Farrow | ... | visual effects supervisor: Lip Sync Post |
Jean-François Ferland | ... | visual effects artist: Alchemy 24 |
Matt Foster | ... | digital matte painter: Lip Sync Post |
Dominic Gaudreau | ... | director of technology: Modus FX |
Varun Hadkar | ... | compositor: BlueBolt |
Julia Hall | ... | title design/motion graphics |
Sandro Henriques | ... | digital compositor: Lip Sync Post |
Paddy Kelly | ... | visual effects producer: BlueBolt |
Markus Kuha | ... | lead compositor: BlueBolt |
Louis Laflamme-Fillion | ... | visual effects editorial: Modus FX |
Martin Larrivée | ... | compositor: Modus FX |
Luka Leskovsek | ... | compositor: BlueBolt |
Sylvain Lorgeou | ... | lead concept artist: Modus FX / lead matte painter: Modus FX |
Aileen McIntosh | ... | visual effects producer: Lip Sync Post |
Maxime Murray | ... | technical support: Modus FX |
Dylan Owen | ... | digital compositor: Lip Sync Post |
Mathieu Phaneuf | ... | lead modeller: Modus FX |
John Purdie | ... | digital compositor: Lip Sync Post |
Florian Schuck | ... | compositor: BlueBolt |
David Sjodin | ... | digital compositor: Lip Sync Post |
Angela Stanley | ... | digital compositor: Lip Sync Post (as Angela Rose) |
Jon Stanley | ... | senior systems manager: Lip Sync Post |
Stéphane Stradella | ... | compositor: Modus FX (as Stephane Stradella) |
Lucy Tanner | ... | visual effects coordinator: Lip Sync Post |
Guillaume Thimus | ... | compositing artist: tracking and layout: Modus FX |
Georges Tornero | ... | compositor: Modus FX |
Samantha Tracey | ... | visual effects producer: Lip Sync Post |
Valentin Trasnea | ... | pre compositor: Modus FX |
Howard Watkins | ... | creative director: Lip Sync Post |
Simon Weaner | ... | matte painter: Modus FX |
Yanick Wilisky | ... | visual effects supervisor: Modus FX |
Odile-Emmanuelle Auger | ... | visual effects coordinator: Modus FX (uncredited) |
Chris Bentley | ... | digital lab operator (uncredited) |
Renaud Bousquet | ... | td tracking and layout: Modus FX (uncredited) |
Warwick Campbell | ... | digital compositor: Lip Sync Post (uncredited) |
Jimmy Caron | ... | visual effects artist: Modus FX (uncredited) |
Jonathan Carré | ... | digital compositor: Modus FX (uncredited) |
Andrea Espinal | ... | digital compositor: Modus FX (uncredited) |
Jean-Sébastien Fortin | ... | digital compositor: Modus FX (uncredited) |
Rob Geddes | ... | roto artist (uncredited) |
Yanni Goudetsidis | ... | systems engineer (uncredited) |
Mauricio Guwzynski | ... | digital compositor: Modus FX (uncredited) |
Pascal Laflamme | ... | td tracking and layout: Modus FX (uncredited) |
Florent Lebrun | ... | matte painter: Modus FX (uncredited) |
Samuel Loriault-Goulet | ... | data wrangler: Modus FX (uncredited) / layout modeler (uncredited) |
Stephane Picard | ... | data wrangler: Modus FX (uncredited) |
Gareth Repton | ... | compositor (uncredited) |
Lucy Seaborne | ... | digital restoration artist: Lip Sync Post (uncredited) |
Armando Velazquez | ... | digital compositor: Modus FX (uncredited) |
Stunts
Tom Cox | ... | stunt performer |
Richard Hansen | ... | stunt performer |
Mark Henson | ... | stunt coordinator (as Franklin Henson) |
Holly Lumsden | ... | stunt performer |
Helen Steinway Bailey | ... | stunt performer (as Helen Steinway-Bailey) |
Camilla Naprous | ... | assistant horse master (uncredited) |
Camera and Electrical Department
Mark Alvarez | ... | daily electrician |
Rob Armstrong | ... | electrical rigger / standby rigger: additional photography |
John Arnold | ... | grip: "b" camera |
Paul Barker | ... | electrical rigger |
Jacob Barrie | ... | second assistant camera: "b" camera |
Bill Beenham | ... | electrical rigger (as WilliamBeenham) |
Alex Bender | ... | video assist |
Robert Binnall | ... | camera operator: "b" camera |
