The 2024 Cannes Film Festival was officially closed yesterday, on May 25, 2024, as the prizes for the movies and the actors were awarded at the closing ceremony. It was a very exciting and content-filled event, and we have also reported on numerous movies that had their premiere at Cannes, some of which were received well, while others… not so much. But, naturally, everyone wants to know who won and who lost at Cannes, and that is what we are going to report about in this article.
The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.
As we have said,...
The article will be divided into two main sections. The first one will list all the juries at Cannes, since they are the ones who chose the winners at the film festival, so we think that it is only fair that you know who picked the winners. After that, we are going to list all the winners in each of the categories.
As we have said,...
- 5/26/2024
- by Arthur S. Poe
- Fiction Horizon
George Lucas has received an honorary Palme d'Or at the Cannes Film Festival.The 80-year-old filmmaker - who is best known for creating the 'Star Wars' and 'Indiana Jones' franchises - has been handed the prestigious accolade at the annual awards ceremony in Cannes, France, with George admitting that it's "always great to be recognized".Speaking to French reporter Didier Allouch, George shared: "Obviously we have a lot of fans, but, in terms of 'Star Wars' and stuff, I don't make the kind of movies that win awards."George feels proud that he decided to follow his own instincts as a filmmaker.The acclaimed director - who served as the chairman of Lucasfilm before selling it to The Walt Disney Company in 2012 - said: "I was just a student observer and I was bored to death. I said, ‘I don't want to make Hollywood movies. I know how to do this.
- 5/26/2024
- by Josh Evans
- Bang Showbiz
Sean Baker’s Anora has won the Palme d’Or at the 2024 Cannes Film Festival, which wrapped Saturday night (May 25).
The US comedy-drama stars Mikey Madison as the titular Anora, a sex worker who finds herself married to a Russian oligarch and must fend off his parents who are keen for an annulment. It marks Baker’s second time in Competition, following 2021’s Red Rocket.
Scroll down for full list of winners
In his speech, Baker devoted the award “to all sex workers past, present and future”, and voiced his support for theatrical distribution: “The future of cinema is where...
The US comedy-drama stars Mikey Madison as the titular Anora, a sex worker who finds herself married to a Russian oligarch and must fend off his parents who are keen for an annulment. It marks Baker’s second time in Competition, following 2021’s Red Rocket.
Scroll down for full list of winners
In his speech, Baker devoted the award “to all sex workers past, present and future”, and voiced his support for theatrical distribution: “The future of cinema is where...
- 5/25/2024
- ScreenDaily
Cannes — Nine years after being named one of Variety’s Directors to Watch, Sean Baker won the Palme d’Or for “Anora,” a rowdy whirlwind romance between an exotic dancer (Mikey Madison) and the obscenely rich son of a Russian oligarch (played by Mark Eydelshteyn). Baker is the first American filmmaker to cinch the festival’s top prize since Terrence Malick earned the Palme for “The Tree of Life” in 2011.
“Anora” is Baker’s third film to debut at Cannes, following “The Florida Project” and “Red Rocket.” He accepted the award from two-time Palme d’Or winner Francis Ford Coppola, whose “Megalopolis” went home empty-handed. Coppola also presented an honorary Palme d’Or to his friend and fellow legend George Lucas, whom he called his “own kid brother.”
Baker dedicated the award to “all sex workers, past, present and future,” underscoring the importance of “making films intended for theatrical exhibition.
“Anora” is Baker’s third film to debut at Cannes, following “The Florida Project” and “Red Rocket.” He accepted the award from two-time Palme d’Or winner Francis Ford Coppola, whose “Megalopolis” went home empty-handed. Coppola also presented an honorary Palme d’Or to his friend and fellow legend George Lucas, whom he called his “own kid brother.”
Baker dedicated the award to “all sex workers, past, present and future,” underscoring the importance of “making films intended for theatrical exhibition.
- 5/25/2024
- by Peter Debruge
- Variety Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
Anita Gou is no stranger to the festival circuit. Her L.A.-based Kindred Spirit banner saw a raft of its first projects debut at Sundance but, more recently, her co-production Silent Twins was selected in Un Certain Regard in 2022, while Dominic Savage’s Close To You premiered in Toronto last year. The company’s Mubi-acquired doc The Last Year of Darkness, which explores the lives of alternative Chinese youth, was awarded a Special Mention prize in the Next:Wave section at the Copenhagen International Documentary Film Festival last year.
This year, the producer, who has roots in Taiwan, was back in Cannes with Locust, the debut feature from Taiwanese-American filmmaker Keff, which played in Cannes Critics’ Week. The project is set during the 2019 Hong Kong protests and follows Zhong-Han,...
