Salvador Calvo’s “Adú” leads the way at Spain’s annual Goya Awards nominations with 14 nods, including for best film and best director.
“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.
In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.
Competing for the best direction Goya will be Salvador Calvo for “Adú”; Juanma Bajo Ulloa for “Baby”; Iciar Bollain for “La boda de Rosa”; and Isabel Coixet for “Nieva en Benidorm.”
In the running for best European film are Jan Komasa’s “Corpus Christi”; Florian Zeller’s “The Father”; Viggo Mortensen’s “Falling”; and Roman Polanski’s “An Officer and a Spy.”
Mortensen was the big draw at the 2020 San Sebastian Film Festival where “Falling” played, and where he received the Donostia Award.
“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.
In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.
Competing for the best direction Goya will be Salvador Calvo for “Adú”; Juanma Bajo Ulloa for “Baby”; Iciar Bollain for “La boda de Rosa”; and Isabel Coixet for “Nieva en Benidorm.”
In the running for best European film are Jan Komasa’s “Corpus Christi”; Florian Zeller’s “The Father”; Viggo Mortensen’s “Falling”; and Roman Polanski’s “An Officer and a Spy.”
Mortensen was the big draw at the 2020 San Sebastian Film Festival where “Falling” played, and where he received the Donostia Award.
- 1/18/2021
- by Naman Ramachandran
- Variety Film + TV
When Jane Fonda opened that envelope and called Bong Joon-ho and his team to the stage, we really should have known. The Oscars were not supposed to get it right, it was too perfect. From a moment like that there was nowhere to go but down, way down.
The rest of 2020 turned out to be quite a historic dumpster fire. As much as you think you’ve gotten used to it by now, the bleak news updates, the sight of cities on lockdown or trainfuls of masked passengers still strike me as dizzyingly surreal sometimes. Like waking up inside an elaborate Terry Gilliam production.
As with most other cultural sites, cinemas were first in line to be shuttered for being non-essential. From an epidemiological perspective it’s hard to argue against this. In every other regard, however, film proved even more essential in a pandemic. How else do you see the world beyond the confinement,...
The rest of 2020 turned out to be quite a historic dumpster fire. As much as you think you’ve gotten used to it by now, the bleak news updates, the sight of cities on lockdown or trainfuls of masked passengers still strike me as dizzyingly surreal sometimes. Like waking up inside an elaborate Terry Gilliam production.
As with most other cultural sites, cinemas were first in line to be shuttered for being non-essential. From an epidemiological perspective it’s hard to argue against this. In every other regard, however, film proved even more essential in a pandemic. How else do you see the world beyond the confinement,...
- 1/3/2021
- by Zhuo-Ning Su
- The Film Stage
European entries A Storm Was Coming, For the Time Being and The Trouble with Nature also departed triumphant from the fifth incarnation of the Galician festival. Back for a fifth year, the Novos Cinemas Pontevedra International Film Festival (15–20 December) rose to the challenges of 2020 with a hybrid format, combining screenings at the Teatro Principal de Pontevdra and on the streaming platform Filmin. This year’s programme shone a special spotlight on filmmaker Luis López Carrasco (The Year of Discovery), with the honour of opening the proceedings granted to Lois Patiño’s Lúa Vermella. Six days packed with screenings, activities and discussions concluded with this year’s closing film, My Mexican Bretzel by Nuria Giménez Lorang. The Official Jury, comprising filmmakers and programme directors Pela del Álamo, Elena Duque and Nuria Giménez herself, ultimately bestowed the Novos Cinemas Award for Best Film in the Official Selection to There Will Be No More.
- 12/22/2020
- Cineuropa - The Best of European Cinema
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