Julian Bucknall | ... | first assistant camera: "a" camera, main unit |
Tony Burns | ... | daily electrician (as Tony Burnes) |
David Cadwallader | ... | crane grip |
Wailoon Chung | ... | electrician |
Jason Dully | ... | second assistant camera: "b" camera |
Tobias Eedy | ... | first assistant camera: additional photography |
Ian Franklin | ... | rigging gaffer |
John Gamble | ... | first assistant camera: "b" camera |
Dave Gray | ... | standby rigger |
Brian Greenway | ... | second assistant camera: "b" camera |
Eugene Grobler | ... | electrician |
Mark Hanlon | ... | best boy |
Paul Harford | ... | electrical rigger |
Daniel Hegarty | ... | crane operator (as Dan Hegarty) |
Stuart Howell | ... | director of photography: additional photography |
Chris Hughes | ... | daily electrician |
Tony Hughes | ... | daily electrician |
Lewis Hume | ... | second assistant camera: "a" camera |
Gabriel Hyman | ... | second assistant camera: additional photography |
Karl Jones | ... | raptor technician |
Russell Kennedy | ... | second assistant camera: "b" camera |
Jeff Khan | ... | electrical rigger |
Sam Kite | ... | daily electrician |
Richard Law | ... | electrical rigger |
Adam Lee | ... | daily electrician |
Andy Long | ... | gaffer |
David Maund | ... | key grip |
Vince McGahon | ... | camera operator / steadicam operator |
Danny McGee | ... | practical electrician |
Simon Muir | ... | key grip: additional photography |
Andy Munday | ... | daily electrician |
Gary Parnham | ... | rigging electrician |
George Powell | ... | crane operator |
Jon Saunders | ... | electrician (as John Saunders) |
Luke Selway | ... | central loader |
Laurie Sparham | ... | still photographer |
Iain Struthers | ... | first assistant camera: "b" camera (as Ian Struthers) |
Andy Thomson | ... | remote head technician |
William Tracey | ... | daily electrician |
Robert Walisko | ... | raptor technician |
David Weller | ... | electrical rigger (as Dave Weller) |
Dave Wells | ... | grip: "b" camera (as David Wells) |
Dan West | ... | central loader |
Grant Wiesinger | ... | electrical rigger (as Grant Weisinger) |
Robbie Bryant | ... | assistant camera (uncredited) |
Casting Department
Kharmel Cochrane | ... | casting assistant |
Robert Sterne | ... | casting assistant |
Brendan Donnison | ... | voice casting (uncredited) |
Emily Tilelli | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Marcia Bethell | ... | costume maker (as Marcia Smith) |
Jane Bogunovic | ... | costume maker |
Louisa Cassels | ... | costume trainee |
Ruth Green | ... | daily costume assistant |
Georgina Gunner | ... | costume supervisor |
Gordon Harmer | ... | daily costume assistant |
Carin Hoff | ... | daily costume assistant |
Vandra Howard | ... | daily costume assistant |
Anna Kot | ... | costume design assistant |
Melissa Layton | ... | costume standby (as Melisa Layton-Skorepa) |
Catherine Lovett | ... | costume supervisor: additional photography (as Cat Lovett) |
Elaine Mansouri | ... | costume maker |
Calandra Meredith | ... | costume standby |
Jacqueline Mulligan | ... | costume maker |
Kathryn Mysko Von Schultze | ... | costume maker (as Kathryn Frampton) |
Luan Placks | ... | costume design assistant |
Gemma Rasmussen | ... | trainee costume maker |
Lisa Robinson | ... | costume maker |
Sunita Singh | ... | daily costume assistant |
Louise Sorrentino | ... | costume assistant: additional photography (as Louisa Sorrentino) |
Sara Tosetti | ... | costume assistant |
Sarah Touaibi | ... | daily costume assistant |
John Usher | ... | costumer |
Emma Walker | ... | costume breakdown |
Allison Wyldeck | ... | daily costume assistant |
Paul Yeowell | ... | daily costume assistant |
Dominic Young | ... | costume cutter |
Catherine Lovett | ... | costume assistant (uncredited) |
Cecile Van Dijk | ... | costumer (uncredited) |
Location Management
