One of the year’s most anticipated films will be on sale for independent buyers at the upcoming Cannes market. We can bring you news that French sales company Goodfellas has boarded Francis Ford Coppola’s Megalopolis ahead of the movie’s world premiere in Competition at the festival.
Also confirmed today is the film’s French deal with Le Pacte and the involvement of longtime Coppola collaborator Paul Rassam.
Speculation has been rife around rollout plans for the $120M self-financed epic ever since Coppola showed it for the first time to buyers at L.A.’s Universal CityWalk Imax Theater at the end of March, with the screening followed shortly after by news of its Cannes selection.
Adam Driver stars as an idealistic architect attempting to rebuild New York as an American Utopia, with the ensemble cast also featuring Nathalie Emmanuel, Aubrey Plaza, Shia Labeouf, Dustin Hoffman, Jon Voigt,...
Also confirmed today is the film’s French deal with Le Pacte and the involvement of longtime Coppola collaborator Paul Rassam.
Speculation has been rife around rollout plans for the $120M self-financed epic ever since Coppola showed it for the first time to buyers at L.A.’s Universal CityWalk Imax Theater at the end of March, with the screening followed shortly after by news of its Cannes selection.
Adam Driver stars as an idealistic architect attempting to rebuild New York as an American Utopia, with the ensemble cast also featuring Nathalie Emmanuel, Aubrey Plaza, Shia Labeouf, Dustin Hoffman, Jon Voigt,...
- 4/30/2024
- by Melanie Goodfellow and Andreas Wiseman
- Deadline Film + TV
Former Youplanet Pictures and Rakuten TV executives Adrian Peña and Alex Marin have launched Spanish independent film distribution company Madfer Films.
Based in Barcelona, Madfer Films’ first acquisitions for the Spanish market include Babak Jalali’s comedy-drama Fremont, Chinese director Zhang Yimou’s box office hit Full River Red and Kristian Mercado’s sci-fi romantic comedy If You Were The Last.
Peña and Marin both worked together at Spanish distributor Youplanet Pictures, which has released films including Academy Award winners Everything Everywhere All At Once and The Whale and Palme d’Or winner Titane. Before Youplanet, the pair also worked at video-on-demand platform Rakuten TV.
Based in Barcelona, Madfer Films’ first acquisitions for the Spanish market include Babak Jalali’s comedy-drama Fremont, Chinese director Zhang Yimou’s box office hit Full River Red and Kristian Mercado’s sci-fi romantic comedy If You Were The Last.
Peña and Marin both worked together at Spanish distributor Youplanet Pictures, which has released films including Academy Award winners Everything Everywhere All At Once and The Whale and Palme d’Or winner Titane. Before Youplanet, the pair also worked at video-on-demand platform Rakuten TV.
- 4/24/2024
- ScreenDaily
Updated On April 22, 2024: With the addition of two new films to this year’s competition section, both directed by men, this year’s competition slate now includes 21 films, only four of which are directed by women. That tallies to just 19 percent of this year’s competition titles being helmed by women.
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
Our original story from April 11, 2024 follows.
Hot off last year’s record-breaking competition lineup — including seven films directed by women, plus an eventual Palme d’Or win for Justine Triet (only the third woman to win the festival’s top prize) — this year’s Cannes Film Festival has returned to old habits. The 77th edition will include (as of today’s announcement) just four films directed by women in the competition section, bringing representation down to 2021 levels (and returning the festival’s female-directed entries to a number that was only hit in 2011).
Among the competition titles announced today:...
- 4/22/2024
- by Kate Erbland
- Indiewire
Reviews will have to wait till the Cannes Film Festival kicks off on May 14, but it’s not too early for a critic to weigh in on this year’s lineup — or how it looks on paper, at least, and what the selection might say about the state of things.
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
At the top of the press conference, festival director Thierry Frémaux noted that last year would be a tough edition to top. The two big winners of the 2023 competition, “Anatomy of a Fall” and “Zone of Interest,” went on to score Oscar best picture nominations, alongside Martin Scorsese’s “Killers of the Flower Moon.” The festival made strides toward gender parity, with nearly a third of the films in competition directed by women. And to complicate matters, Hollywood has since been hit by two production-stopping guild strikes, delaying films the studios might have sent to Cannes.
Judging by the titles unveiled today,...
- 4/12/2024
- by Peter Debruge
- Variety Film + TV
Homegrown hits led by A Moroccan Affair and Championext, an explosion of comedies and the solid performance of several European indies have helped the Spanish box office to withstand the lack of US releases following the WGA and SAG-AFTRA strikes last year.
Local productions were the highest grossing independent films at the Spanish box office in the year ending February 2024, with Álvaro Fernández Armero’s A Moroccan Affair at the top of the list.
The 2023 Spanish box office total was €504 million, with 77.8 million tickets sold, representing a 26% increase on 2022.
The two biggest Spanish films are both part of existing franchises.
Local productions were the highest grossing independent films at the Spanish box office in the year ending February 2024, with Álvaro Fernández Armero’s A Moroccan Affair at the top of the list.
The 2023 Spanish box office total was €504 million, with 77.8 million tickets sold, representing a 26% increase on 2022.
The two biggest Spanish films are both part of existing franchises.
- 3/8/2024
- ScreenDaily
Production has wrapped on genre feature Animale, directed by French filmmaker Emma Benestan, with London and Paris-based sales agent Film Constellation unveiling a first-look image.
It is set against the wild backdrop of the southern France bull riding tradition of Camargue, and stars César winning actress Oulaya Amamra (pictured). Producers are French outfit June Films’ Julie Billy and Naomi Denamur; Titane producers Cassandre Warnauts and Jean-Yves Roubin of Belgium’s Frakas Productions; in co-production with broadcaster France 3 Cinema.
In this male-dominated environment, a 22-year-old woman trains hard to fulfil her dream of winning the upcoming annual competition. When...
It is set against the wild backdrop of the southern France bull riding tradition of Camargue, and stars César winning actress Oulaya Amamra (pictured). Producers are French outfit June Films’ Julie Billy and Naomi Denamur; Titane producers Cassandre Warnauts and Jean-Yves Roubin of Belgium’s Frakas Productions; in co-production with broadcaster France 3 Cinema.
In this male-dominated environment, a 22-year-old woman trains hard to fulfil her dream of winning the upcoming annual competition. When...
- 2/16/2024
- ScreenDaily
Playtime (“Son of Saul”) is reteaming with celebrated French directors François Ozon (“By the Grace of God”) and sister duo Delphine and Muriel Coulin (“17 Girls”) on their respective upcoming films, “When Fall Is Coming” and “The Quiet Son.”
“When Fall is Coming” marks Ozon’s follow up to “The Crime Is Mine.” The film stars Hélène Vincent (“The Specials”), Josiane Balasko (“Back to Mom’s”), Ludivine Sagnier (“Lupin”) and Pierre Lottin (“Notre-Dame on Fire”).
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
The film is self-produced by Ozon through his vehicle Foz. Diaphana Distribution will release it in France.
“When Fall is Coming” marks Ozon’s follow up to “The Crime Is Mine.” The film stars Hélène Vincent (“The Specials”), Josiane Balasko (“Back to Mom’s”), Ludivine Sagnier (“Lupin”) and Pierre Lottin (“Notre-Dame on Fire”).
The film tells the story of Michelle, who is enjoying a peaceful retirement in a charming Burgundy village near her longtime friend Marie-Claude. She eagerly anticipates her grandson Lucas spending the school vacation with her, but things don’t go as planned. Feeling lonely, Michelle loses her sense of purpose, until Marie-Claude’s son gets out of prison.
The film is self-produced by Ozon through his vehicle Foz. Diaphana Distribution will release it in France.
- 1/31/2024
- by Elsa Keslassy
- Variety Film + TV
Andrew McCarthy is getting back together with his fellow Brat Pack alums Rob Lowe, Demi Moore, Jon Cryer, Ally Sheedy, Emilio Estevez and more for the feature documentary Brats, a revealing look at the cultural phenomenon they became in the 1980s and how that has impacted their lives ever since.