This year, the producer, who has roots in Taiwan, was back in Cannes with Locust, the debut feature from Taiwanese-American filmmaker Keff, which played in Cannes Critics’ Week. The project is set during the 2019 Hong Kong protests and follows Zhong-Han,...
- 5/22/2024
- by Diana Lodderhose
- Deadline Film + TV
As the Cannes Film Festival and the Marché du Film are both set to open on the 14th of May, Taiwan Creative Content Agency (Taicca) is making a big splash with films and projects it has supported selected in multiple sections. It will also be making its presence felt with several projects pitching at the market. Six films supported by Taicca co-production initiatives or investment will premiere at the festival. These are Rendez-Vous Avec Pol Pot in Cannes Premiere, The Shameless in Un Certain Regard, Locust in Critics Week, Mongrel in Directors' Fortnight, Colored in the Immersive Competition, and Missing Pictures: Naomi Kawase in the Immersive Selection. Further Taiwanese talent will be on show as Traversing the Mist by Tung-Yen Chou is also selected for the Immersive Competition; actor Eddie Peng is headlining Black Dog in Un Certain Regard; and actors Lee Kang-Sheng and Wu Ke-Xi feature in Blue Sun...
- 5/19/2024
- by Rhythm Zaveri
- AsianMoviePulse
Unlike Cannes’ industry-catered competition section, the festival’s independent sidebar Directors’ Fortnight defines itself around audience outreach.
Headquartered halfway down the Croisette, equidistant from the Palais des Festivals, where the official selection screens for an industry-only crowd, Fortnight embraces the sprawl. The 56th edition programs 21 features and another eight shorts from May 15-25 (starting with Sophie Fillières’ posthumous “This Life of Mine”) while bringing select titles to many theaters far from the main drag.
That same selection will also offer the easiest point of access for so many locals, for whom Fortnight is often synonymous with Cannes, and who can always count on a 30-minute Q&a after each screening. Further afield, however, that clarity of identity begins to fade.
For one thing, the showcase doesn’t have a recognizable pitchman. In the time since Thierry Frémaux took over the official selection in 2004, Directors’ Fortnight has seen four artistic directors come and go,...
Headquartered halfway down the Croisette, equidistant from the Palais des Festivals, where the official selection screens for an industry-only crowd, Fortnight embraces the sprawl. The 56th edition programs 21 features and another eight shorts from May 15-25 (starting with Sophie Fillières’ posthumous “This Life of Mine”) while bringing select titles to many theaters far from the main drag.
That same selection will also offer the easiest point of access for so many locals, for whom Fortnight is often synonymous with Cannes, and who can always count on a 30-minute Q&a after each screening. Further afield, however, that clarity of identity begins to fade.
For one thing, the showcase doesn’t have a recognizable pitchman. In the time since Thierry Frémaux took over the official selection in 2004, Directors’ Fortnight has seen four artistic directors come and go,...
- 5/15/2024
- by Ben Croll
- Indiewire
The social mistreatment of caregivers is interrogated in indie film “Mongrel,” which will debut at the Directors’ Fortnight at Cannes.
Written and directed by Chiang Wei Liang, “Mongrel” follows Oom (Wanlop Rungkumjad), a professional caregiver who has no papers or formal training but is good at caring for the elderly and disabled. When his situation as a caregiver in the mountains becomes too much for him, he has to choose between survival or dignity.
Kuo Shu-Wei and Atchara Suwan also star.
Chiang told IndieWire that the inspiration for “Mongrel” came from his own personal experiences working as a caregiver in Taiwan.
“The film came from a convergence of personal experiences and societal observations,” he said. “My own journey as a caregiver, alongside encounters with migrant caregivers, laid the groundwork.”
In a press statement, Chiang reflected on how “Mongrel” is unfortunately a universal story that enters on the “precarious, invisible lives of undocumented migrant workers,...
Written and directed by Chiang Wei Liang, “Mongrel” follows Oom (Wanlop Rungkumjad), a professional caregiver who has no papers or formal training but is good at caring for the elderly and disabled. When his situation as a caregiver in the mountains becomes too much for him, he has to choose between survival or dignity.
Kuo Shu-Wei and Atchara Suwan also star.
Chiang told IndieWire that the inspiration for “Mongrel” came from his own personal experiences working as a caregiver in Taiwan.
“The film came from a convergence of personal experiences and societal observations,” he said. “My own journey as a caregiver, alongside encounters with migrant caregivers, laid the groundwork.”
In a press statement, Chiang reflected on how “Mongrel” is unfortunately a universal story that enters on the “precarious, invisible lives of undocumented migrant workers,...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
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