Finlay Bradbury | ... | location scout (as Finlay Pile) |
Rupert Bray | ... | location scout |
Giles Edleston | ... | location manager |
Alex Gladstone | ... | location scout |
Mark Grimwade | ... | location scout |
Steve Keane | ... | security and location assistant |
Gary Longden | ... | location assistant: additional photography |
Nick Oliver | ... | assistant location manager |
Music Department
John Alley | ... | musician: solo piano |
Mat Bartram | ... | assistant score engineer |
James Bellamy | ... | music editor |
Fiona Cruickshank | ... | assistant score engineer |
Grace Davidson | ... | Soprano |
Olga FitzRoy | ... | assistant score engineer |
Andrew Glen | ... | music editor (as Andy Glen) |
Micaela Haslam | ... | vocal contractor: Synergy Vocals |
Jack Liebeck | ... | musician: solo violin |
Dario Marianelli | ... | orchestrator / score producer |
Andrew McKenna | ... | music advisor |
Melanie Pappenheim | ... | musician: vocal solo |
Maggie Rodford | ... | music supervisor: Air-Edel |
Hilary Skewes | ... | musician contractor |
Jill Streater | ... | music preparation |
Helen Vollam | ... | musician: trombone |
Benjamin Wallfisch | ... | conductor / orchestrator |
Nick Wollage | ... | music mixer / music recordist |
Roger Linley | ... | musician: double bass (uncredited) |
Andrew Townend | ... | music copyist (uncredited) |
Script and Continuity Department
Sylvia Parker | ... | script supervisor |
Lucy Ward | ... | assistant script supervisor (uncredited) |
Transportation Department
Alexander Aben | ... | driver: grip truck (as Alex Aben) |
Trevor Atkin | ... | unit driver |
Piotr Chrzanowski | ... | driver: facilities |
Hendrik De Jonker | ... | driver: props truck |
Renai Dwyer | ... | driver: facilities |
Jon Harvey | ... | driver: construction truck |
Rob Hempenstall | ... | transportation captain |
Paul Howitt | ... | driver: costume truck |
Neal Hurst | ... | facilities captain: additional photography |
Tony Jayes | ... | driver: Ms. Wasikowska |
Tim Jefferis | ... | driver: facilities |
Mark Jones | ... | driver: Mr. Fukunaga |
Brian Kelly | ... | driver: Mr. Fassbender |
Graeme Main | ... | driver: camera car |
Jamie Newton | ... | driver: construction truck, additional photography |
Clive Noy | ... | driver: Silverado |
Brett Owens | ... | driver: camera car, additional photography |
Steve Paxman | ... | driver: costume truck, additional photography |
Jake Spencer | ... | driver: dressing prop |
Piotr Walczak | ... | facilities captain |
Andy Wilson | ... | driver: minibus |
Additional Crew
Mark Abraham | ... | rushes runner |
John Alfred | ... | finance executive |
Chris Barnett | ... | caterer |
Charlie Barrett | ... | horses and carriages: The Devil's Horsemen |
Isabel Begg | ... | senior commercial and legal manager: BBC Films |
Helen Bingham | ... | accounts assistant |
Kim Bird | ... | chaperone |
Peter Boothby | ... | production runner: London |
Charlie Borradaile | ... | floor runner: crowd, dailies |
Andy Brunskill | ... | development executive: Ruby Films |
James Buckler | ... | production and delivery coordinator: BBC Films |
Daniel Budd | ... | first assistant accountant (as Dan Budd) |
Julie Burnham | ... | unit nurse |
Clare Collingridge | ... | floor runner: crowd, dailies |
Christopher Cox | ... | horses and carriages: The Devil's Horsemen (as Crispy Cox) |
Jake Cox | ... | horses and carriages: The Devil's Horsemen |
Matt Crook | ... | horses and carriages: The Devil's Horsemen |
Chris Cullum | ... | health and safety standby |
Andy Davies | ... | security |
Christian De-vos | ... | head of security (as Christian Devos) / security hod (as Christian Devos) |
Nazmeen Dhansey | ... | accounts assistant |
Jay Doshi | ... | contact lens technician: London |
Danny Edwards | ... | caterer |
Stuart Ewen | ... | production runner |