Brats, from ABC News Studios, Neon, and Network Entertainment, is set to premiere on Hulu later this year. McCarthy, author of the 2021 memoir Brat: An ‘80s Story, writes and directs the documentary, which is now in post-production. He co-starred with fellow Brat Packers in some of the biggest hits of the mid- ‘80s including St. Elmo’s Fire (1985), Pretty in Pink (1986), and Less Than Zero (1987).
From left: ‘St. Elmo’s Fire’s Rob Lowe, Demi Moore, Emilio Estevez, Mare Winningham, Judd Nelson,
Ally Sheedy and Andrew McCarthy
“McCarthy crisscrosses the country to meet up with some of the stars of those beloved films,...
Brats, from ABC News Studios, Neon, and Network Entertainment, is set to premiere on Hulu later this year. McCarthy, author of the 2021 memoir Brat: An ‘80s Story, writes and directs the documentary, which is now in post-production. He co-starred with fellow Brat Packers in some of the biggest hits of the mid- ‘80s including St. Elmo’s Fire (1985), Pretty in Pink (1986), and Less Than Zero (1987).
From left: ‘St. Elmo’s Fire’s Rob Lowe, Demi Moore, Emilio Estevez, Mare Winningham, Judd Nelson,
Ally Sheedy and Andrew McCarthy
“McCarthy crisscrosses the country to meet up with some of the stars of those beloved films,...
- 1/18/2024
- by Matthew Carey
- Deadline Film + TV
Indie Sales has boarded Nathalie Najem’s “No Way Back,” a timely feature debut tackling domestic violence with a cast led by Bastien Bouillon (“The Night of the 12th”) and Zita Hanrot (“Angry Annie”).
Now in post, “No Way Back” will be introduced to buyers by the banner Indie Sales at the Unifrance Rendez-Vous showcase next week.
“No Way Back” tells the story of Laura, who is rebuilding her life after years under the toxic influence of Joachim and is raising their daughter on her own. When Joachim’s new girlfriend, Shirine, shows up at her door in dire straits, Laura realizes that they must help each other to get rid of Joachim’s harmful influence. The film appears to be in a similar vein as Xavier Legrand’s Venice prizewinner “Custody,” with an emphasis on sisterhood.
Bouillon won last year’s Cesar Award for best male newcomer for his...
Now in post, “No Way Back” will be introduced to buyers by the banner Indie Sales at the Unifrance Rendez-Vous showcase next week.
“No Way Back” tells the story of Laura, who is rebuilding her life after years under the toxic influence of Joachim and is raising their daughter on her own. When Joachim’s new girlfriend, Shirine, shows up at her door in dire straits, Laura realizes that they must help each other to get rid of Joachim’s harmful influence. The film appears to be in a similar vein as Xavier Legrand’s Venice prizewinner “Custody,” with an emphasis on sisterhood.
Bouillon won last year’s Cesar Award for best male newcomer for his...
- 1/8/2024
- by Elsa Keslassy
- Variety Film + TV
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Can You Spoil Something This Surreal?
Few experiences surpass stumbling onto a jaw-dropping moment in film totally unspoiled. The big twist in “One Cut of the Dead.” The Fern Mayo reveal in “Jawbreaker.” Top to bottom, every second of “Titane.” These are scenes across varying genres and eras that live in my bones as electric moments I didn’t expect to see, but that reminded me why I whole-heartedly love the movies when I did. Hence, this column’s spoiler-free/spoiler-filled bifurcation.
Guy Maddin’s “The Saddest Music in the World” contains one such moment,...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Can You Spoil Something This Surreal?
Few experiences surpass stumbling onto a jaw-dropping moment in film totally unspoiled. The big twist in “One Cut of the Dead.” The Fern Mayo reveal in “Jawbreaker.” Top to bottom, every second of “Titane.” These are scenes across varying genres and eras that live in my bones as electric moments I didn’t expect to see, but that reminded me why I whole-heartedly love the movies when I did. Hence, this column’s spoiler-free/spoiler-filled bifurcation.
Guy Maddin’s “The Saddest Music in the World” contains one such moment,...
- 11/11/2023
- by Alison Foreman and Christian Zilko
- Indiewire
Palme d’Or winner ‘Anatomy Of A Fall’ opens in 160 cinemas.
Nia DaCosta’s The Marvels heads the new films in UK-Ireland cinemas this weekend, looking to boost the fortunes of the long-running superhero franchise.
The Marvels opens in 665 cinemas through Disney. This is slightly fewer than recent Marvel Cinematic Universe (MCU) titles Guardians Of The Galaxy Vol. 3 (708), Ant-Man And The Wasp: Quantumania (680) and Black Panther: Wakanda Forever (704); the last MCU film to open on fewer screens was Chloe Zhao’s Eternals in 2021 (646).
Running for 15 years and counting, the MCU is still the highest-grossing film franchise both in UK-Ireland and worldwide.
Nia DaCosta’s The Marvels heads the new films in UK-Ireland cinemas this weekend, looking to boost the fortunes of the long-running superhero franchise.
The Marvels opens in 665 cinemas through Disney. This is slightly fewer than recent Marvel Cinematic Universe (MCU) titles Guardians Of The Galaxy Vol. 3 (708), Ant-Man And The Wasp: Quantumania (680) and Black Panther: Wakanda Forever (704); the last MCU film to open on fewer screens was Chloe Zhao’s Eternals in 2021 (646).
Running for 15 years and counting, the MCU is still the highest-grossing film franchise both in UK-Ireland and worldwide.
- 11/10/2023
- by Ben Dalton
- ScreenDaily
Director David Findlay’s ability to create short films and music videos that not only look gorgeous but query the human condition on a deep level is why we can’t get enough of him here at Dn. His latest work, a music video for musician/skateboarder Austyn Gillette, is Leaning into your Palms. This isn’t your typical music video however with Gillette performing his song to camera, instead he and Findlay weave a narrative about two siblings, a brother and a sister, who share a moment of reflection through time. It’s really compelling and through some clever camera tricks Findlay is able to pull off some mesmerising shots. In our interview below Dn chats with Findlay about these shots in addition to his collaborative process with Gillette and the joy of working with Titane’s Agathe Rousselle to create his ruminative music video.
How did you come...
How did you come...
- 11/7/2023
- by James Maitre
- Directors Notes
Exclusive: Hugo Weaving is leading Australian streamer Binge’s first original film, How to Make Gravy.
The Lord of the Rings and The Matrix star will lead an ensemble cast alongside side Daniel Henshall in the feature.
Brenton Thwaites (Titans, Pirates of the Caribbean: Dead Men Tell No Tales), Damon Herriman (Once Upon a Time in Hollywood, Mr Inbetween), Kate Mulvany (The Twelve, Hunters) and French actress Agathe Rouselle (Titane) in her debut English-language performance will also star, with more cast members to be announced. The film will also feature cameo performances from Australian musicians, including Adam Briggs and rising rap talent Dallas Woods.
How to Make Gravy is based on Paul Kelly’s iconic Australian song that tells the story of an inmate writing a letter home as his family prepares to celebrate their first Christmas without him. The 1996 song has such a place in Australian hearts that Gravy Day,...
The Lord of the Rings and The Matrix star will lead an ensemble cast alongside side Daniel Henshall in the feature.
Brenton Thwaites (Titans, Pirates of the Caribbean: Dead Men Tell No Tales), Damon Herriman (Once Upon a Time in Hollywood, Mr Inbetween), Kate Mulvany (The Twelve, Hunters) and French actress Agathe Rouselle (Titane) in her debut English-language performance will also star, with more cast members to be announced. The film will also feature cameo performances from Australian musicians, including Adam Briggs and rising rap talent Dallas Woods.
How to Make Gravy is based on Paul Kelly’s iconic Australian song that tells the story of an inmate writing a letter home as his family prepares to celebrate their first Christmas without him. The 1996 song has such a place in Australian hearts that Gravy Day,...
- 10/26/2023
- by Jesse Whittock
- Deadline Film + TV
Can Artificial Intelligence help better restore and preserve heritage cinema?
That was the question asked to a high-level panel on Thursday at the Classic Film Market, which runs alongside Lyon’s Lumière Film Festival, dedicated to heritage film.