Jo Farrugia | ... | researcher |
Nicole Finnan | ... | production executive: Ruby Films |
Edward Fisher | ... | stand-in: Mr. Fassbender |
Chris Foggin | ... | floor runner |
Hollie Foster | ... | assistant production coordinator |
Adam Francis | ... | horses and carriages: The Devil's Horsemen |
Simon Gillis | ... | legal and business affairs manager: BBC Films |
Mia Gray | ... | stand-in: Ms. Wasikowska |
Louise Green | ... | post-production assistant accountant |
Simone Griffiths | ... | horses and carriages: The Devil's Horsemen |
Robin Guise | ... | production executive: Lip Sync Productions |
Julia Hall | ... | senior designer: LipSync Design |
Ruth Halliday | ... | clearances |
Ella Harris | ... | floor runner: crowd, dailies |
Jane Hawley | ... | production executive: BBC Films |
Christopher Haworth | ... | floor runner: crowd, dailies |
Elaine Henderson-Boyle | ... | chaperone |
Billy Hinshelwood | ... | legal services |
Dean Hoskings | ... | security |
Mick Hurrell | ... | health and safety advisor |
Polly Jefferies | ... | production coordinator |
Christina Jules | ... | financial controller: Ruby Films |
Charlotte Keating | ... | assistant to co-producer |
Karl King | ... | floor runner: additional photography |
Anna Koch | ... | assistant: Ms. Owen and Mr. Trijbits, Ruby Films |
Glen Lean | ... | horses and carriages: The Devil's Horsemen |
Michael Mann | ... | contact: London |
Andy McCloud | ... | security |
Jill McCullough | ... | dialect coach |
Charlotte Melhuish | ... | horses and carriages: The Devil's Horsemen |
Norman Merry | ... | production executive: Lip Sync Productions |
Rob Meyer | ... | electronic press kit |
Charlotte Amelia Miles | ... | floor runner |
John Miles | ... | production accountant |
Lynsey Miller | ... | production coordinator: Ruby Films |
Richard Moore | ... | insurance services: Media Insurance Brokers Ltd. |
Camilla Naprous | ... | horses and carriages: The Devil's Horsemen |
Daniel Naprous | ... | horse master |
Gerard Naprous | ... | horses and carriages: The Devil's Horsemen |
Tiziano Niero | ... | production assistant: additional photography |
Clive Noakes | ... | laboratory contact: Deluxe London |
Dan O'Toole | ... | security |
Beth Pattinson | ... | development editor: BBC Films |
Steve Pickering | ... | contact lens technician: Derbyshire |
Mike Pike | ... | horses and carriages: The Devil's Horsemen |
Mark Pir | ... | security |
Gill Raddings | ... | dog handler |
Jane Ralley | ... | tutor |
Peter Raven | ... | production executive: Lip Sync Productions |
Raymond Reader | ... | chef (as Raymond 'Rozza' Reader) |
Jeremy Richardson | ... | rushes runner |
Alex Ross | ... | horses and carriages: The Devil's Horsemen |
Zoe Ross | ... | horses and carriages: The Devil's Horsemen |
Mark Rowan | ... | health & safety advisor |
Penny Ryder | ... | assistant: Ms. Dench |
Lara Sargent | ... | post-production accountant |
Mark Shelley | ... | armorer (as Mark Shelly) |
Sam Smith | ... | floor runner: crowd, dailies |
Andy Soane | ... | caterer (as Andy Soan) |
Vaughn Stein | ... | base runner |
Richard Thompson | ... | legal services: Bloom Hergott Diemer Rosenthal Laviolette Feldman Schenkman & Goodman, LLP |
Ian Thomson | ... | unit publicist |
Jane Thurlow | ... | tutor |
John William Turner | ... | floor runner: crowd, dailies (as John Turner) |
Jenny Uglow | ... | historical advisor |
Sophie Vickers | ... | production executive: Ruby Films |
Howard Watkins | ... | creative director: titles, Lip Sync Post |
Darren White | ... | security |
Kirstie White | ... | post-production assistant accountant |
Kiri Bloom | ... | stand-in (uncredited) |
Charlotte Keating | ... | production coordinator: re-shoots (uncredited) |
Lizanne Tulip | ... | stand-in: sally hawkins (uncredited) |
Ben Urquhart | ... | post-production executive: Focus Features (uncredited) |
Jamie H. Zelermyer | ... | production executive: Focus Features (uncredited) |
Thanks
Jack Arbuthnott | ... | special thanks |
Victoria Belfrage | ... | the producers would like to thank |
Kath Brinson | ... | special thanks |
Elizabeth Bull | ... | special thanks |
David Campbell | ... | the producers would like to thank |
Paul Cantelon | ... | the producers would like to thank |
Judith Chan | ... | the producers would like to thank |
Steve Clark-Hall | ... | the producers would like to thank |
St John Donald | ... | the producers would like to thank |
Jerome Duboz | ... | the producers would like to thank |
Gretchen Grufman | ... | special thanks |
Sam Hodges | ... | special thanks |
Craig Kestel | ... | the producers would like to thank |
Lisa Mayo | ... | the producers would like to thank |
Conor McCaughan | ... | the producers would like to thank |
Rob Meyer | ... | special thanks |
Nigel Palmer | ... | the producers would like to thank |
Tanya Phegan | ... | special thanks |
James Rogan | ... | special thanks |
Timothy Struthers | ... | special thanks |
Melissa Tavakoli | ... | special thanks |
Ameer Youssef | ... | special thanks |
Production Companies
- Focus Features (presents)
- BBC Film (in association with)
- Ruby Films
- Lipsync Productions
Distributors
- A-Film Distribution (2011) (Netherlands) (theatrical)
- ACME (2011) (Lithuania) (theatrical)
- Alliance (2011) (Canada) (theatrical)
- Benelux Film Distributors (2011) (Belgium) (theatrical)
- Focus Features (2011) (United States) (theatrical)
- Gaga (2012) (Japan) (theatrical)
- Odeon (2011) (Greece) (theatrical)
- Shaw Organisation (2011) (Singapore) (theatrical)
- TOBIS Film (2011) (Germany) (theatrical)
- UGC Distribution (2012) (France) (theatrical)
- A-Film Home Entertainment (2012) (Netherlands) (DVD)
- A-Film Home Entertainment (2012) (Netherlands) (Blu-ray) (DVD)
- Argentina Video Home (2012) (Argentina) (DVD)
- Argentina Video Home (2012) (Argentina) (Blu-ray) (DVD)
- Ascot Elite Entertainment Group (2011) (Switzerland)
- Castello Lopes Multimédia (2011) (Portugal)
- Ciné+ (2021) (France) (tv)
- FS Film (2012) (Finland) (DVD)
- Film1 (2012) (Netherlands) (tv) (limited)
- HBO Max (2020) (United States) (video) (VOD)
- IPA Asia Pacific (2010) (Thailand)
- Odeon (2012) (Greece) (DVD)
- Pancinema (2011) (South Korea)
- Prorom Media-Trade (2011) (Hungary)
- Prorom Media-Trade (2011) (Romania)
- Umbrella Entertainment (2016) (Australia)
- United International Pictures (2012) (Argentina)
- Universal Pictures Home Entertainment (UPHE) (2011) (United States) (DVD)
- Universal Pictures Home Entertainment (UPHE) (2011) (United States) (Blu-ray) (DVD)
- Universal Pictures Home Entertainment (2012) (Germany) (DVD)
- Yleisradio (YLE) (2014) (Finland) (tv)
Special Effects
- LipSync Post (visual effects)
- BlueBolt (visual effects)
- Modus Fx (visual effects)
- Alchemy 24 (visual effects)
- Kristyan Mallett Fx (makeup effects)
- ReelEye Company (special effects contact lenses)
Other Companies
- ARRI Lighting Rental (lighting equipment)
- ARRI Media (camera equipment)
- Air Lyndhurst Studios (music mixed at)
- Air-Edel Associates (music services)
- Alex Rouse Wigmakers (wigs by)
- Angel Studios (music recorded at)
- Arion Communications Ltd. (rushes transfer)
- Audiolink Radio Communications (mobiles and radios)
- Bon Appetit Catering (catering)
- Chapman/Leonard Studio Equipment (camera cranes)
- Cine-Film Cars (unit transport)
- Cinéphase (additional adr recording)
- Cosprop (costume hire)
- Coutts & CO (production finance provided by)
- Digital Media Services (DMS) (digital asset management)
- Digital Media Services (DMS) (digital marketing asset management)
- Dolby Laboratories (sound mix)
- EuroKids & Adults International Casting and Model Agency (extras casting)