Struggling to override the clatter of the heavy downpour hitting the ceiling of the tent set up next to the Lumière Institute for the duration of the festival, participants took part in a heated debate entitled Artificial Intelligence: A Tool for Heritage, in front of a packed room of industry professionals.
Opening the discussion, Barbara Mutz, in charge of legal and regulatory matters at France’s National Audiovisual Institute (Ina), said AI algorithms developed in-house hugely facilitate the archiving and location of its huge catalogue.
“We can index images and sound in a way that allows us to locate them [more easily] at a later stage, both for our own use and that of our users.
That was the question asked to a high-level panel on Thursday at the Classic Film Market, which runs alongside Lyon’s Lumière Film Festival, dedicated to heritage film.
Struggling to override the clatter of the heavy downpour hitting the ceiling of the tent set up next to the Lumière Institute for the duration of the festival, participants took part in a heated debate entitled Artificial Intelligence: A Tool for Heritage, in front of a packed room of industry professionals.
Opening the discussion, Barbara Mutz, in charge of legal and regulatory matters at France’s National Audiovisual Institute (Ina), said AI algorithms developed in-house hugely facilitate the archiving and location of its huge catalogue.
“We can index images and sound in a way that allows us to locate them [more easily] at a later stage, both for our own use and that of our users.
- 10/20/2023
- by Lise Pedersen
- Variety Film + TV
Cannes Palme d’Or winner Anatomy Of A Fall from Neon grossed $125,377 at five theaters for a per screen average of $25,075 — a solid limited opening for the Justine Triet-directed film that made its theatrical debut Friday in NYC, LA and San Francisco. A limited expansion is planned for next week.
Sandra Hüller stars as a German writer living a secluded life in a remote town in the French Alps with her husband Samuel and their 11-year-old son. When Samuel is found dead in the snow below their chalet, the police question whether it was suicide or murder. They fix on the latter and Sandra becomes the main suspect who finds herself and her relationship dissected in a courtroom. Anatomy most recently packed screenings at the New York Film Festival.
The dynamics at play are all different, but here are some of the best recent limited openings in terms of...
Sandra Hüller stars as a German writer living a secluded life in a remote town in the French Alps with her husband Samuel and their 11-year-old son. When Samuel is found dead in the snow below their chalet, the police question whether it was suicide or murder. They fix on the latter and Sandra becomes the main suspect who finds herself and her relationship dissected in a courtroom. Anatomy most recently packed screenings at the New York Film Festival.
The dynamics at play are all different, but here are some of the best recent limited openings in terms of...
- 10/15/2023
- by Jill Goldsmith
- Deadline Film + TV
Clockwise from top left: Prey (20th Century Studios), Hellraiser (Spyglass Media Group), Titane (Neon), Parasite (Neon) Graphic: AVClub
Thrills and chills await movie buffs on Hulu, the streaming service that’s making its case to be synonymous with the horror genre. That’s especially this Huluween month, which has brought sadomasochists everywhere with Hellraiser 2022,...
Thrills and chills await movie buffs on Hulu, the streaming service that’s making its case to be synonymous with the horror genre. That’s especially this Huluween month, which has brought sadomasochists everywhere with Hellraiser 2022,...
- 10/13/2023
- by The A.V. Club
- avclub.com
These days, there are plenty of great modern filmmakers taking the horror genre to new heights: Jordan Peele, Robert Eggers, and Ari Aster, just to name a few. But there’s maybe nobody pushing the boundaries of terror more than the astonishing Julia Ducournau.
At 33, Ducournau was a young director who only had two short films to her name. Then, in 2016, her debut feature “Raw” was selected to compete in the Critics Week section of the Cannes Film Festival and ended up one of the most buzzed about films to come from the prestigious event. The feature — about a veterinarian in training who tastes meat for the first time and develops an appetite for human flesh — made headlines for its disturbing, intensely graphic content. During its premiere screening, audience members allegedly fainted from the film’s goriest scenes. But the transgressive movie still received plenty of acclaim, winning a prize...
At 33, Ducournau was a young director who only had two short films to her name. Then, in 2016, her debut feature “Raw” was selected to compete in the Critics Week section of the Cannes Film Festival and ended up one of the most buzzed about films to come from the prestigious event. The feature — about a veterinarian in training who tastes meat for the first time and develops an appetite for human flesh — made headlines for its disturbing, intensely graphic content. During its premiere screening, audience members allegedly fainted from the film’s goriest scenes. But the transgressive movie still received plenty of acclaim, winning a prize...
- 10/11/2023
- by Wilson Chapman
- Indiewire
Exclusive: Neon CEO and founder Tom Quinn, Black Bear International President John Friedberg and Iconoclast’s Head of Film and TV Robert Walak stopped by Deadline’s Zurich Summit studio this weekend to talk about current projects. Watch the video above.
Quinn, whose Neon has remarkably acquired the last four Cannes Palme d’Or winners in the shape of Parasite, Titane, Triangle Of Sadness and this year’s Anatomy Of A Fall, discussed Oscar hopes for Justine Triet’s movie and how the power of the Palme d’Or has grown in the minds of test screening audiences in Los Angeles.
Quinn told us: “We’ve seen over the years that the Palme d’Or has come to mean something quite significant for young cinephiles. Dating back to Parasite, the fifth reason why people came to see the film was that it won the Palme d’Or. Each year that has gone up,...
Quinn, whose Neon has remarkably acquired the last four Cannes Palme d’Or winners in the shape of Parasite, Titane, Triangle Of Sadness and this year’s Anatomy Of A Fall, discussed Oscar hopes for Justine Triet’s movie and how the power of the Palme d’Or has grown in the minds of test screening audiences in Los Angeles.
Quinn told us: “We’ve seen over the years that the Palme d’Or has come to mean something quite significant for young cinephiles. Dating back to Parasite, the fifth reason why people came to see the film was that it won the Palme d’Or. Each year that has gone up,...
- 10/1/2023
- by Andreas Wiseman
- Deadline Film + TV
The Taste of Things, a foodie period romance from French-Vietnamese filmmaker Tran Anh Hùng will be France’s official contender for the 2024 Oscars in the best international feature category. The film, starring Juliette Binoche and Benoit Magimel, premiered in Cannes under the title The Pot-au-Feu, where it won the best director prize. IFC Films and Sapan Studios have U.S. rights and will release the film stateside.
Set in 1885, the film follows the in-the-kitchen and in-the-bedroom romance between top chef Dodin Bouffant (Magimel) and his personal cook and lover, Eugénie (Binoche). They have been together for decades and he is desperate to marry her but she has steadfastly refused, afraid doing so will mean losing her independence. The Taste of Things was a critical and audience favorite in Cannes, with The Hollywood Reporter calling it one of “the most appetizing, art house food porn flicks to come along in a while.
Set in 1885, the film follows the in-the-kitchen and in-the-bedroom romance between top chef Dodin Bouffant (Magimel) and his personal cook and lover, Eugénie (Binoche). They have been together for decades and he is desperate to marry her but she has steadfastly refused, afraid doing so will mean losing her independence. The Taste of Things was a critical and audience favorite in Cannes, with The Hollywood Reporter calling it one of “the most appetizing, art house food porn flicks to come along in a while.
- 9/21/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The unkillable vampire legend gets one of its frequent cinematic resurrections with Québécois director Ariane Louis-Seize’s sweetly gothy Venice Days winner, a film wittily — if too comprehensively — described by its title: “Humanist Vampire Seeking Consenting Suicidal Person.” The idea of a vampire who doesn’t want to kill is hardly without precedent. But Louis-Seize’s eager debut, intentionally or otherwise, plays to a relatively vamp-starved demographic, providing continuity to kids who have long outgrown the “Sesame Street” version, but are still a bit young for the emo lustiness of the “Twilight” franchise. It’s more fairy tale than scary tale.
It is, however, a fine showcase for the witchy charisma of star Sara Montpetit who, after playing the doom-fixated object of a first crush in Charlotte Le Bon’s terrific “Falcon Lake,” seems hellbent on cornering the market in gloomy Francophone teenagers navigating an entree into adulthood in which sex and death are intertwined.
It is, however, a fine showcase for the witchy charisma of star Sara Montpetit who, after playing the doom-fixated object of a first crush in Charlotte Le Bon’s terrific “Falcon Lake,” seems hellbent on cornering the market in gloomy Francophone teenagers navigating an entree into adulthood in which sex and death are intertwined.
- 9/16/2023
- by Jessica Kiang
- Variety Film + TV
The selection committee will now meet with the films’ producers, sales companies and US distributors.
Justine Triet’s Palme d’Or-winning Anatomy Of A Fall and The Taste Of Things by Cannes’ best director winner Tran Anh Hung have been shortlisted to be France’s entry to the international Oscar category, along with Clement Cogitore’s Sons Of Ramses, Thomas Cailley’s The Animal Kingdom and Denis Imbert’s On The Wandering Paths (Sur Les Chemins Noirs).
The five films were selected by a seven-member committee comprised of the US producer of Coda, Patrick Wachsberger, composer Alexandre Desplat, producer Charles Gillibert...
Justine Triet’s Palme d’Or-winning Anatomy Of A Fall and The Taste Of Things by Cannes’ best director winner Tran Anh Hung have been shortlisted to be France’s entry to the international Oscar category, along with Clement Cogitore’s Sons Of Ramses, Thomas Cailley’s The Animal Kingdom and Denis Imbert’s On The Wandering Paths (Sur Les Chemins Noirs).
The five films were selected by a seven-member committee comprised of the US producer of Coda, Patrick Wachsberger, composer Alexandre Desplat, producer Charles Gillibert...
- 9/13/2023
- by Rebecca Leffler
- ScreenDaily
Indie studios IFC Films and Neon are facing off with the hopes of one of their films being selected as France’s official submission to the Oscars for the international feature film prize.
Neon aims to position Palme d’Or winner “Anatomy of a Fall” as the best option for the country. IFC is making its case for “The Taste of Things” from French-Vietnamese filmmaker Trần Anh Hùn, who won the director prize at Cannes. Both films have eerily similar credentials as they seek to represent the Gallic state at the 95th annual Academy Awards.
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
The courtroom drama “Anatomy” was announced as part of the Telluride program, where all four of its screenings were sold out, with dozens of patrons being turned away. “Taste” was not part of the festival’s initial slate announcement. It was one...
Neon aims to position Palme d’Or winner “Anatomy of a Fall” as the best option for the country. IFC is making its case for “The Taste of Things” from French-Vietnamese filmmaker Trần Anh Hùn, who won the director prize at Cannes. Both films have eerily similar credentials as they seek to represent the Gallic state at the 95th annual Academy Awards.
Read: Variety’s Awards Circuit for the latest Oscars predictions in all categories.
The courtroom drama “Anatomy” was announced as part of the Telluride program, where all four of its screenings were sold out, with dozens of patrons being turned away. “Taste” was not part of the festival’s initial slate announcement. It was one...
- 9/4/2023
- by Clayton Davis
- Variety Film + TV
French director Edouard Bergeon, whose Cesar-nominated debut feature “In the Name of the Land” was a box office hit in 2019, has penned another eco-thriller, “The Green Deal.”
The movie, which is partly set in the Indonesian forest, has been boarded by Playtime and will be pitched to buyers at the Toronto Film Festival.
“The Green Deal” explores crimes and colliding interests in the exploitation of a palm oil and the production of biofuels. The movie is produced by Christophe Rossignon and Philip Böeffard at Nord-Ouest Films, the well-established banner behind “Merry Christmas” and more recently Thomas Cailley’s “The Animal Kingdom,” which was produced by Pierre Guyard.
“The Green Deal” stars Alexandra Lamy as Carole, an English professor leading a tranquil life in rural France. Her world crumbles when she learns that her son, Martin, conducting research for his Ph.D. in Indonesia, has been arrested in Borneo on drug...
The movie, which is partly set in the Indonesian forest, has been boarded by Playtime and will be pitched to buyers at the Toronto Film Festival.
“The Green Deal” explores crimes and colliding interests in the exploitation of a palm oil and the production of biofuels. The movie is produced by Christophe Rossignon and Philip Böeffard at Nord-Ouest Films, the well-established banner behind “Merry Christmas” and more recently Thomas Cailley’s “The Animal Kingdom,” which was produced by Pierre Guyard.
“The Green Deal” stars Alexandra Lamy as Carole, an English professor leading a tranquil life in rural France. Her world crumbles when she learns that her son, Martin, conducting research for his Ph.D. in Indonesia, has been arrested in Borneo on drug...
- 9/4/2023
- by Elsa Keslassy
- Variety Film + TV
Neon has hired Kristen Figeroid as their new President of International Sales and Distribution. She will also handle sales on third-party projects and will be joined by fellow studio newcomers Laurel Charnetsky and Dan Stadnicki.
Charnetsky will be VP, International Acquisitions & Operations, and Stadnicki will be Manager, International Sales and Distribution. They will be joining the studio as it plans to expand its distribution and production capabilities.
Figeroid most recently served as Managing Director and Executive Vice President of Sales & Distribution at Sierra/Affinity. While there, she handled sales for movies like “Atomic Blonde,” “Whiplash” and “Nightcrawler.” Prior to that she was SVP of International Sales & Distribution at Endeavor Content where she worked on the likes of “The Lost Daughter,” “Monkey Man,” “The Peanut Butter Falcon,” “Book Club” and “Assassination Nation.”
Prior to Neon, Charnetsky served as Director of Film Acquisitions for Sierra/Affinity. She previously held sales & acquisitions roles with WME Independent,...
Charnetsky will be VP, International Acquisitions & Operations, and Stadnicki will be Manager, International Sales and Distribution. They will be joining the studio as it plans to expand its distribution and production capabilities.
Figeroid most recently served as Managing Director and Executive Vice President of Sales & Distribution at Sierra/Affinity. While there, she handled sales for movies like “Atomic Blonde,” “Whiplash” and “Nightcrawler.” Prior to that she was SVP of International Sales & Distribution at Endeavor Content where she worked on the likes of “The Lost Daughter,” “Monkey Man,” “The Peanut Butter Falcon,” “Book Club” and “Assassination Nation.”
Prior to Neon, Charnetsky served as Director of Film Acquisitions for Sierra/Affinity. She previously held sales & acquisitions roles with WME Independent,...
- 8/29/2023
- by Scott Mendelson
- The Wrap
After braving a massive backlash over her fiery political speech at the Cannes Film Festival, French director Justine Triet has succeeded in luring wide audiences in local theaters with her Palme d’Or winning film “Anatomy of a Fall.”
A courtroom drama exploring the collapse of a marriage and a mother-son relationship, “Anatomy of a Fall” has scored the best B.O. score at the French box office for a Palme d’Or winner since “Blue is the Warmest Color,” the 2013 erotic drama starring Lea Seydoux and Adele Exarchopoulos.
The movie, which was bought by Neon at Cannes, is hotly tipped to represent France is the Oscar race. The other French films that will likely be shortlisted by this year’s French committee include “The Taste of Things”; and “Jeanne du Barry,” Maiwenn’s Versailles-set period starring Johnny Depp as Louis Xv. “The Taste of Things” and “Jeanne du Barry...
A courtroom drama exploring the collapse of a marriage and a mother-son relationship, “Anatomy of a Fall” has scored the best B.O. score at the French box office for a Palme d’Or winner since “Blue is the Warmest Color,” the 2013 erotic drama starring Lea Seydoux and Adele Exarchopoulos.
The movie, which was bought by Neon at Cannes, is hotly tipped to represent France is the Oscar race. The other French films that will likely be shortlisted by this year’s French committee include “The Taste of Things”; and “Jeanne du Barry,” Maiwenn’s Versailles-set period starring Johnny Depp as Louis Xv. “The Taste of Things” and “Jeanne du Barry...
- 8/29/2023
- by Elsa Keslassy
- Variety Film + TV
Austin Butler is putting his triple threat talent to the test for director Julia Ducournau.