- Fuji Photo Film (film stock)
- Guys & Dolls Casting (extras casting)
- HSR / NY (additional adr recording)
- HireWorks (HD equipment rental)
- Howard Schwartz Recording (additional adr recording)
- Hyperactive Broadcast (HD VT Ingest Solution + Avid Technical Support)
- Intelligent Media (international monitoring agency)
- LipSync Post (adr recording)
- LipSync Post (digital grading)
- LipSync Post (digital intermediate)
- LipSync Post (main title design)
- LipSync Post (sound)
- Media Services (stationery supplier)
- Palmbrokers (greenery)
- Precision (shippers)
- Production Copier Company (production equipment and services)
- Sands Films (costumes)
- Sapex Scripts (post-production script)
- Sargent-Disc (payroll services)
- Sky Media Travel (travel agent)
- Sony Classical (soundtrack)
- Synergy Vocals (vocal contractor)
- Technicolor Rome (additional adr recording)
- The Devil's Horsemen (I) (horses and carriages)
- The Movie Lot (security)
- Translux International (facilities vehicles)
- Warner Bros. De Lane Lea (additional adr recording)
Storyline
Plot Summary |
After a bleak childhood, Jane Eyre (Mia Wasikowska) goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Edward Rochester (Michael Fassbender). Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever? Written by Mel Bellis in the U.K. |
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Taglines | She sought refuge... and found a place haunted by secrets. See more » |
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Parents Guide | View content advisory » |
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Additional Details
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Box Office
Cumulative Worldwide Gross | $34,710,627 |
Did You Know?
Trivia | The location of Jane Eyre's cottage was so isolated that there was no mobile phone reception. A member of the crew had to be stationed in a nearby phone booth with a walkie talkie in case the crew needed anything. He didn't complain, however, as the local residents brought him tea and biscuits throughout the day. See more » |
Goofs | The teacup that Jane is drinking out of is Belleek. Belleek porcelain was first produced in 1863 and was not widely available outside Ireland until the mid-1860s while the blue mark on Jane's cup was first used in 1993. See more » |
Movie Connections | Featured in Episode #1.8 (2011). See more » |
Soundtracks | Flamme Vengeresse See more » |
Quotes |
Jane Eyre:
I have lived a full life here. I have not been trampled on. I have not been petrified. I have not been excluded from every glimpse of what is bright. I have known you, Mr. Rochester, and it strikes me with anguish to be torn from you. Rochester: Then why must you leave? Jane Eyre: Because of your wife. Rochester: I have no wife. Jane Eyre: But you are to be married. Rochester: Jane, you must stay. Jane Eyre: I'm become nothing to you?... [near tears] Jane Eyre: Am I a machine with out feelings? Do you think that because I am poor, plain, obscure, and little that I am souless and heartless? I have as much soul as you and full as much heart. And if God had possessed me with beauty and wealth, I could make it as hard for you to leave me as it is for I to leave you... I'm not speaking to you through mortal flesh. It is my spirit that addresses your spirit, as if we'd have passed through the grave and stood at God's feet equal. As we are. Rochester: [taking her arms] As we are. Jane Eyre: [trying to pull away] I am a free human being with an independent will, which I now exert to leave you. Rochester: Than let you will decide your destiny. I offer you my hand, my heart. Jane, I ask you to pass through life at my side. You are my equal and my likeness... Will you marry me? Jane Eyre: Are you mocking me? Rochester: Do you doubt me? Jane Eyre: Entirely. See more » |