The “Elvis” Best Actor Oscar nominee teams up with the “Titane” Palme d’Or winner for a new Saint Laurent Ysl Beauty campaign. Butler was unveiled as the brand’s “fragrance ambassador” and debuted the new cologne, Myslf.
“I was honored to be asked to join the Ysl Beauty family,” Butler said in a press statement. “Over the last few years, I’ve spoken with people who knew Mr. Saint Laurent. He broke through labels. He was a rebel, and I love that about him. I feel privileged to be a part of the heritage he set in motion.”
The Saint Laurent brand shared (via People magazine) that Butler has “the vision of the brand to embrace bold self-expression, genuine pursuit of one’s true self and a mission to redefine beauty standards.”
International General Manager of Saint Laurent,...
The “Elvis” Best Actor Oscar nominee teams up with the “Titane” Palme d’Or winner for a new Saint Laurent Ysl Beauty campaign. Butler was unveiled as the brand’s “fragrance ambassador” and debuted the new cologne, Myslf.
“I was honored to be asked to join the Ysl Beauty family,” Butler said in a press statement. “Over the last few years, I’ve spoken with people who knew Mr. Saint Laurent. He broke through labels. He was a rebel, and I love that about him. I feel privileged to be a part of the heritage he set in motion.”
The Saint Laurent brand shared (via People magazine) that Butler has “the vision of the brand to embrace bold self-expression, genuine pursuit of one’s true self and a mission to redefine beauty standards.”
International General Manager of Saint Laurent,...
- 8/23/2023
- by Samantha Bergeson
- Indiewire
Alexandra Altschuler and Don Wilcox have joined the Neon marketing team, making the move from their previous marketing roles at A24. Altschuler will serve as Neon’s VP of media while Wilcox serves as its VP of marketing. The marketing team expansion comes ahead of Neon’s release of anctipated films “Ferrari,” “Anatomy of a Fall,” “La Chimera” and “Eileen.”
While at A24, Altschuler helped launch numerous award-winning projects, including the recent horror film “Talk to Me.” Before joining A24, Altchuler served as social manager at Operam, Inc. and held various roles at ABC Television, NBCUnivseral and E! Online.
Wilcox previously served as head of A24’s international marketing team, where his campaigns included Oscar-sweeping “Everything Everywhere All at Once” along with Brendan Fraser-led “The Whale,” “Past Lives” and “Pearl,” starring Mia Goth. Prior to his role at A24, Wilcox served as Amazon Prime Video’s film marketing lead.
While at A24, Altschuler helped launch numerous award-winning projects, including the recent horror film “Talk to Me.” Before joining A24, Altchuler served as social manager at Operam, Inc. and held various roles at ABC Television, NBCUnivseral and E! Online.
Wilcox previously served as head of A24’s international marketing team, where his campaigns included Oscar-sweeping “Everything Everywhere All at Once” along with Brendan Fraser-led “The Whale,” “Past Lives” and “Pearl,” starring Mia Goth. Prior to his role at A24, Wilcox served as Amazon Prime Video’s film marketing lead.
- 8/17/2023
- by Sophia Scorziello
- Variety Film + TV
“Anatomy of a Fall,” which won the Palme d’Or (and also the Palme Dog) at the Cannes Film Festival this past summer, is opening in the U.S. on Oct. 13. And ahead of its theatrical debut, its American distributor Neon has released a brand-new, nerve-shredding trailer (watch it above).
In “Anatomy of a Fall” Sandra Hüller plays a woman who lives alone with her husband and young son in the French Alps.
When her husband dies in the snow, seemingly from a fall, she goes from being a grieving widow to a prime suspect. Who can you trust? Especially when the only “eyewitnesses” are the couple’s blind son and the dog?
When the movie debuted at Cannes in May it was a sensation and quickly snapped by Neon for stateside distribution. Our review was slightly more subdued but still enthusiastic: “Part thorny family story, part whodunit, part courtroom...
In “Anatomy of a Fall” Sandra Hüller plays a woman who lives alone with her husband and young son in the French Alps.
When her husband dies in the snow, seemingly from a fall, she goes from being a grieving widow to a prime suspect. Who can you trust? Especially when the only “eyewitnesses” are the couple’s blind son and the dog?
When the movie debuted at Cannes in May it was a sensation and quickly snapped by Neon for stateside distribution. Our review was slightly more subdued but still enthusiastic: “Part thorny family story, part whodunit, part courtroom...
- 8/17/2023
- by Drew Taylor
- The Wrap
As it prepares to launch one of its biggest titles to date, Michael Mann’s racing movie Ferrari, indie studio Neon is expanding its marketing team.
The company has tapped Alexandra Altschuler as vp of media and Don Wilcox as vp of marketing.
The two join Neon from previous tenures at another indie studio, A24. Altschuler helped launch multiple Academy Award winning projects over her five-year tenure at A24 and most recently worked on hit Australian horror film Talk to Me. She previously served as a paid social manager at Operam, Inc. and held roles at ABC Television, NBC Universal and E! Online.
Wilcox spent the last year and a half leading international marketing at A24 with campaigns for Academy Award-winners Everything Everywhere All at Once and The Whale under his belt. He also worked on campaigns for drama Past Lives and buzzy horror movie Pearl. Wilcox was previously at...
The company has tapped Alexandra Altschuler as vp of media and Don Wilcox as vp of marketing.
The two join Neon from previous tenures at another indie studio, A24. Altschuler helped launch multiple Academy Award winning projects over her five-year tenure at A24 and most recently worked on hit Australian horror film Talk to Me. She previously served as a paid social manager at Operam, Inc. and held roles at ABC Television, NBC Universal and E! Online.
Wilcox spent the last year and a half leading international marketing at A24 with campaigns for Academy Award-winners Everything Everywhere All at Once and The Whale under his belt. He also worked on campaigns for drama Past Lives and buzzy horror movie Pearl. Wilcox was previously at...
- 8/17/2023
- by Borys Kit
- The Hollywood Reporter - Movie News
Neon has expanded their marketing ranks by tapping A24 vets Alexandra Altschuler as VP Media and Don Wilcox as VP Marketing.
The duo arrive at the studio during a busy fall that includes the Venice Film Festival premiere and Christmas theatrical release of Michael Mann’s Ferrari, starring Adam Driver, Penelope Cruz, Shaliene Woodley, Patrick Dempsey, and Jack O’Connell, as well as the Anne Hathaway thriller, Eileen.
At A24, Altschuler helped launch several Oscar-winning projects during her five-year run. Most recently, she worked on A24’s Australian horror box office hit, Talk to Me, which is nearing $40M WW. Previously, Altschuler served as a Paid Social Manager at Operam, Inc. and held roles at ABC Television, NBC Universal, and E! Online. She is a graduate of University of Southern California.
Wilcox spent the last year and a half leading International Marketing at A24. Noteworthy campaigns include Academy Award-winners Everything Everywhere All at Once...
The duo arrive at the studio during a busy fall that includes the Venice Film Festival premiere and Christmas theatrical release of Michael Mann’s Ferrari, starring Adam Driver, Penelope Cruz, Shaliene Woodley, Patrick Dempsey, and Jack O’Connell, as well as the Anne Hathaway thriller, Eileen.
At A24, Altschuler helped launch several Oscar-winning projects during her five-year run. Most recently, she worked on A24’s Australian horror box office hit, Talk to Me, which is nearing $40M WW. Previously, Altschuler served as a Paid Social Manager at Operam, Inc. and held roles at ABC Television, NBC Universal, and E! Online. She is a graduate of University of Southern California.
Wilcox spent the last year and a half leading International Marketing at A24. Noteworthy campaigns include Academy Award-winners Everything Everywhere All at Once...
- 8/17/2023
- by Anthony D'Alessandro
- Deadline Film + TV
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Sad Puppy-Seeing Soccer Himbo Seeks Refugee Son
For lovers of soccer and movies about hot guys being dumb, it’s been the highest of highs and the lowest of lows lately.
“Barbie” became a bona fide cultural phenomenon by giving us something we never knew we needed: Ryan Gosling running around as a sexy Beach professional who does a shockingly decent Rob Thomas impression despite having nothing going on behind his eyes. The performance was a reminder that men are just as capable of playing the ditzy sidekick as...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Sad Puppy-Seeing Soccer Himbo Seeks Refugee Son
For lovers of soccer and movies about hot guys being dumb, it’s been the highest of highs and the lowest of lows lately.
“Barbie” became a bona fide cultural phenomenon by giving us something we never knew we needed: Ryan Gosling running around as a sexy Beach professional who does a shockingly decent Rob Thomas impression despite having nothing going on behind his eyes. The performance was a reminder that men are just as capable of playing the ditzy sidekick as...
- 8/12/2023
- by Christian Zilko and Alison Foreman
- Indiewire
France has named a heavyweight Oscar selection committee to decide its submission in the international feature film category at the 2024 Academy Awards.
France’s Minister of Culture Rima Abdul Malak has appointed a seven-person committee proposed by Dominique Boutonnat, president of French film board Cnc. They include composer Alexandre Desplat, whose 11 Oscar nominations have led to two wins for “The Shape of Water” and “The Grand Budapest Hotel”; former Lionsgate executive and producer Patrick Wachsberger, Oscar winner for “Coda”; and two-time Cesar winning producer Charles Gillibert.
The committee also includes Olivier Assayas, Cannes best director winner for “Personal Shopper”; Mounia Meddour, Cesar winner for “Papicha”; Sabine Chemaly, executive VP, international distribution, TF1 Studio; and Tanja Meissner, former head of international sales at Memento Films International.
Members of the committee will will meet twice, in the presence of Boutonnat and Gilles Pélisson president of film promotion body Unifrance, both of whom...
France’s Minister of Culture Rima Abdul Malak has appointed a seven-person committee proposed by Dominique Boutonnat, president of French film board Cnc. They include composer Alexandre Desplat, whose 11 Oscar nominations have led to two wins for “The Shape of Water” and “The Grand Budapest Hotel”; former Lionsgate executive and producer Patrick Wachsberger, Oscar winner for “Coda”; and two-time Cesar winning producer Charles Gillibert.
The committee also includes Olivier Assayas, Cannes best director winner for “Personal Shopper”; Mounia Meddour, Cesar winner for “Papicha”; Sabine Chemaly, executive VP, international distribution, TF1 Studio; and Tanja Meissner, former head of international sales at Memento Films International.
Members of the committee will will meet twice, in the presence of Boutonnat and Gilles Pélisson president of film promotion body Unifrance, both of whom...
- 8/11/2023
- by Naman Ramachandran
- Variety Film + TV
The French culture ministry on Friday unveiled the new committee that will pick the French movies to enter the Oscar race in the best international film category.
The group, which French culture minister Rima Abdul Malak announced, includes the Oscar-winning producer, and ex-Lionsgate top executive and Summit boss Patrick Wachsberger (Coda), two-time Oscar-winning composer Alexandre Desplat (The Shape of Water) and directors Olivier Assayas (Personal Shopper) and Mounia Meddour (Papicha). From the film industry side, Tanja Meissner, head of sales and acquisitions at Memento Films International, and Europa International’s Sabine Chemaly will also get a vote on the French films that are submitted to the U.S. Academy.
France has overhauled its nomination process after an exceptionally long Oscar drought for Le Grand Nation. Of the last 10 French international Oscar submissions, only four made the final shortlist, and just two — Deniz Gamze Ergüven’s Mustang in 2015 and Ladj...
The group, which French culture minister Rima Abdul Malak announced, includes the Oscar-winning producer, and ex-Lionsgate top executive and Summit boss Patrick Wachsberger (Coda), two-time Oscar-winning composer Alexandre Desplat (The Shape of Water) and directors Olivier Assayas (Personal Shopper) and Mounia Meddour (Papicha). From the film industry side, Tanja Meissner, head of sales and acquisitions at Memento Films International, and Europa International’s Sabine Chemaly will also get a vote on the French films that are submitted to the U.S. Academy.
France has overhauled its nomination process after an exceptionally long Oscar drought for Le Grand Nation. Of the last 10 French international Oscar submissions, only four made the final shortlist, and just two — Deniz Gamze Ergüven’s Mustang in 2015 and Ladj...
- 8/11/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
In this time of geekery and craft reigning supreme, film critics and academics no longer reject horror movies with the knee-jerk certainty some once did. But even now the specter of “elevated horror” (see that concept’s lambasting in Matt Bettinelli-Olpin and Tyler Gillett’s “Scream 5”) looms over discussions of artier explorations of dread and terror — Ari Aster’s “Midsommar,” Luca Guadagnino’s “Suspiria,” Rose Glass’ “Saint Maud” — that are clearly distinguished from, well, non-elevated horror. The general gist is that these exceptions to the “horror is bad” rule engage your brain more than just showing brains: eaten by zombies or splattered against the wall.
How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough. Viewers forget all the time that, as Anna Karina...
How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath — that inspire such an intense physical reaction — also be cerebral experiences? The answer is obvious enough. Viewers forget all the time that, as Anna Karina...
- 8/10/2023
- by Alison Foreman
- Indiewire
Neon is climbing into the passenger seat of Michael Mann’s Ferrari, a new film from the celebrated director starring Adam Driver and Penélope Cruz. Ferrari looks to premiere at the Venice Film Festival at the end of August, with Neon acquiring the rights in North America in a competitive situation. According to Deadline, Ferrari is racing into theaters on Christmas Day 2023. STX Entertainment, who helped get the film onto the pavement, is actively involved with all the Neon negotiations (which are still being determined as of this posting). STX set up and provided most of the financing to produce the movie. With Robert Simonds, Sam Brown, and Noah Fogelson executive producing, Ferrari will be distributed internationally through STX Entertainment and its partners.
“Michael Mann, one of the most innovative and influential filmmakers in American cinema, was moved by the power of this intensely dramatic story to persist for years...
“Michael Mann, one of the most innovative and influential filmmakers in American cinema, was moved by the power of this intensely dramatic story to persist for years...
- 7/10/2023
- by Steve Seigh
- JoBlo.com
After starring in Mona Achache’s “Little Girl Blue” which played at Cannes, Marion Cotillard will work with another daring French female auteur, Lucile Hadzihalilovic, on her next film “La tour de glace.”
The long-gestated film marks the first collaboration between Hadzihalilovic and Muriel Merlin, producer at 3B Productions. Hadzihalilovic’s follow up to “Earwig,” which won the jury prize at San Sebastian, “La Tour de glace” is expected to be the director’s most accessible and ambitious film to date. The movie will reteam Hadzihalilovic with Cotillard who had starred in her 2004 film “Innocence.”
Co-written by Geoff Cox, “La tour de glace” is set in the 1970s and follows Jeanne, a teenage girl who runs away from her orphanage located in a mountain village. She flees to Paris with big dreams to fulfill and finds shelter in a warehouse which turns out to be used as a studio where...
The long-gestated film marks the first collaboration between Hadzihalilovic and Muriel Merlin, producer at 3B Productions. Hadzihalilovic’s follow up to “Earwig,” which won the jury prize at San Sebastian, “La Tour de glace” is expected to be the director’s most accessible and ambitious film to date. The movie will reteam Hadzihalilovic with Cotillard who had starred in her 2004 film “Innocence.”
Co-written by Geoff Cox, “La tour de glace” is set in the 1970s and follows Jeanne, a teenage girl who runs away from her orphanage located in a mountain village. She flees to Paris with big dreams to fulfill and finds shelter in a warehouse which turns out to be used as a studio where...
- 7/5/2023
- by Elsa Keslassy
- Variety Film + TV
(Hey, you! Yeah, you! Looking for the complete IndieWire After Dark Collection? Click here, homie!)
If a “midnight movie” is streamed on a laptop at two o’clock in the afternoon — and no one is there to obsess about it with you — is it even a midnight movie?
Some films automatically qualify as midnight movies thanks to subject matter or conceptual guts; Divine didn’t eat dog shit for you to disrespect “Pink Flamingos” (1972). Others get their genre credentials grandfathered in by decades of fans screening them; cheesy or not, “The Rocky Horror Picture Show” (1975) always counts.
But past counter-cultural phenomena can’t guide the future of the genre and weirdo film culture forever. A tradition rooted in transgression, left to wander down a sad path of static nostalgia and “The Big Lebowski” (1998) quotes, isn’t transgressive at all. And it’s not as if there’s a shortage of in-your-face cinema being produced.
If a “midnight movie” is streamed on a laptop at two o’clock in the afternoon — and no one is there to obsess about it with you — is it even a midnight movie?
Some films automatically qualify as midnight movies thanks to subject matter or conceptual guts; Divine didn’t eat dog shit for you to disrespect “Pink Flamingos” (1972). Others get their genre credentials grandfathered in by decades of fans screening them; cheesy or not, “The Rocky Horror Picture Show” (1975) always counts.
But past counter-cultural phenomena can’t guide the future of the genre and weirdo film culture forever. A tradition rooted in transgression, left to wander down a sad path of static nostalgia and “The Big Lebowski” (1998) quotes, isn’t transgressive at all. And it’s not as if there’s a shortage of in-your-face cinema being produced.
- 6/24/2023
- by Alison Foreman and Christian Zilko
- Indiewire
In our sequel to 2022’s Essential Queer Horror Movies list — which included newer films “Titane,” “Stranger By the Lake,” and “Fear Street” —we bring you even more of the best recent LGBTQ films in the genre.
Queue up these queer-friendly slashers such as “Bodies Bodies Bodies” and “Scream VI,” truly mind-bending A24 offerings like “Saint Maud” and “Climax,” as well as some terrific under-the-radar horror comedies like “Dead” from New Zealand.
Scream VI (2023)
Jasmin Savoy Brown’s character Mindy Meeks-Martin, the savvy rules follower of survivor of 2022 installment “Scream,” has a much bigger storyline as she and girlfriend Anika Kayoko (Devyn Nekoda) tangle with another Ghostface killer.
Stream on Paramount+
Bodies Bodies Bodies (2022)
In this very funny and very Gen Z thriller, things go spectacularly wrong when Sophie (Amandla Stenberg) brings new girlfriend Bee (Maria Bakalova) to a weekend party while a hurricane is brewing. Sophie’s wealthy friends look...
Queue up these queer-friendly slashers such as “Bodies Bodies Bodies” and “Scream VI,” truly mind-bending A24 offerings like “Saint Maud” and “Climax,” as well as some terrific under-the-radar horror comedies like “Dead” from New Zealand.
Scream VI (2023)
Jasmin Savoy Brown’s character Mindy Meeks-Martin, the savvy rules follower of survivor of 2022 installment “Scream,” has a much bigger storyline as she and girlfriend Anika Kayoko (Devyn Nekoda) tangle with another Ghostface killer.
Stream on Paramount+
Bodies Bodies Bodies (2022)
In this very funny and very Gen Z thriller, things go spectacularly wrong when Sophie (Amandla Stenberg) brings new girlfriend Bee (Maria Bakalova) to a weekend party while a hurricane is brewing. Sophie’s wealthy friends look...
- 6/16/2023
- by Sharon Knolle
- The Wrap
Pulsar Content and Have a Good One have unveiled an exclusive clip of “Marinette,” Virginie Verrier’s biopic film about the first French female professional soccer player, ahead of its world premiere at Tribeca Film Festival.
The film stars Garance Marillier, the breakout star of Julia Ducournau’s “Raw” and Palme d’Or winning “Titane,” and is based on Pichon’s bestselling autobiographical book.
A pioneer of French women’s soccer, Pichon held for almost two decades the record for the number of goals and caps for the French team (men/women combined). She eventually became the first French player to have a career in the U.S..
The film depicts Pichon’s fight to spread awareness on women’s rights in sport, and charts her life, from a childhood ravaged by an alcoholic and violent father to the burden of coming out in an era where LGBTQ+ rights were not recognized.
The film stars Garance Marillier, the breakout star of Julia Ducournau’s “Raw” and Palme d’Or winning “Titane,” and is based on Pichon’s bestselling autobiographical book.
A pioneer of French women’s soccer, Pichon held for almost two decades the record for the number of goals and caps for the French team (men/women combined). She eventually became the first French player to have a career in the U.S..
The film depicts Pichon’s fight to spread awareness on women’s rights in sport, and charts her life, from a childhood ravaged by an alcoholic and violent father to the burden of coming out in an era where LGBTQ+ rights were not recognized.
- 6/6/2023
- by Elsa Keslassy
- Variety Film + TV
The Cannes Film Festival has revealed the dates for its 2024 edition, which will run May 14-25.
- 6/6/2023
- by Andreas Wiseman
- Deadline Film + TV
The Cannes Film Festival has unveiled the dates of its 77th edition which will take place May 14-25, 2024.
This year’s festival wrapped May 27 with Justine Triet’s “Anatomy of a Fall” winning the Palme d’Or, Jonathan Glazer’s “A Zone of Interest” take home the Grand Prize, and Aki Kaurismäki’s “Fallen Leaves” nabbing the Jury Prize. Triet became the third woman to win the Palme d’Or in the event’s 76-year history, following fellow French filmmaker Julia Ducournau with “Titane” and Jane Campion with “The Piano.” Other winners included French-Vietnamese helmer Tran Anh Hung who won Best Director for “The Pot-au-Feu.”
The jury of the 76th edition was presided over by Ruben Ostlund, the two-time Palme d’Or winning director of “The Square” and “Triangle of Sadness.”
The first post-pandemic edition, 2023 was marked by an overall well-received Official Selection lineup and a strong presence of American talent and studios.
This year’s festival wrapped May 27 with Justine Triet’s “Anatomy of a Fall” winning the Palme d’Or, Jonathan Glazer’s “A Zone of Interest” take home the Grand Prize, and Aki Kaurismäki’s “Fallen Leaves” nabbing the Jury Prize. Triet became the third woman to win the Palme d’Or in the event’s 76-year history, following fellow French filmmaker Julia Ducournau with “Titane” and Jane Campion with “The Piano.” Other winners included French-Vietnamese helmer Tran Anh Hung who won Best Director for “The Pot-au-Feu.”
The jury of the 76th edition was presided over by Ruben Ostlund, the two-time Palme d’Or winning director of “The Square” and “Triangle of Sadness.”
The first post-pandemic edition, 2023 was marked by an overall well-received Official Selection lineup and a strong presence of American talent and studios.
- 6/6/2023
- by Elsa Keslassy
- Variety Film + TV
The growing row around Cannes Palme d’Or winner Justine Triet’s politicized victory speech as she received the coveted award for courtroom drama Anatomy of a Fall spilt into the French Parliament on Tuesday.
Triet used her Cannes victory speech on Saturday to decry the unpopular pensions reforms of President Emmanuel Macron’s government as well as what she described as its neo-liberal approach to culture, suggesting it would make it harder for a new generation of filmmakers to emerge and grow as directors.
Her comments provoked a sharp rebuke from Culture Minister Rima Abdul Malak, who Tweeted she was “flabbergasted” by Triet’s speech, describing it as “unjust”.
“This film would not have seen the light of day without our French cinema finance model, which enables a unique diversity not seen anywhere else in the world,” she wrote.
Related: The Jury Gets It (Mostly) Right In A Terrific Lineup Of Competition Films,...
Triet used her Cannes victory speech on Saturday to decry the unpopular pensions reforms of President Emmanuel Macron’s government as well as what she described as its neo-liberal approach to culture, suggesting it would make it harder for a new generation of filmmakers to emerge and grow as directors.
Her comments provoked a sharp rebuke from Culture Minister Rima Abdul Malak, who Tweeted she was “flabbergasted” by Triet’s speech, describing it as “unjust”.
“This film would not have seen the light of day without our French cinema finance model, which enables a unique diversity not seen anywhere else in the world,” she wrote.
Related: The Jury Gets It (Mostly) Right In A Terrific Lineup Of Competition Films,...
- 5/30/2023
- by Melanie Goodfellow
- Deadline Film + TV
It’s been a whirlwind two weeks, and as relieved as attendees and observers around the world are that the 2023 edition of Cannes has come to a close, we’re already eager for next year’s. Though too much attention may have been paid to the wrong things – controversies regarding the opening night selection, “Jeanne du Barry,” and altercations with police over bicycles come to mind – cinema and its celebration ultimately took centerstage. By most accounts, 2023 was an improvement over two (understandably) subdued years.
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan...
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan...
- 5/28/2023
- by Ronald Meyer and Denton Davidson
- Gold Derby
One of the biggest moments in the film industry every year is that in which the coveted Palme d’Or is handed over to the director of the Canne Film Festival’s best film. As it happens, sometimes it’s not handed but rather chucked, as this is exactly what happened at the 76th Cannes Film Festival when Jane Fonda presented the award to director Justine Triet for her film Anatomy of a Fall.
In a video that would go viral if TikTok users knew what the Cannes Film Festival was, Jane Fonda is seen trying to get the attention of Justine Triet, who left the Palme d’Or scroll at the podium. Despite her efforts, Triet is either too wrapped up in the moment or the crowd is too loud to notice, and so Fonda tosses it directly at her head. While the crowd does seem to laugh, one...
In a video that would go viral if TikTok users knew what the Cannes Film Festival was, Jane Fonda is seen trying to get the attention of Justine Triet, who left the Palme d’Or scroll at the podium. Despite her efforts, Triet is either too wrapped up in the moment or the crowd is too loud to notice, and so Fonda tosses it directly at her head. While the crowd does seem to laugh, one...
- 5/28/2023
- by Mathew Plale
- JoBlo.com
As relieved as attendees and observers around the world are that the 2023 edition of Cannes has come to a close, we’re already eager for next year’s. Though too much attention may have been paid to the wrong things – controversies regarding the opening night selection, “Jeanne du Barry,” and altercations with police over bicycles come to mind – cinema and its celebration ultimately took centerstage. By most accounts, 2023 was an improvement over two (understandably) subdued years.
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan”). The Un Certain Regard series was presided over by John C. Reilly.
This year’s Main Competition jury was headed by two-time Palme winner Ruben Östlund (“Triangle of Sadness”) and co-jurored by Julia Ducournau (“Titane”), Paul Dano, Brie Larson, Denis Ménochet (recently seen in “Beau is Afraid”), Atiq Rahimi (“Our Lady of the Nile”), Damián Szifron (“Wild Tales” and this year’s “To Catch a Killer”), Rungano Nyoni (“I Am Not a Witch”) and Maryam Touzani (“The Blue Caftan”). The Un Certain Regard series was presided over by John C. Reilly.
- 5/28/2023
- by Ronald Meyer and Denton Davidson
- Gold Derby
The 76th edition of the Cannes Film Festival came to a close on Saturday, May 27 after two weeks of films, celebrities, parties and interviews in the small city on the French Riviera. Now that the prizes have been given out, we can start looking at what could be top contenders for next year’s Oscars. Let’s analyze the results from this year’s festival and see this history that each category has when it comes to the Academy Awards.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
- 5/28/2023
- by Charles Bright
- Gold Derby
by Nathaniel R
Jane Fonda handed the Palme to Justine Triet "Anatomy of a Fall". Photo © Andreas Rentz / Getty Images
The 76th edition of Cannes has wrapped. The closing ceremony brought an end to a week plus of speculation about prizes. French auteur Justine Triet, of Sybiil fame, took the coveted Palme d'Or for her fourth narrative feature, Anatomy of a Fall. She's only the third female director to win the prize (after Jane Campion for The Piano and Julia Ducornau for Titane) though the fifth woman (Actresses Léa Seydoux and Adele Exarchopolous shared the Palme with their director in a non-traditional jury decision the year of Blue is the Warmest Colour).
A whole slew of awards are after the jump...
Jane Fonda handed the Palme to Justine Triet "Anatomy of a Fall". Photo © Andreas Rentz / Getty Images
The 76th edition of Cannes has wrapped. The closing ceremony brought an end to a week plus of speculation about prizes. French auteur Justine Triet, of Sybiil fame, took the coveted Palme d'Or for her fourth narrative feature, Anatomy of a Fall. She's only the third female director to win the prize (after Jane Campion for The Piano and Julia Ducornau for Titane) though the fifth woman (Actresses Léa Seydoux and Adele Exarchopolous shared the Palme with their director in a non-traditional jury decision the year of Blue is the Warmest Colour).
A whole slew of awards are after the jump...
- 5/27/2023
- by NATHANIEL R
- FilmExperience
Nobody can see everything that screens in competition at the Cannes Film Festival — there were 21 titles in the mix this year — and I certainly didn’t. So, without passing judgment on all of the titles that were recognized with prizes on Saturday, I must say that I am struck by the fact that all five of the eligible English-language titles — Wes Anderson’s Asteroid City, Jean-Stéphane Sauvaire’s Black Flies, Karim Aïnouz’s Firebrand, Todd Haynes’s May December and Ken Loach’s The Old Oak — were completely passed over by the jury.
Needless to say, it is not the mandate of the Cannes jury — which this year included the likes of Paul Dano, Brie Larson and recent Palme d’Or winners Ruben Östlund (2017’s The Square and 2022’s Triangle of Sadness) and 2021’s Julia Ducournau (Titane) — to try to presage the Oscar race. But it is still noteworthy, to me,...
Needless to say, it is not the mandate of the Cannes jury — which this year included the likes of Paul Dano, Brie Larson and recent Palme d’Or winners Ruben Östlund (2017’s The Square and 2022’s Triangle of Sadness) and 2021’s Julia Ducournau (Titane) — to try to presage the Oscar race. But it is still noteworthy, to me,...
- 5/27/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Neon has continued its remarkable streak of consecutive Palme d’Or wins with English and French-language drama Anatomy Of A Fall.
Justine Triet’s film becomes the U.S. distributor’s fourth consecutive Palme d’Or winner after previous acquisitions Triangle Of Sadness, Titane and Parasite.
Anatomy of a Fall follows Sandra (Sandra Hüller), a German writer, her French husband Samuel, and their eleven-year-old son Daniel who live a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he committed suicide or was killed. Samuel’s death is treated as suspicious, presumed murder, and Sandra becomes the main suspect.
Jury head Ruben Östlund said tonight at the jury press conference: “This is a film that everyone stands behind on the jury. One thing that came out [of our deliberations] was that these films created a collective experience.
Justine Triet’s film becomes the U.S. distributor’s fourth consecutive Palme d’Or winner after previous acquisitions Triangle Of Sadness, Titane and Parasite.
Anatomy of a Fall follows Sandra (Sandra Hüller), a German writer, her French husband Samuel, and their eleven-year-old son Daniel who live a secluded life in a remote town in the French Alps. When Samuel is found dead in the snow below their chalet, the police question whether he committed suicide or was killed. Samuel’s death is treated as suspicious, presumed murder, and Sandra becomes the main suspect.
Jury head Ruben Östlund said tonight at the jury press conference: “This is a film that everyone stands behind on the jury. One thing that came out [of our deliberations] was that these films created a collective experience.
- 5/27/2023
- by Andreas Wiseman
- Deadline Film + TV
If there was an award for the savviest U.S. distributor at the Cannes Film Festival, it would have to go to Neon, which scored its fourth consecutive Palme d’Or at the conclusion of the 76th edition on Saturday. The top prize went to French director Justine Triet for “Anatomy of a Fall,” a murder mystery and courtroom drama starring Sandra Hüller that Neon acquired shortly after its festival premiere on Tuesday.
In the two weeks leading up to the end of this year’s festival, critical consensus focused on “The Zone of Interest,” Jonathan Glazer’s austere riff on Martin Amis’ novel about the commander of Auschwitz. As a result, many assumed it would be an obvious choice for the Palme.
But critics don’t pick that prize; the jury is composed of filmmakers and actors who tend to land on a consensus choice for the top prize...
In the two weeks leading up to the end of this year’s festival, critical consensus focused on “The Zone of Interest,” Jonathan Glazer’s austere riff on Martin Amis’ novel about the commander of Auschwitz. As a result, many assumed it would be an obvious choice for the Palme.
But critics don’t pick that prize; the jury is composed of filmmakers and actors who tend to land on a consensus choice for the top prize...
- 5/27/2023
- by Eric Kohn
- Indiewire
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